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114 J<strong>as</strong>on — 50 years of leading by design<br />

THE ROUND MAT<br />

The round mat, produced originally<br />

by tablemat companies in <strong>the</strong><br />

nineteenth century, w<strong>as</strong> reintroduced<br />

by J<strong>as</strong>on in <strong>the</strong> 1980s. Offering<br />

a point of difference from <strong>the</strong><br />

traditional rectangle mat, and<br />

featuring artwork from <strong>the</strong> Designer<br />

Collection series, interest in <strong>the</strong> round<br />

tablemats mushroomed. Following<br />

<strong>the</strong>ir launch under <strong>the</strong> banner of<br />

<strong>the</strong> J<strong>as</strong>on Designer Collection in 1983,<br />

by <strong>the</strong> mid-1980s nearly a third of<br />

all J<strong>as</strong>on mats (37 designs) were<br />

round. Best-sellers such <strong>as</strong> Tuliptime<br />

and Iristime were rele<strong>as</strong>ed both on a<br />

white <strong>as</strong> well <strong>as</strong> a black background.<br />

Also produced were <strong>the</strong> cl<strong>as</strong>sic<br />

Redouté Roses, New Zealand Birds,<br />

and New Zealand Wildflowers, along<br />

with designs created especially for<br />

<strong>the</strong> round product. This included<br />

<strong>the</strong> refined Chatswood, Sweet Pea,<br />

and Waterlily. By <strong>the</strong> late 1990s,<br />

interest in <strong>the</strong> round tablemats had<br />

tempered to around 10 per cent of<br />

<strong>the</strong> collection, but round mats offered<br />

a distinctive edge and took newgeneration<br />

designs such <strong>as</strong> Sea Bounty<br />

by New Zealand artist Margaret Scott<br />

particularly well.<br />

Sales and Distribution 115<br />

THIS PAGE (clockwise from top): New<br />

Zealand Birds; Opus; Fairies; Blue<br />

Magpie; and Tuliptime on White.<br />

OPPOSITE PAGE: Sea Bounty (left),<br />

Poppies by <strong>the</strong> Sea (top), and Pacifica<br />

(right).

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