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VILLA SORAVIA MILLSTATT, AUSTRIA (2001-2006) COOP ...

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<strong>VILLA</strong> <strong>SORAVIA</strong> <strong>MILLSTATT</strong>, <strong>AUSTRIA</strong> (<strong>2001</strong>-<strong>2006</strong>)<br />

<strong>COOP</strong> HIMMELB(L)AU<br />

Planning:<br />

Wolf D. Prix/<strong>COOP</strong> HIMMELB(L)AU<br />

Client:<br />

Mag. Erwin Soravia, Vienna<br />

Project Team:<br />

Wolf D. Prix, Verena Boyer, Claudia Buhmann, Volker Gessendorfer, Ana<br />

Claudia Gonzalez, Helmut Holleis, Paul Kath, Manuela Kaufmann, Volker<br />

Kilian, Caroline Kufferath, Marc Paulin, Sigrid Steinwender, Irina Zahler,<br />

Barbara Zeleny<br />

Project description Villa Soravia Millstatt<br />

Villa Soravia is located at the southernmost point of the resort area of Millstatt,<br />

directly on the shores of the lake, Millstätter See.<br />

This site previously held a building that was an addition to an existing hotel with<br />

a nearly identical outline, as building regulations stipulated its basic<br />

preservation. This outline determines the outer appearance of the four-story<br />

villa on the small plot of land.<br />

Our design is based on a new interpretation of the spa villa.<br />

Dealt with as fundamental themes were, among others, the fluid transition<br />

between interior and exterior and the extraordinary view of the lake afforded<br />

from this spot.<br />

Running to the second story is a footbridge that covers the boat docks, which<br />

are integrated into the building. The footbridge acts as the villa’s horizontal<br />

connection to the lake. The distinctively sloped tower, which cuts into the body<br />

of the building, holds the vertical development of the upper living levels.


The openness of a free ground plan in the first floor is achieved by placing the<br />

villa on a “table” of reinforced concrete, which separates the semi-public and<br />

largely transparent spaces of this level from the private spaces on the upper<br />

floors.<br />

The minimal material concept, which calls for structural concrete in combination<br />

with white painted wood and metal surfaces, evenly covers the façade and roof,<br />

lending the building a monolithic character. The orientation of the joint pattern is<br />

consciously designed to be anti-tectonic (sloped) and in this way counteracts<br />

the outer form of the villa.

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