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Visual Arts - NCCA

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Development of visual literacy<br />

through the strands<br />

Stages of development in art<br />

The acquisition of visual imagery skills by the student<br />

is a developmental process. For this reason it is<br />

seldom useful to focus on the student’s development<br />

in terms of age or class grouping, especially in relation<br />

to the student with mild general learning disabilities.<br />

Indeed, to force the student towards art concepts<br />

that are incongruous to the student’s own schema<br />

or stage of visual image development could prove<br />

counter-productive to a positive art experience. (See<br />

Approaches and methodologies, page 16.)<br />

The stimulus<br />

When planning an art lesson, just as in planning an<br />

oral language lesson culminating in a written piece, it<br />

is appropriate to take a starting point. From this, the<br />

student is stimulated by the concrete world and can<br />

explore ways of deconstructing and reconstructing<br />

concepts in truly creative ways. The teacher should<br />

decide what the stimulus is to be.<br />

Possibilities include:<br />

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oral language: This can provide descriptions of<br />

characters and events, both imaginary and real, in<br />

the form of news, song, story, etc.<br />

the world around us: The environment provides<br />

the student with a wealth of information, diversity,<br />

manifestation of the visual art elements, and so on<br />

that may be explored in the student’s own art.<br />

observation: By examining animals, objects,<br />

people, nature, etc. the student enhances his/her<br />

knowledge of the world and the relationships<br />

within it.<br />

use of a theme (such as farm, zoo, family, our<br />

school): This approach allows for a high degree<br />

of linkage with other areas of the curriculum and<br />

opportunities to revisit concepts and skills. (See<br />

Approaches and methodologies.)<br />

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n<br />

Guidelines Mild General Learning Disabilities / <strong>Visual</strong> <strong>Arts</strong> / PRIMARY<br />

materials as stimuli: The student’s experience of<br />

the qualities and characteristics of a particular<br />

medium or set of media can evoke a creative<br />

response.<br />

the work of artists, craftspeople and designers:<br />

This can be used to help the student to focus<br />

on the elements of art and the possibilities of<br />

materials, thus providing a useful starting point for<br />

the student’s own art.<br />

When considering stimuli for visual arts learning for<br />

the student with mild general learning disabilities,<br />

there is not as much emphasis on using the<br />

imagination or personal experience as a starting point<br />

as there is in the mainstream curriculum. Very often<br />

these students have difficulty with long-term memory.<br />

This can create anxiety if the student is required<br />

to recall events and process them in order to find<br />

stimulation for the art process. Similarly, the student<br />

may find it arduous, and in some cases impossible, to<br />

express an imagined response, since the imagination<br />

depends upon experiences that are consigned to<br />

memory and can be deconstructed and reapplied to a<br />

different situation.<br />

The six strands<br />

The six strands provide the student with opportunities<br />

for essential learning, skills development, and artistic<br />

expression. They offer scope for diverse learning<br />

experiences and for the student to become visually<br />

literate.<br />

12

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