download the portfolio as a PDF - Hunter Publishing
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114 J<strong>as</strong>on — 50 years of leading by design<br />
THE ROUND MAT<br />
The round mat, produced originally<br />
by tablemat companies in <strong>the</strong><br />
nineteenth century, w<strong>as</strong> reintroduced<br />
by J<strong>as</strong>on in <strong>the</strong> 1980s. Offering<br />
a point of difference from <strong>the</strong><br />
traditional rectangle mat, and<br />
featuring artwork from <strong>the</strong> Designer<br />
Collection series, interest in <strong>the</strong> round<br />
tablemats mushroomed. Following<br />
<strong>the</strong>ir launch under <strong>the</strong> banner of<br />
<strong>the</strong> J<strong>as</strong>on Designer Collection in 1983,<br />
by <strong>the</strong> mid-1980s nearly a third of<br />
all J<strong>as</strong>on mats (37 designs) were<br />
round. Best-sellers such <strong>as</strong> Tuliptime<br />
and Iristime were rele<strong>as</strong>ed both on a<br />
white <strong>as</strong> well <strong>as</strong> a black background.<br />
Also produced were <strong>the</strong> cl<strong>as</strong>sic<br />
Redouté Roses, New Zealand Birds,<br />
and New Zealand Wildflowers, along<br />
with designs created especially for<br />
<strong>the</strong> round product. This included<br />
<strong>the</strong> refined Chatswood, Sweet Pea,<br />
and Waterlily. By <strong>the</strong> late 1990s,<br />
interest in <strong>the</strong> round tablemats had<br />
tempered to around 10 per cent of<br />
<strong>the</strong> collection, but round mats offered<br />
a distinctive edge and took newgeneration<br />
designs such <strong>as</strong> Sea Bounty<br />
by New Zealand artist Margaret Scott<br />
particularly well.<br />
Sales and Distribution 115<br />
THIS PAGE (clockwise from top): New<br />
Zealand Birds; Opus; Fairies; Blue<br />
Magpie; and Tuliptime on White.<br />
OPPOSITE PAGE: Sea Bounty (left),<br />
Poppies by <strong>the</strong> Sea (top), and Pacifica<br />
(right).