Abstracts - American Musicological Society

More documents

Recommendations

Info

CONTENT S THURSDAY, 6 NOVEMBER, 2:00 _ 5:00 p.M. Topics in Spanish Music Topics in Baroque Lute Music Haydn and Beethoven Schumann and Bruckner Twentieth-Century Topics Text and Topics in Music in Mahler Critical FRIDAY, 7 NOVEMBER, 9:00 - 12:00 A.M. Mu.s i c Catholic Music <strong>Society</strong>, Haydn to Schubert Vocabularies FRIDAY, 7 NOVEMBER, 2:OO Chant and Liturgy Renaissance Archival Studies Performance Practices Nineteenth-Century Theater Stravinsky and Octatonicisn SUNDAY, 9 NOVEMBER, 9:OO Four Renaissance i^Iorks Topics in Baroque Music Ylozarx and Beethoven Music and Literature 5:00 P.M. SATURDAY, 8 NOVEMBER, 9 : 00 _ 12 : 00 A. M. Chant Some Attribution problems in Renaissance Music B ach LLszt Anerican Music SATURDAY,8 NOVEMBER,2:00 _ 5:00 p.M. Topics in Renaissance Music Topics in Italian Music Eighteenth-Century Music Theory Music and <strong>Society</strong> in the Early Twentieth Century Genre: Implications for History and Criticism L2:00 A.M. 1 4 7 10 13 1-6 L9 22 25 10 J.L JJ 35 39 4J 43 45 48 51 54 57 60 bJ 66 68 7I 74 78 81
THURSDAY,5 NOVEMBER,2:OO - 5:00 P.M TOPICS IN SPANISH MUSIC Alejandro E. Planchart, University of California, Santa Barbara, Chair SPANISH MASS CYCLES AND THEIR MANUSCRIPTS Andrew Tornasello, Baruch Co11ege, CUNY The present assessment of late fourteenth-century collections of sacred polyphony is based prinarily on the French sources Apt 16bis, Ivrea 115, and a few peripheral documents. A close physical examination of several ners sources recently discovered in Barcelonars Bibl ioteca central has yielded much infornation that significantly alters our assumptions. MSS Barc E and F, containing a total of ten works (six unica), are not distinctly different manuscripts but rather two gatherings drawn from one large source. Neither is Barc D (with nine works) rhe haphazardly arranged sextern that published descriptions would have us believe. When properly reconstructed, the bifolios reveal themselves to have been extracted from two quaternions, each of which held a complece mass cycle. The con"clusions, based prirnarily on paleographic grounds, clearly show that these, as well as other collections fron Catalonia (Barc A, B, C , and Barc -Ger) , belong to either of tr,ro types : 1) the large- format source that groups works according to genre: and 2) the sma11er, somewhat later document of complete nass cycles. In spite of the fragmentary nature of nearly all of these sources, each document is shotrn to be a neatly arranged and 1ogically planned collection of sacred polyphony. It can also be demonstrated that most of these manuscripts were cornpiled or owned by "Spaniards." The evidence proves that northern Spain r^'as a nuch more important center in the dissemination of late fourteenth-century nusic than we have heretofore believed. IN RENAISSANCE SPAIN Jane MorIet Hardie, NSW State Conservatorium, Sydney Known to have been a late medieval addition to Lauds on the last three days of Holy Week, the kyries tenebrarum, troped Kyrie, or ninefold kyrie Iitany as it was variously ca11ed, has hitherto been presumed to have been peculiar to some French liturgies, and to the Sarum rite. Surviving nanuscript and printed sources of this liturgical unit often contain elaborate
Page 1: Abstracts of Papers Read at the Fif
Page 5 and 6: Thursday afcernoon addition ro Torr
Page 7 and 8: Thursdav afternoon The evidence is
Page 9 and 10: Thursday afternoon HAYDN AND BEETHO
Page 11 and 12: Thursday afternoon systematic inves
Page 13 and 14: Thursday afternoon Schlegelian arab
Page 15 and 16: Thursday afternoon With the diverse
Page 17 and 18: Thursday afternoon THE PATH FROM EX
Page 19 and 20: Friday morning errors, such as the
Page 21 and 22: Friday morning L9 have been placed,
Page 23 and 24: Friday rnorning 2T A CATHOLIC },TAN
Page 25 and 26: Friday morning art historians conce
Page 27 and 28: Friday morning vantage point of a s
Page 29 and 30: Friday morning reticent about the p
Page 31 and 32: Friday rnorning basic criterion for
Page 33 and 34: Friday afternoon FRIDAY, T NOVEMBER
Page 35 and 36: Friday afternoon St.-Etienne or i-n
Page 37 and 38: Friday afternoon post-Josquin polyp
Page 39 and 40: Friday afternoon first part of the
Page 41 and 42: Friday afternoon ARTICULATION AND '
Page 43 and 44: Friday afternoon This paper will co
Page 45 and 46: Saturday morning 43 STRAVINSKY AND
Page 47 and 48: Saturday morning formulaic usage am
Page 49 and 50: Saturday morning 47 as an introduct
Page 51 and 52: Saturday rnornlng 2) Orchestral "pi
Page 53 and 54:
Saturday rnorning on a host of othe
Page 55 and 56:
Saturday morning time but whieh est
Page 57 and 58:
SaturdaY morning 55 AN INTRODUCTION
Page 59 and 60:
Saturday afternoon Hawkins recorded
Page 61 and 62:
Saturday afternoon phenomenon (see
Page 63 and 64:
SaturdaY afternoon ERCOLE BOTTRIGAR
Page 65 and 66:
Saturday afternoon 53 traditions nu
Page 67 and 68:
Saturday afternoon responded htith
Page 69 and 70:
SaturdaY afternoon 67 tenet sometim
Page 71 and 72:
Saturday afternoon deal of difficul
Page 73 and 74:
SundaY rnornlng Nocturne. The cultu
Page 75 and 76:
SundaY norning lrhen the be11 shoul
Page 77 and 78:
SundaY norning 75 circulated in ,En
Page 79 and 80:
SundaY norning CEORGE FRIDERIC HAND
Page 81 and 82:
SundaY mornlng on other ,"Op. II" s
Page 83 and 84:
SundaY morning suggest .:h"a differ
Page 85 and 86:
SundaY norning 83 the association_-
Page 87:
Luscig, Roger' 63- \\aceY, Patrick'
show all

Abstracts - American Musicological Society

Create successful ePaper yourself

Delete template?

Save as template?