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Visual Arts - NCCA

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Strand: Clay Theme: Making marks Level: 1<br />

Information<br />

A unit of work for students at the early scribbling stage<br />

The student should be enabled to<br />

• explore and experiment with clay and with simple clay tools<br />

•<br />

•<br />

•<br />

•<br />

feel and see the effect of his/her mark-making on and into the surface of clay<br />

gain an understanding of the qualities and characteristics of clay<br />

explore the decorative possibilities of pattern through imprint<br />

make a clay plaque decorated with impressions.<br />

Stimulus Language<br />

n<br />

n<br />

n<br />

n<br />

Hands are unique and everyone is different. (This<br />

can include the previous handprint activity.)<br />

We can make marks that are different from<br />

everyone else’s marks.<br />

Find and collect textured (not smooth) objects for<br />

class displays—bark on trees, orange peel, shells,<br />

pinecones, etc.<br />

Find and make collections for display of some<br />

patterned/textured pottery, carved wood, etc. for<br />

students to handle and examine.<br />

Activity<br />

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><br />

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><br />

n<br />

n<br />

n<br />

Guidelines Mild General learning disabilities / <strong>Visual</strong> <strong>Arts</strong> / PRIMARY<br />

The vocabulary of texture—smooth, rough,<br />

bumpy, etc.<br />

Describing what clay feels like<br />

Describing what actions we can perform with<br />

clay—pushing, pressing, scratching, rolling,<br />

squeezing, etc.<br />

First, the student is given a piece of natural clay (terracotta or buff) for rolling out, and a rolling pin. The clay<br />

is rolled flat to form a tile/plaque onto which the student can make marks (approximately 1cm thick).<br />

The student can begin to decorate the tile by pressing his/her hand into the clay and making an imprint of<br />

the hand.<br />

Other similar activities that can be incorporated into this activity include making a pattern with found objects<br />

such as forks, lollipop sticks, bottle tops, marker tops.<br />

When dry, the clay may be painted and glossed if desired, remembering to leave a small hole in order to<br />

allow for a hanging string.<br />

Assessment<br />

•<br />

•<br />

•<br />

•<br />

Exemplar 4: <strong>Visual</strong> <strong>Arts</strong><br />

Has the student attempted to make marks onto the clay surface?<br />

What evidence is there of awareness of pattern?<br />

Can the student choose a favourite piece for display purposes?<br />

Could the student take a photograph of a completed piece for inclusion in a portfolio?

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