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Street Photography – For the Purist words & photos by ... - deviantART

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<strong>For</strong>ward <strong>by</strong> Bernhard Wolf (edited <strong>by</strong> Chris Weeks)<br />

I have a checklist when I leave home. Everyone has that (or at least I assume so). Mine contains: a cell phone, money and a camera. Taking<br />

<strong>the</strong> camera with me is some sort of addiction <strong>–</strong> I try to refrain from taking it everywhere but at <strong>the</strong> same time I'm afraid of missing that shot <strong>–</strong><br />

<strong>the</strong> shot that will never come again. <strong>For</strong> instance, George Bush being naughty at <strong>the</strong> next supermarket I visit.<br />

I was not always this way <strong>–</strong> <strong>the</strong> obsession actually started about a year-and-a-half ago when I got my first SLR <strong>–</strong> not just any SLR, it was a<br />

brand-new DSLR. My first lens, besides a crappy zoom, was a 50 mm prime. I guess it's been one of <strong>the</strong> best teachers I’ve ever had. When<br />

you're shooting primes you have to work on your subject. You have to move. You have to interact <strong>–</strong> zooms make you lazy. Additionally,<br />

primes are fast glass <strong>–</strong> I started to appreciate shallow depth of fields and I learned how to use f-stops correctly.<br />

I started to become interested in street life. In fact, I found myself hanging around and just watching people: How <strong>the</strong>y treat each o<strong>the</strong>r, how<br />

<strong>the</strong>y talk, smile, laugh and shout. I love watching people. I started to photograph people <strong>–</strong> with <strong>the</strong> D70. I now feel like a bit of a coward<br />

because of <strong>the</strong> different field of view due to <strong>the</strong> smaller sensor. Whenever I check my digital street shots, I feel that something is missing. It<br />

feels like part of <strong>the</strong> scene is missing because of <strong>the</strong> fast, spot-on auto-focus and <strong>the</strong> long (way too long) focal length. As I said <strong>–</strong> it is hard to<br />

explain. I guess it is what fascinates me about street photography <strong>–</strong> <strong>the</strong> connection with your subject .. to be part of <strong>the</strong> situation .. to interact.<br />

I switched “back” to analog at <strong>the</strong> beginning of this summer. I don't regret it. In fact, I am happy I did because <strong>the</strong>re is so much more to<br />

explore. Nothing matches a fiber print or a Kodak Tri-X negative. Right now I am shooting a fully manual Nikon FM <strong>–</strong> admittedly not <strong>the</strong><br />

perfect camera for street shots. By far not … but it works. At least its better than <strong>the</strong> digital Nikon D70. Shooting is far more personal.<br />

It is hard not to sound like Mr. Weeks but using a Leica M shows you a different world <strong>–</strong> a world that can only be seen through a range finder.<br />

Sadly, I have shot only a few rolls of film with Severin’s M6 but it has been a frustrating experience because all you've done in <strong>the</strong> past<br />

regarding street shots becomes obsolete. I did some of my most personal shots with that camera. There is no loud shutter, no camera-body in<br />

your face <strong>–</strong> eye contact, a smile. Everything you need.<br />

I seek candid moments <strong>–</strong> ordinary people at ordinary places … just acting <strong>the</strong> way <strong>the</strong>y are … that’s <strong>the</strong> street.<br />

Bernhard (*zort)<br />

Blog: http://zeitgeistler.wordpress.com/

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