SUPRAPHON New Release February 2011 - Gillmore Music
SUPRAPHON New Release February 2011 - Gillmore Music
SUPRAPHON New Release February 2011 - Gillmore Music
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Feuille-inde021.qxd 23/04/10 11:31 Page 1<br />
NOUVEAUTÉS / NEW RELEASES 2010<br />
Camille SAINT-SAENS (1835-1921)<br />
Complete Chamber <strong>Music</strong> with Winds<br />
CD1 : 1857-1915<br />
Septuor op.65 for trumpet, 2 violins, viola, cello, double bass & piano<br />
Romance for french cor et piano op.36<br />
Tarentelle for clarinet, flute & piano op.6<br />
The Swan - ext. Le carnaval des animaux<br />
The Elephant - ext. Le carnaval des animaux<br />
Transcription for contrabassoon<br />
Romance for flute & piano op.37<br />
Cavatine for trombone & piano op.144<br />
Romance for french cor et piano op.67<br />
Caprice sur des Airs Danois et Russes<br />
for flute, oboe, clarinet, piano op.79<br />
“Mon coeur s’ouvre à ta voix” - ext. Samson et Dalila<br />
Transcription for bassoon & piano<br />
CD2 : 1920-1921<br />
Sonate for Clarinet & piano op.167<br />
Prière for Bassoon & piano op.158<br />
Transcription from cello<br />
Sonate for Oboe & piano op.166<br />
Odelette for Flute & piano op.162<br />
Sonate for Bassoon & piano op.168<br />
Orchestre de Paris Soloists<br />
André Cazalet, french horn - Guillaume Cottet-Dumoulin, trombone<br />
Olivier Derbesse, clarinet - Alexandre Gattet, oboe<br />
Yves d’Hau, contrabassoon - Frédéric Mellardi, trumpet<br />
Vincent Lucas, flute - Marc Trénel, bassoon<br />
Eiichi Chijiiwa, Angélique Loyer, violons,<br />
Ana Bela Chaves, viola - Emmanuel Gaugué, cello,<br />
Bernard Cazauran, double basse<br />
Laurent Wagschal, Pascal Godart, piano<br />
Ref : INDE021 - P & © indésens 2010<br />
Distribution : CODAEX - MERCURY - ALLEGRO<br />
The Complete Chamber <strong>Music</strong> works with winds, demonstrates that Saint-<br />
Saëns is the origin of the wordlwide famous “french winds tradition”. In a<br />
century mostly inspired by german romantic orchestral pieces, Saint-Saëns<br />
considered the wind instruments on the same level as violin and piano. In the<br />
evening of his life, aged eighty-five, Saint-Saëns came back to wind sonatas.<br />
Although being very classical, the three 1921 sonatas announce the “Groupe<br />
des Six” neo-classicism, and particularly Poulenc. In that respect, even at the<br />
very end of his life, Saint-Saëns stands as an innovator.<br />
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