ORAL HISTORY OF JOHN LUND KRIKEN Interviewed by Suzanne ...

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This manuscript is here<strong>by</strong> made available for research purposes only. All literary rights in the manuscript, including the right to publication, are reserved to the Ryerson and Burnham Libraries of The Art Institute of Chicago. No part of the manuscript may be quoted for publication without the written permission of The Art Institute of Chicago. ii
TABLE <strong>OF</strong> CONTENTS Preface iv Outline of Topics vi Oral History 1 Selected References 257 Biographical Profile 260 Index of Names and Buildings 262 iii
Page 1: ORAL HISTORY OF JOHN LUND KRIKEN In
Page 5 and 6: When I met Kriken he was finishing
Page 7 and 8: Diversification of projects and sta
Page 9 and 10: Kriken: But, my father told us that
Page 11 and 12: and my artwork. I got to be the cla
Page 13 and 14: gathering. I guess by the time I go
Page 15 and 16: knowledge was pretty much the Berke
Page 17 and 18: and urban design career. But rememb
Page 19 and 20: [Tape 1: Side B] notable that a lot
Page 21 and 22: Kriken: Yeah. It is. Riess: Who rep
Page 23 and 24: Riess: So you’re thrown right int
Page 25 and 26: Kriken: Yeah, we were seeing it in
Page 27 and 28: Riess: Telesis. interested in the p
Page 29 and 30: Riess: Interesting. Kriken: I can
Page 31 and 32: Riess: Do you have a feeling about
Page 33 and 34: Kriken: And it never did get simple
Page 35 and 36: and how there was just enough Europ
Page 37 and 38: Kriken: Yeah. They would make the d
Page 39 and 40: with Peery and his wife [Mimi], the
Page 41 and 42: interesting people were visiting Sa
Page 43 and 44: of temperature variation. But you r
Page 45 and 46: lock units of office buildings. So
Page 47 and 48: Riess: And did that happen among th
Page 49 and 50: Kriken: I actually got together wit
Page 51 and 52: of information you had to put toget
Page 53 and 54:
one positive place versus another d
Page 55 and 56:
Kriken: We had three publications.
Page 57 and 58:
Kriken: Well, I guess it depends. Y
Page 59 and 60:
Riess: I guess it was more a time w
Page 61 and 62:
Kriken: There were certainly things
Page 63 and 64:
Kriken: Oh, yeah. Because everythin
Page 65 and 66:
projects with repetitive building t
Page 67 and 68:
Kriken: Yes, they were. Just a coup
Page 69 and 70:
show. It’s so wonderful. They mad
Page 71 and 72:
neighborhood, whatever scale you’
Page 73 and 74:
necessarily worse. Is that true? Or
Page 75 and 76:
Riess: Roger Montgomery was an urba
Page 77 and 78:
Kriken: I don’t know. He doesn’
Page 79 and 80:
Kriken: …consulting but very spec
Page 81 and 82:
Kriken: About part of this project,
Page 83 and 84:
the science and engineering labs, a
Page 85 and 86:
conceptually. They all came one aft
Page 87 and 88:
to pin up policy or ideas in this m
Page 89 and 90:
Riess: Okay, changing the subject b
Page 91 and 92:
Kriken: Probably. That’s true. Al
Page 93 and 94:
Kriken: Seriously? I think, for me,
Page 95 and 96:
our presentations always had to hav
Page 97 and 98:
Kriken: Clear Lake, yeah. And one o
Page 99 and 100:
Kriken: I guess. Or his partners ma
Page 101 and 102:
Kriken: You mean just in doing the
Page 103 and 104:
Kriken: That’s a very Skidmore th
Page 105 and 106:
Riess: Once you could see your spec
Page 107 and 108:
architectural firms--had tried to n
Page 109 and 110:
Kriken: Well, every ten years, the
Page 111 and 112:
kind of reminiscing and talking abo
Page 113 and 114:
Riess: So the first firm award was
Page 115 and 116:
Riess: How about Hispanic? Kriken:
Page 117 and 118:
Riess: But did you feel at some poi
Page 119 and 120:
Riess: What does Class A office bui
Page 121 and 122:
Kriken: And I remember we talked ab
Page 123 and 124:
Riess: You are an urban design part
Page 125 and 126:
there--but it was so interesting as
Page 127 and 128:
Kriken: Right. The peculiarity ther
Page 129 and 130:
And I’m just there to provide a w
Page 131 and 132:
Riess: Yeah. minimized. This makes
Page 133 and 134:
seen so much building in this city
Page 135 and 136:
Kriken: No. It’s proprietary, and
Page 137 and 138:
so it is a connecting on a social b
Page 139 and 140:
good team players. I can think of a
Page 141 and 142:
maybe the social aspects are not--t
Page 143 and 144:
Kriken: Yeah. And then we had assoc
Page 145 and 146:
Riess: They are called to go there?
Page 147 and 148:
Kriken: I don’t know that. Riess:
Page 149 and 150:
Kriken: Yeah. It’s terrible when
Page 151 and 152:
Riess: Ouroussoff doesn’t deal wi
Page 153 and 154:
Riess: Really. There may be landmar
Page 155 and 156:
seems like such a great investment
Page 157 and 158:
Riess: Oh yes. Where are they based
Page 159 and 160:
[Tape 9: Side A] Kriken: Frequently
Page 161 and 162:
center of downtown, stepping down t
Page 163 and 164:
Bay Area region. Hong Kong is so de
Page 165 and 166:
Riess: It sounds like you really be
Page 167 and 168:
void. It was just a complete flip-f
Page 169 and 170:
Kriken: The North of Market Plannin
Page 171 and 172:
Riess: Yes. In that case your exper
Page 173 and 174:
Kriken: You could have all of your
Page 175 and 176:
instead of being just some kind of
Page 177 and 178:
Riess: When you meet people, do you
Page 179 and 180:
architecture begins. But it seems t
Page 181 and 182:
Riess: So where is the credit seen?
Page 183 and 184:
when I get some notice in one of th
Page 185 and 186:
walking. It was after the first Ira
Page 187 and 188:
problems is that it begins to narro
Page 189 and 190:
linear single street. It didn’t r
Page 191 and 192:
hadn’t made a lake in Shanghai in
Page 193 and 194:
Riess: That’s what I wondered. Kr
Page 195 and 196:
Kriken: Yeah, well, just say there
Page 197 and 198:
away to some place where it is prop
Page 199 and 200:
why we hear stories that in India e
Page 201 and 202:
in Shanghai is an example of trying
Page 203 and 204:
Riess: Yeah. Okay. Kriken: I’m no
Page 205 and 206:
part of the identity of the place t
Page 207 and 208:
Kriken: Well, yes. In that instance
Page 209 and 210:
Riess: I don’t understand how LEE
Page 211 and 212:
Kriken: Well, a little bit what I
Page 213 and 214:
Kriken: …protective. It’s almos
Page 215 and 216:
could imagine putting this campus i
Page 217 and 218:
there was a time when I said, “We
Page 219 and 220:
think of an example, somebody could
Page 221 and 222:
separating uses, and so they lost a
Page 223 and 224:
document your thinking in such a wa
Page 225 and 226:
wiggle this path just to get the ex
Page 227 and 228:
elsewhere in the world is the state
Page 229 and 230:
production should compete with hous
Page 231 and 232:
[End of Tape 12; Tape 12: Side B is
Page 233 and 234:
Riess: Of the city. as a joke, beca
Page 235 and 236:
the beautiful French silhouetted bu
Page 237 and 238:
have this impression, and in actual
Page 239 and 240:
Riess: Yes, yes. him when we were p
Page 241 and 242:
Kriken: Let me see. Oh, TEDA, okay,
Page 243 and 244:
They didn’t think about the real
Page 245 and 246:
Riess: That’s interesting. What y
Page 247 and 248:
Kriken: It is; it looks like one of
Page 249 and 250:
the Sunday Afternoon Watercolor Soc
Page 251 and 252:
Riess: That part of the job many pe
Page 253 and 254:
Kriken: And then I would spend a we
Page 255 and 256:
Kriken: I think it is gaining the r
Page 257 and 258:
Kriken: These could be design partn
Page 259 and 260:
Kriken: Well, it’s probably a lit
Page 261 and 262:
Riess: That’s good. Kriken: Or ad
Page 263 and 264:
256
Page 265 and 266:
Urban Design: Process, Products and
Page 267 and 268:
JOHN LUND KRIKEN Born: July 5, 1938
Page 269 and 270:
Adams, Chris 80, 82 Alexander, Chri
Page 271:
264
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ORAL HISTORY OF JOHN LUND KRIKEN Interviewed by Suzanne ...

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