IMATRONIC | Festival of Electronic Music at ZKM
IMATRONIC | Festival of Electronic Music at ZKM
IMATRONIC | Festival of Electronic Music at ZKM
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Wed–Sun, November 23–27, 2011<br />
<strong>IMATRONIC</strong> | <strong>Festival</strong> <strong>of</strong> <strong>Electronic</strong> <strong>Music</strong> <strong>at</strong> <strong>ZKM</strong><br />
Ceremony with prize awards, concerts, as well as symposium and<br />
exhibition<br />
The <strong>IMATRONIC</strong> <strong>Festival</strong> <strong>of</strong> <strong>ZKM</strong> | Institute for <strong>Music</strong> and Acoustics<br />
(IMA) is the largest festival <strong>of</strong> electronic music in Germany th<strong>at</strong><br />
presents and recognizes current new developments.<br />
The focus <strong>of</strong> this year’s event is the awarding <strong>of</strong> the renowned<br />
Giga-Hertz Prize and the Walter-Fink Prize <strong>of</strong> <strong>ZKM</strong>.<br />
The combin<strong>at</strong>ion <strong>of</strong> piano and electronic music is a mark <strong>of</strong><br />
distinction on the intern<strong>at</strong>ional landscape for <strong>ZKM</strong> | Institute for<br />
<strong>Music</strong> and Acoustics. This becomes especially visible in the series<br />
Piano+, which premiers central positions in contemporary piano<br />
composition.<br />
A special emphasis is given with the present<strong>at</strong>ion <strong>of</strong> Iannis Xenakis<br />
– a symposium, as well as a concert evening in the context <strong>of</strong><br />
Piano+, are dedic<strong>at</strong>ed to this visionary composer.<br />
The Giga-Hertz-Prize for electronic music – given by the<br />
EXPERIMENTALSTUDIO des SWR and <strong>ZKM</strong> | Institute for <strong>Music</strong> and<br />
Acoustics – is unique among music prizes in Germany in its them<strong>at</strong>ic<br />
orient<strong>at</strong>ion.<br />
The Giga-Hertz Main Prize this year goes to the composer and<br />
conductor Pierre Boulez. With his live electronic works<br />
“…explosante fixe…,“ ”Répons,” ”Dialogue de l’ombre double,” and<br />
”Anthèmes II” he set ground-breaking impulses in the last 40 years<br />
<strong>of</strong> music-historical developments. Of epochal significance is his<br />
advancement <strong>of</strong> the appreci<strong>at</strong>ion for the musical space and the new<br />
assignment <strong>of</strong> musicians in today’s concert practice, through the<br />
influence <strong>of</strong> electronics.<br />
The jury, consisting <strong>of</strong> Peter Weibel (Director <strong>ZKM</strong> | Karlsruhe), Ludger<br />
Brümmer (Head <strong>ZKM</strong> | Institute for <strong>Music</strong> and Acoustics), Detlef<br />
Heusinger (Head EXPERIMENTALSTUDIO des SWR), Björn Gottstein<br />
(musicologist and journalist), Rainer Pöllmann (musicologist and<br />
journalist), especially recognized the pioneer work th<strong>at</strong> Boulez achieved<br />
in the genre <strong>of</strong> electronic music.<br />
In honor <strong>of</strong> Boulez, on this evening three <strong>of</strong> his compositions will be<br />
performed, reflecting the diversity <strong>of</strong> his oeuvre: a purely instrumental<br />
work, an instrumental work with live electronics, and an acousm<strong>at</strong>ic<br />
composition.<br />
Due to the numerous talents, especially among the younger gener<strong>at</strong>ion <strong>of</strong><br />
composers, this year’s jury decided to award more prizes than in<br />
previous years, in a special gesture <strong>of</strong> support to new composers. The<br />
Giga-Hertz Supporting Prizes for 2011 go to:<br />
Aaron Einbond (USA), Madjid Tahriri (Iran), Anthony Tan (Canada), Eric<br />
Press Inform<strong>at</strong>ion<br />
November 2011<br />
<strong>IMATRONIC</strong> | <strong>Festival</strong> <strong>of</strong><br />
<strong>Electronic</strong> <strong>Music</strong><br />
Loc<strong>at</strong>ion<br />
<strong>ZKM</strong> | Center for Art and Media<br />
Karlsruhe<br />
D<strong>at</strong>e<br />
Wed–Sun, November 23–27,<br />
2011<br />
Press Contact<br />
Dominika Szope<br />
Head <strong>of</strong> Department Press and<br />
Public Rel<strong>at</strong>ions<br />
Tel: 0721 / 8100 – 1220<br />
Denise Rothdiener<br />
Press Assistent<br />
Tel: 0721 / 8100 – 1821<br />
E-Mail: presse@zkm.de<br />
www.zkm.de/presse<br />
<strong>ZKM</strong> | Center for Art and Media<br />
Karlsruhe<br />
Lorenzstraße 19<br />
76135 Karlsruhe<br />
Germany<br />
Partners <strong>of</strong> the <strong>ZKM</strong>:<br />
Partner <strong>of</strong> the Giga-Hertz-Prize:
Lyon (USA), Benedikt Schiefer (Germany) and Andrea Vigani (Italy).<br />
The Walter-Fink-Prize <strong>of</strong> the <strong>ZKM</strong> for dance, electroacoustic music and<br />
media, which is sponsored by the music p<strong>at</strong>ron Walter Fink, enables new<br />
conceptions and their realiz<strong>at</strong>ions <strong>at</strong> <strong>ZKM</strong>. The Walter-Fink-Prize this<br />
year goes to the Canadian duo Mireille Leblanc and Åke Parmerud.<br />
In a public ceremony, the prizes will be awarded by renowned<br />
personalities from the cultural and political sectors. The prize winner<br />
concerts honor the prize winners <strong>of</strong> 2011 and present premiers by last<br />
year’s prize winners, for example the interactive dance performance <strong>of</strong><br />
the young Berlin artists Pipo Tafel and Daniel Berwanger as well as new<br />
electroacoustic compositions for the <strong>ZKM</strong>_Klangdom by Orestis<br />
Karamanlis and Robert Normandeau.<br />
The awards ceremony will be heralded by an afternoon concert by the<br />
EXPERIMENTALSTUDIO des SWR with compositions for instruments<br />
and live electronics Detlef Heusinger, André Richard, and Mark André.<br />
In four concerts the pianist C<strong>at</strong>herine Vickers is cur<strong>at</strong>or <strong>of</strong> the concert<br />
series Piano+, presenting central positions in contemporary piano<br />
compositions th<strong>at</strong> blow open the borders <strong>of</strong> the instrument and expand it<br />
by medial, the<strong>at</strong>rical, or electroacoustic elements. The individpremièrel<br />
concerts set points <strong>of</strong> special interest and perspectives. The opening<br />
night will begin with audiovispremièrel compositions by Spassov,<br />
Messmer, and Beil. Along with the three central pianists <strong>of</strong> the festival –<br />
C<strong>at</strong>herine Vickers, Rei Nakamura, and Sebastian Berweck – the<br />
excellent trombonist Mike Svoboda will perform as a guest in this concert.<br />
The concert part to follow, performed by the pianist Maki Namekawa, will<br />
be characterized by the aspect <strong>of</strong> the mechanical in works by Conlon<br />
Nancarrow, the minimalist Phillip Glass, and a particip<strong>at</strong>ive work by<br />
Ludger Brümmer.<br />
This year again, Piano+ presents uncommon premieres th<strong>at</strong> expand the<br />
canon <strong>of</strong> the piano. Along with two works by Iannis Xenakis, Rei<br />
Nakamura will premiere compositions by Martin Iddon (with the midigrand<br />
piano) and pure-d<strong>at</strong>a actionist Johannes Kreidler. The pianist<br />
Sebastian Berweck, a specialist in the connection between electronics<br />
and piano, presents a program with compositional highlights by<br />
Finnendahl, Poppe, Marcoll, and Tutschku.<br />
In the context <strong>of</strong> Piano+, a concert is dedic<strong>at</strong>ed to Iannis Xenakis, the<br />
visionary who worked between m<strong>at</strong>hem<strong>at</strong>ics, architecture, and music:<br />
rarely performed piano pieces such as “Evryali,” “Six Chansons,” “Mists,”<br />
and “À.r. (hommage á Ravel)” as well as “Dikhthas” for piano and violin<br />
will juxtapose electroacoustic compositions. A two-day symposium with<br />
Xenakis specialists focuses on the future <strong>of</strong> his electronic compositions<br />
under the aspects <strong>of</strong> performance practices and their importance for<br />
contemporary algorithmic composition.
Program <strong>IMATRONIC</strong><br />
Wed, November 23, 2011:<br />
Opening Concert <strong>IMATRONIC</strong><br />
8 p.m. <strong>at</strong> <strong>ZKM</strong>_Cube<br />
“Öffentliche Intimität [Public Intimacy]”<br />
Piano+ I “Mechanics” Piano+ II<br />
Thurs, November 24, 2011:<br />
“Iannis Xenakis 1922 – 2001”<br />
5 p.m. <strong>at</strong> the <strong>ZKM</strong>_Lecture Hall<br />
Symposium “Xenakis, Algorithms, <strong>Electronic</strong>s”<br />
Lectures by Makis Solomos and Sharon Kanach, followed by podium<br />
discussion<br />
7 p.m. <strong>at</strong> <strong>ZKM</strong>_Cube<br />
“Iannis Xenakis: Piano and Electroacoustics” Piano+ III<br />
Iannis Xenakis “Evryali” for piano (1973)<br />
“Six Chansons” for piano (1951)<br />
“Mists” for piano (1981)<br />
“Dikhthas” for piano and violin (1979)<br />
“Concret PH” for two-channel sound reel (1958)<br />
“Orient-Occident” for four-channel sound reel (1960)<br />
“Analogique B” for four-channel sound reel (1959)<br />
“Mycènes Alpha” for two-channel sound reel (1978)<br />
Piano: Rei Nakamura, Axel Gremmelspacher, C<strong>at</strong>herine Vickers<br />
Violin: Jacek Klimkiewicz<br />
9 p.m. <strong>at</strong> <strong>ZKM</strong>_Cube<br />
“Xenakis today” Piano+ IV<br />
Iannis Xenakis “À.r.(Hommage à Ravel)” for piano (1987)<br />
“Herma” for piano (1960/61)<br />
Martin Iddon (*1975) “New Work” with midi-grand piano and electronics<br />
(UA, 2011) Johannes Kreidler (*1980) for piano and video (UA, 2011)<br />
Piano: Rei Nakamura, NN<br />
Fri, November 25, 2011:<br />
“PIATRONICS”, “BUTOH”<br />
5 p.m. <strong>at</strong> the <strong>ZKM</strong>_Lecture Hall<br />
Symposium “Xenakis, Algorithms, <strong>Electronic</strong>s”<br />
Lectures by Daniel Teige and Reinhold Friedl<br />
7 p.m. <strong>at</strong> the <strong>ZKM</strong>_Cube<br />
“Pi<strong>at</strong>ronics” Piano+ V<br />
Enno Poppe (*1969) “Arbeit / Work” (2007/08, 15')<br />
Orm Finnendahl (*1963) “Wheel <strong>of</strong> Fortune” for midi-grand piano and live<br />
electronics with video (1993/94, rev. 1995, 15’)<br />
Maximilian Marcoll (*1981) “Samstag morgen – Berlin-Neukölln. Studie.<br />
Und Selbstportrait. Mit Hirsch. Für Klavier und Zuspielungen [S<strong>at</strong>urday<br />
Morning – Berlin – Neukölln. Study. And Self-portrait. With Stag. For<br />
piano and accompaniment]” (2007)<br />
Hans Tutschku (*1966) “Zellen – Linien [Cells – Lines]” for piano and live<br />
electronics (2007)<br />
Terry Riley (*1935) “Keyboard Study #2” (realized with<br />
Zirkonium/Klangdom)
Piano: Sebastian Berweck<br />
9 p.m. <strong>at</strong> the <strong>ZKM</strong>_Cube<br />
“Butoh-Dance” – <strong>Electronic</strong> <strong>Music</strong> and Dance<br />
Gilles Gobeil “Effraction de l'oubli Compagnie Li(luo)” for music and<br />
Butoh dance (2010) Dance: Camille Mutel<br />
Gilles Gobeil: Sound Director / Klangdom<br />
S<strong>at</strong>, November 26, 2011:<br />
<strong>IMATRONIC</strong> Awards Ceremony and Concerts<br />
Giga-Hertz-Prize, Walter-Fink-Prize<br />
5 p.m. <strong>at</strong> the <strong>ZKM</strong>_Media The<strong>at</strong>er<br />
Concert EXPERIMENTALSTUDIO des SWR<br />
André Richard: “Glidif” for contrabass clarinet, two contrabasses and live<br />
electronics (1989-91,16’)<br />
João Pedro Oliveira: “Angel Rock” for bass clarinet, drums and live<br />
electronics (2010, 9’)<br />
Detlef Heusinger: “Abraum II” (new arrangements) for violin, violoncello,<br />
piano and live electronics (2010, 20’)<br />
Live electronic realis<strong>at</strong>ion: EXPERIMENTALSTUDIO <strong>of</strong> the SWR<br />
Klangregie: Thomas Hummel, André Richard, Detlef Heusinger, Joachim<br />
Haas, Simon Spillner;<br />
Conductor: Detlef Heusinger<br />
Collegium Novum Zurich: Urs Walker (violin), Imke Frank (cello),<br />
Johannes Nied (contrabass), Käthi Steuri (contrabass), Elmar Schmid<br />
(contra-)bassclarinet, Simone Keller (piano), Martin Lorenz (marimba)<br />
7 p.m. <strong>at</strong> the <strong>ZKM</strong>_Foyer<br />
Prize Awards and Concerts<br />
Giga-Hertz-Prize for electronic music 2011<br />
Walter-Fink-Prize for dance, electroacoustic music and media<br />
Eric Lyon, Andrea Vigani, Benedikt Schiefer, Anthony Tan, Aaron<br />
Einbond, Madjid Tahriri;<br />
Horacio Vaggione;<br />
Pierre Boulez<br />
8.45 p.m. <strong>at</strong> the <strong>ZKM</strong>_Media The<strong>at</strong>er<br />
Pierre Boulez<br />
Concert with the EXPERIMENTALSTUDIO <strong>of</strong> the SWR<br />
Pierre Boulez: "Anthèmes I" for violin<br />
Mark Andre: "...hoc..." for violoncello and live electronic music (2006)<br />
Pierre Boulez: "Anthèmes II" for violin and live electronic music<br />
Michael Barenboim (violin)<br />
Imke Frank (violoncello), Collegium Novum Zurich<br />
Live electronic realis<strong>at</strong>ion: EXPERIMENTALSTUDIO <strong>of</strong> the SWR<br />
9.30 p.m. <strong>at</strong> the <strong>ZKM</strong>_Foyer<br />
Dance Performance by the 2010 Walter-Fink Prize Winner<br />
Daniel Berwanger and Pipo Tafel with Iain McCurdy One Three Two<br />
(133) Composition for solo-dance, camera, live-electronics [UA, 2011]<br />
10.15 p.m. <strong>at</strong> the <strong>ZKM</strong>_Cube<br />
Concert with new productions by the Prize Winners 2010<br />
Robert Normandeau Le Part des Anges" [The Angels’ Share] (UA, 2011)
Orestis Karamanlis "Toys" for 24-kanal fixed media (UA, 2011)<br />
Horacio Vaggione: Points Critiques (2011)<br />
11.30 p.m. on the <strong>ZKM</strong>_<strong>Music</strong> Balcony<br />
Reception and Dinner<br />
Sun, November 27, 2011:<br />
7 p.m. <strong>at</strong> the <strong>ZKM</strong>_Media The<strong>at</strong>er<br />
“rememberemember. Wilson's Waco, W<strong>at</strong>ermill, World”<br />
Film première in celebr<strong>at</strong>ion <strong>of</strong> Robert Wilson’s 70th birthday in the<br />
presence <strong>of</strong> Robert Wilson and Sacha Goldman<br />
Further inform<strong>at</strong>ion: http://on1.zkm.de/zkm/stories/storyReader$7801