15.01.2013 Views

The Interpretation of Dreams Sigmund Freud (1900)

The Interpretation of Dreams Sigmund Freud (1900)

The Interpretation of Dreams Sigmund Freud (1900)

SHOW MORE
SHOW LESS

Create successful ePaper yourself

Turn your PDF publications into a flip-book with our unique Google optimized e-Paper software.

the procedure perhaps be as follows? <strong>The</strong> dream-forming factors, the efforts at condensation, the necessity <strong>of</strong> evading the censorship, and the<br />

regard for representability by the psychic means <strong>of</strong> the dream first <strong>of</strong> all create from the dream-material a provisional dream-content, which is<br />

subsequently modified until it satisfies as far as possible the exactions <strong>of</strong> a secondary agency. No, this is hardly probable. We must rather assume<br />

that the requirements <strong>of</strong> this agency constitute from the very first one <strong>of</strong> the conditions which the dream must satisfy, and that this condition, as<br />

well as the conditions <strong>of</strong> condensation, the opposing censorship, and representability, simultaneously influence, in an inductive and selective<br />

manner, the whole mass <strong>of</strong> material in the dream-thoughts. But <strong>of</strong> the four conditions necessary for dream-formation, the last recognized is that<br />

whose exactions appear to be least binding upon the dream. <strong>The</strong> following consideration makes it seem very probable that this psychic function,<br />

which undertakes the so-called secondary elaboration <strong>of</strong> the dream-content, is identical with the work <strong>of</strong> our waking thought: Our waking<br />

(preconscious) thought behaves towards any given perceptual material precisely as the function in question behaves towards the dream-content. It<br />

is natural to our waking thought to create order in such material, to construct relations, and to subject it to the requirements <strong>of</strong> an intelligible<br />

coherence. Indeed, we go rather too far in this respect; the tricks <strong>of</strong> conjurers befool us by taking advantage <strong>of</strong> this intellectual habit <strong>of</strong> ours. In the<br />

effort to combine in an intelligible manner the sensory impressions which present themselves we <strong>of</strong>ten commit the most curious mistakes, and<br />

even distort the truth <strong>of</strong> the material before us. <strong>The</strong> pro<strong>of</strong>s <strong>of</strong> this fact are so familiar that we need not give them further consideration here. We<br />

overlook errors which make nonsense <strong>of</strong> a printed page because we imagine the proper words. <strong>The</strong> editor <strong>of</strong> a widely read French journal is said<br />

to have made a bet that he could print the words from in front or from behind in every sentence <strong>of</strong> a long article without any <strong>of</strong> his readers<br />

noticing it. He won his bet. Years ago I came across a comical example <strong>of</strong> false association in a newspaper. After the session <strong>of</strong> the French<br />

Chamber in which Dupuy quelled the panic, caused by the explosion <strong>of</strong> a bomb thrown by an anarchist, with the courageous words, "La seance<br />

continue,"[105] the visitors in the gallery were asked to testify as to their impressions <strong>of</strong> the outrage. Among them were two provincials. One <strong>of</strong><br />

these said that immediately after the end <strong>of</strong> a speech he had heard a detonation, but that he had thought that it was the parliamentary custom to<br />

fire a shot whenever a speaker had finished. <strong>The</strong> other, who had apparently already listened to several speakers, had got hold <strong>of</strong> the same idea, but<br />

with this variation, that he supposed the shooting to be a sign <strong>of</strong> appreciation following a specially successful speech.<br />

Thus, the psychic agency which approaches the dream-content with the demand that it must be intelligible, which subjects it to a first<br />

interpretation, and in doing so leads to the complete misunderstanding <strong>of</strong> it, is none other than our normal thought. In our interpretation the rule<br />

will be, in every case, to disregard the apparent coherence <strong>of</strong> the dream as being <strong>of</strong> suspicious origin and, whether the elements are confused or<br />

clear, to follow the same regressive path to the dream-material.<br />

At the same time, we note those factors upon which the above-mentioned (chapter VI., C) scale <strong>of</strong> quality in dreams - from confusion to clearness<br />

- is essentially independent. Those parts <strong>of</strong> the dream seem to us clear in which the secondary elaboration has been able to accomplish something;<br />

those seem confused where the powers <strong>of</strong> this performance have failed. Since the confused parts <strong>of</strong> the dream are <strong>of</strong>ten likewise those which are<br />

less vividly presented, we may conclude that the secondary dream-work is responsible also for a contribution to the plastic intensity <strong>of</strong> the<br />

individual dream-structures.<br />

If I seek an object <strong>of</strong> comparison for the definitive formation <strong>of</strong> the dream, as it manifests itself with the assistance <strong>of</strong> normal thinking, I can think<br />

<strong>of</strong> none better than those mysterious inscriptions with which Die Fliegende Blatter has so long amused its readers. In a certain sentence which, for<br />

the sake <strong>of</strong> contrast, is in dialect, and whose significance is as scurrilous as possible, the reader is led to expect a Latin inscription. For this<br />

purpose the letters <strong>of</strong> the words are taken out <strong>of</strong> their syllabic groupings, and are rearranged. Here and there a genuine Latin word results; at other<br />

points, on the assumption that letters have been obliterated by weathering, or omitted, we allow ourselves to be deluded about the significance <strong>of</strong><br />

certain isolated and meaningless letters. If we do not wish to be fooled we must give up looking for an inscription, must take the letters as they<br />

stand, and combine them, disregarding their arrangement, into words <strong>of</strong> our mother tongue.<br />

<strong>The</strong> secondary elaboration is that factor <strong>of</strong> the dream-work which has been observed by most <strong>of</strong> the writers on dreams, and whose importance has<br />

been duly appreciated. Havelock Ellis gives an amusing allegorical description <strong>of</strong> its performances: "As a matter <strong>of</strong> fact, we might even imagine<br />

the sleeping consciousness as saying to itself: 'Here comes our master, Waking Consciousness, who attaches such mighty importance to reason<br />

and logic and so forth. Quick! gather things up, put them in order - any order will do - before he enters to take possession.'"[106]<br />

<strong>The</strong> identity <strong>of</strong> this mode <strong>of</strong> operation with that <strong>of</strong> waking thought is very clearly stated by Delacroix in his Sur la structure logique du reve (p.<br />

526): "Cette fonction d'interpretation n'est pas particuliere au reve; c'est le meme travail de coordination logique que nous faisons sur nos<br />

sensations pendant la veille."[107]<br />

J. Sully is <strong>of</strong> the same opinion; and so is Tobowolska: "Sur ces successions incoherentes d'hallucinations, l'esprit s'efforce de faire le meme travail<br />

de coordination logique qu'il fait pendant le veille sur les sensations. Il relie entre elles par un lien imaginaire toutes ces images decousues et<br />

bouche les ecarts trop grands qui se trouvaient entre elles"[108] (p. 93).<br />

Some authors maintain that this ordering and interpreting activity begins even in the dream and is continued in the waking state. Thus Paulhan (p.<br />

547): "Cependant j'ai souvent pense qu'il pouvait y avoir une certain deformation, ou plutot reformation du reve dans le souvenir.... La tendence<br />

systematisante de l'imagination pourrait fort bien achever apres le reveil ce qu'elle a ebauche pendant le sommeil. De la sorte, la rapidite reelle de<br />

la pensee serait augmentee en apparence par les perfectionnements dus a l'imagination eveillee."[109]

Hooray! Your file is uploaded and ready to be published.

Saved successfully!

Ooh no, something went wrong!