CBS COLLECTION 072 UCLA - Film Score Rundowns

-“P.M. Sneak to Tag” cue # 311 CBS 8-47-D
-“P.M. Street Animation” cue # 305 CBS 8-45-D
[etc]
William Grant Still:
-“A City Scene” cue # 315 CBS 8-45-D
-“A City Speaks of Love” cue # 316 CBS 8-56-D
-“Bridge to Background” cue # 478
-“Cowpoke” cue # 393
-“Headin’ West” cue # 313 CBS 8-51-D
-“Plaintive Voice in Harlem” cue # 314 CBS 8-45-D
-“Romantic Scene for Strings # 2” cue # 439 CBS 8-57-D
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As indicated, each Reel classification was meant for a certain type of music. Here
are many examples:
-Reel 23-D “Orchestral Composites”
-Reel 24 “Harp Effects” For example, in CBS VII, we have Miss Annie Challan
as the harpist. # 3 is “soft, cascading glissando fantasy” :25. # 5 is “Hard, ascending,
arpeggio chords” C-dim (:05). # 17 is “Gliss piano to forte” (:07).
-Reel 26-C “Commercials”
-Reel 27-C “Period Backgrounds”
-Reel 28 “Miscellaneous Soli and Orchestral Effects”
-Reel 29-D “String Effects” (for example, from CBS VIII, “Series progressions”
by Wilbur Hatch). It is also indicated on other sheets as “Orchestral Musical Motion
Effects.”
-Reel 31 “Snare Soli”
-Reel 32 “Miscellaneous Percussion”
-Reel 33-C “Children’s Material”
-Reel 34-A “Religious Materials”
-Reel 35-D “Miscellaneous Tympani Effects”
-Reel 37 “Fanfares”
-Reel 39-C “Nationalistic Music—Ethnic” For example, “Mariachuchena”
(take 1) 3:25 duration.
-Reel 40 “”Restaurant Music: Foreign, Piano, Solo Piano”
-Reel 42 “Restaurant Music—Dance Band”
-Reel 43-B “Dramatic Bridges” For example, #359-A “Police Force Opening”
by Herrmann (:27). Reel 43-C (still Dramatic Bridges) has, as an example, “Mexican
Arrival” by Fred Steiner, and “Neutral Suspense” (from Collector’s Item # 1) by Paul
Baron.
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