CBS COLLECTION 072 UCLA - Film Score Rundowns

-cues # 3891-3900 by Rene Garriguenc
-#3892 “Tragic Loss” Rene Garriguenc CBS 56-E & 43-E
-#3893 “Dead End (Dark neutral build to curtain)” 33 bars, Garriguenc. CBS XII 56-E,
XII E master # 22
-#3894 “Final Issue (Dark Neutral Builds to Curtain)” XII 47-E” Garriguenc. CBS XII
47-E, 8 bars.
-#3895 “Tragic Revelation (Shock Chord & Tail)” Garriguenc
-#3896 “Death” by Garriguenc
-#3899 “Hammer Blows of Fate (Tragic Chord & Tail)” Garriguenc
-#3900 “The Empty Hour Glass” by Garriguenc
-#3899 “Hammer Blows of Fate (Tragic Chord & Tail)” CBS XII 44-E
NOTE: This specific cue by Garriguenc was used quite frequently as part of the
“Fate” music sequences in the openings of The Fugitive series. Instrumentation: flute,
oboes, 2 clarinets, bassoon, 2 horns, 2 trumpets, 2 trombones, 4 violins I, 4 violins II, 1
cello, 2 basses, timp. Violins I play ff Line 3 Bb sforzando-marked dotted half note in 3/4
time tied to (Bar 2 in 4/4 time) whole note decrescendo to (Bar 3) same Bb whole note p
tied to whole note next bar (silent in end Bar 5). Violins II play this pattern on Line 3
D/F# notes. The cello and contrabasses play Great octave A sforzando dotted half note
tied to half note in Bar 2 (then silent). Pos play this VC/CB pattern on small octave F/G#
notes, and trumpets on Line 1 E/G, and horns on Line 1 C# [written G#]. The bassoon
plays it on Great octave A dotted half note tied to half note in Bar 2, and clarinets on Line
2 C/Eb, oboe on Line 2 B, and so also the flute. The timp is rolled on Great octave A
dotted quarter note to A-A-A 8ths to (Bar 2), after an 8 th rest, A-A-A sforzando 8ths
(followed by an 8 th rest) to A-A-A 8ths (repeated in Bars 3-4). After a quarter and 8 th rest
in Bar 3, the flute sounds mp Line 2 Eb 8 th up to B 8 th down to C 8 th tied to quarter note
(repeated next bar).At the end of Bar 3, the clarinets sound mp Line 1 E [written F#] up to
(Bar 4) G 8 th down to C# 8 th tied to quarter note (followed by two quarter rests) to (end
Bar 5) E/G whole notes sounded p and held fermata. After two quarter and an 8 th rest in
Bar 4, the English horn plays mp < > Line 1 E [written Line 1 B] 8 th up to G 8 th down to
C# 8 th tied to whole note held fermata in end Bar 5. The bassoon in Bar 5 plays p Great
octave A whole note held fermata. Horns here play small octave F/G# [written Line 1
C/D#] whole notes held fermata.
-cues # 3881-3890 most by Van Cleave. For example:
-#3884 “Rural Bridge” CBS XII 51-E, E master 20
-#3887 “Suburbs Bridge # 2” CBS XII 45-E
-#3888 “Big City Bridge #1” CBS XII 45-E, E master 22
-#3889 “Big City Bridge # 2”
-cues # 3871-3880 by William Lava. For example:
-#3873 “Country Wayside” CBS XII 45-E, E master # 20.
-#3874 “Suburbia USA” CBS XII 45-E, E master 20. Six pages.
-#3876 “Tension-Dramatic-Crescendo Thru Chords-Repetitive” by Van Cleave CBS XII
45-E, XII E master 21
-#3878 “Passing Thru Country” by Dominic Frontiere. CBS XII 45-E, E Master 20, 30
pages, 118 bars. With Spirit in 6/8 time, key signature of one sharp. 2 flutes, oboe, 2
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