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Literature, Culture, Theory 20 «J» «J» «J»
Gerard Genette Paratexts Thresholds of interpretation V V V V V V V V V V %* V V VV V V V *J* V *I* V V V V V V V V V V V V V V %•%* %* V %* V Translated by JANE E. LEWIN Foreword by RICHARD MACKSEY CAMBRIDGE UNIVERSITY PRESS
Page 1: Paratexts are those liminal devices
Page 6 and 7: Published by the Press Syndicate of
Page 8 and 9: Contents The please-msert The four
Page 10 and 11: Contents Texts of fiction 332 Allog
Page 12 and 13: Foreword novel as genre by a series
Page 14 and 15: Foreword subtle readings of the cas
Page 16 and 17: Foreword mine of hypertextual games
Page 18 and 19: Foreword the framework of larger cr
Page 20 and 21: Foreword Structuralism (e.g., spati
Page 22 and 23: Foreword too challenges us to read
Page 24 and 25: Books by Gerard Genette Genette has
Page 27 and 28: Introduction A literary work consis
Page 29 and 30: Introduction terms are provisionall
Page 31 and 32: Introduction elements as the title
Page 33 and 34: Introduction intermittence, which I
Page 35 and 36: Introduction often the sender is th
Page 37 and 38: Introduction nicate a piece of shee
Page 39 and 40: Introduction purpose as an original
Page 41 and 42: Introduction sional service of what
Page 43 and 44: Formats peritext, which is essentia
Page 45 and 46: Formats the word "format" is certai
Page 47 and 48: Formats Dubliners): to republish an
Page 49 and 50: The cover and its appendages done w
Page 51 and 52: The cover and its appendages writes
Page 53 and 54: The cover and its appendages horizo
Page 55 and 56:
The cover and its appendages "Contr
Page 57 and 58:
The cover and its appendages devote
Page 59 and 60:
Typesetting, printings able to reco
Page 61 and 62:
Typesetting, printings different ch
Page 63 and 64:
The name of the author Place Nowada
Page 65 and 66:
Onymity printed in varying sizes, d
Page 67 and 68:
Onymity The author's name fulfills
Page 69 and 70:
Anonymity woman who walks quite gra
Page 71 and 72:
Anonymity damne (1829), and Notre-D
Page 73 and 74:
Pseudonymity by placing pseudonymit
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Pseudonymity what have you, which w
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Pseudonymity up all the gossip shee
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Pseudonymity each of these hypostas
Page 81 and 82:
Titles Definitions To a greater ext
Page 83 and 84:
Definitions the most complete form
Page 85 and 86:
Definitions In the contemporary per
Page 87 and 88:
Definitions or less partial groupin
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Definitions ternary division that,
Page 91 and 92:
Place dotus the Halicarnassian has
Page 93 and 94:
Time unimportant, except when the a
Page 95 and 96:
Time volume of La Comedie humaine (
Page 97 and 98:
Time appear on the Dumesnil edition
Page 99 and 100:
Senders The practice of incorporati
Page 101 and 102:
Addressees participate in its disse
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Functions ward factual designation
Page 105 and 106:
Functions rheme, he would have call
Page 107 and 108:
Functions function. Let us return t
Page 109 and 110:
Functions by antiphrasis, or irony,
Page 111 and 112:
Functions I have been considering o
Page 113 and 114:
Functions - indeed, more fortuitous
Page 115 and 116:
Functions one thematic: Treatise of
Page 117 and 118:
Functions Henriade [Voltaire], and
Page 119 and 120:
Functions But this function, we rea
Page 121 and 122:
Genre indications "Tragedie," 55 to
Page 123 and 124:
Genre indications the same author (
Page 125 and 126:
Genre indications (let us keep goin
Page 127 and 128:
Genre indications tered. For exampl
Page 129 and 130:
Genre indications completes - unles
Page 131 and 132:
The four stages the work to which i
Page 133 and 134:
The four stages Emile Zola's new no
Page 135 and 136:
The four stages it would take fifty
Page 137 and 138:
The four stages and Drieu's Gilles
Page 139 and 140:
The four stages writers who disrega
Page 141 and 142:
Tangents and appendages graphical a
Page 143 and 144:
Dedications and inscriptions The Fr
Page 145 and 146:
The dedication of the work the two
Page 147 and 148:
The dedication of the work is suppo
Page 149 and 150:
The dedication of the work also kno
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The dedication of the work avoid it
Page 153 and 154:
The dedication of the work Quixote,
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Dedicators The dedication of the wo
Page 157 and 158:
The dedication of the work Sartre's
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The dedication of the work "To His
Page 161 and 162:
The dedication of the work book to
Page 163 and 164:
The inscription of the copy product
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The inscription of the copy of part
Page 167 and 168:
The inscription of the copy inscrip
Page 169 and 170:
The inscription of the copy possess
Page 171 and 172:
Historical survey I know of no more
Page 173 and 174:
Historical survey Mysteries of Udol
Page 175 and 176:
Place, time from Fielding and Jane
Page 177 and 178:
The "epigraphed" chooses and propos
Page 179 and 180:
Epigraphers ality very diverse, and
Page 181 and 182:
Epigraphees Saint-Preux [Julie's lo
Page 183 and 184:
Functions titles with a meaning tha
Page 185 and 186:
Functions main information conveyed
Page 187 and 188:
8 The prefatorial situation of comm
Page 189 and 190:
Prehistory preface - later we will
Page 191 and 192:
Prehistory may not be blotted out f
Page 193 and 194:
Prehistory have fulfilled a functio
Page 195 and 196:
Prehistory century and a half later
Page 197 and 198:
Form between author and reader). Bu
Page 199 and 200:
Place "Le Regard d'Orphee" as the "
Page 201 and 202:
Time edition may, paradoxically, be
Page 203 and 204:
Time cism), was itself revised in 1
Page 205 and 206:
Senders graphic, preface. Or the al
Page 207 and 208:
Senders have available a real, or a
Page 209 and 210:
Senders of the paratext, often impl
Page 211 and 212:
Senders to the half of cell A that
Page 213 and 214:
Senders Stendhal ("A woman of intel
Page 215 and 216:
Senders fictive allographic preface
Page 217 and 218:
Senders among Mallarme's papers the
Page 219 and 220:
Senders Beuve or Proust, or with an
Page 221 and 222:
Addressees croisees 32 is addressed
Page 223 and 224:
The functions of the original prefa
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Importance The functions of the ori
Page 227 and 228:
Unity The functions of the original
Page 229 and 230:
Page 231 and 232:
Page 233 and 234:
Page 235 and 236:
The themes of the how "It is as eas
Page 237 and 238:
The themes of the how narrating I.
Page 239 and 240:
The themes of the how me. They have
Page 241 and 242:
The themes of the how this time, it
Page 243 and 244:
The themes of the how and the prefa
Page 245 and 246:
The themes of the how and to give h
Page 247 and 248:
Statements of intent The themes of
Page 249 and 250:
The themes of the how shown by Balz
Page 251 and 252:
The themes of the how preface to La
Page 253 and 254:
The themes of the how ground of his
Page 255 and 256:
Dodges book. Books are well written
Page 257 and 258:
Dodges Consequence to Persons who r
Page 259 and 260:
Dodges blindness of a certain kind
Page 261 and 262:
Dodges later, would justify the del
Page 263 and 264:
10 Other prefaces, other functions
Page 265 and 266:
Later prefaces too late for the aut
Page 267 and 268:
Later prefaces variously sized bund
Page 269 and 270:
Later prefaces femmes: "Many people
Page 271 and 272:
Later prefaces juxtaposition, as th
Page 273 and 274:
Delayed prefaces characteristic of
Page 275 and 276:
Delayed prefaces version of Waverle
Page 277 and 278:
Delayed prefaces at that point in h
Page 279 and 280:
Delayed prefaces narrative system (
Page 281 and 282:
Delayed prefaces touching series, b
Page 283 and 284:
Delayed prefaces abruptness by disc
Page 285 and 286:
Delayed prefaces written by a Catho
Page 287 and 288:
Delayed prefaces delayed preface to
Page 289 and 290:
Allographic prefaces Allographic pr
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Allographic prefaces original autho
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Allographic prefaces never go beyon
Page 295 and 296:
Allographic prefaces Chapelain was
Page 297 and 298:
Allographic prefaces the work. It i
Page 299 and 300:
Allographic prefaces of a clear con
Page 301 and 302:
Allographic prefaces to refuse hono
Page 303 and 304:
Fictional prefaces entrenched princ
Page 305 and 306:
Fictional prefaces that they exist
Page 307 and 308:
Fictional prefaces [Gaspard of the
Page 309 and 310:
Fictional prefaces The public has b
Page 311 and 312:
Fictional prefaces for his archeolo
Page 313 and 314:
Fictional prefaces interlocutor, th
Page 315 and 316:
Fictional prefaces the disavowing a
Page 317 and 318:
Fictional prefaces tailspin that wi
Page 319 and 320:
Fictional prefaces paradoxically or
Page 321 and 322:
Cases of absence Cases of absence T
Page 323 and 324:
Degrees of presence Degrees of pres
Page 325 and 326:
Degrees of presence use. A second,
Page 327 and 328:
Degrees of presence of popular and
Page 329 and 330:
Degrees of presence person ("Declin
Page 331 and 332:
Degrees of presence inserted in it.
Page 333 and 334:
Degrees of presence Cousine Bette,
Page 335 and 336:
Degrees of presence characteristic
Page 337 and 338:
Degrees of presence historical mode
Page 339 and 340:
Degrees of presence us in collectio
Page 341 and 342:
Degrees of presence within a single
Page 343 and 344:
Tables of contents, running heads h
Page 345 and 346:
12 Notes A A A A A A A A A A A A A
Page 347 and 348:
Definition, place, time notes from
Page 349 and 350:
Senders, addressees for Malraux par
Page 351 and 352:
Functions delayed; then allographic
Page 353 and 354:
Functions has brought me such happi
Page 355 and 356:
Functions (of the same date) are ge
Page 357 and 358:
Functions indulgence toward the Jac
Page 359 and 360:
Functions mony and supporting docum
Page 361 and 362:
Functions depending on the novel in
Page 363 and 364:
Allographic notes Functions The all
Page 365 and 366:
Functions genetic information), and
Page 367 and 368:
Functions his imagined authors, pre
Page 369 and 370:
Functions Fictional notes, under co
Page 371 and 372:
Definitions and magazines, radio or
Page 373 and 374:
The publisher's epitext presented i
Page 375 and 376:
The semiofficial allographic epitex
Page 377 and 378:
The public authorial epitext anxiou
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The public authorial epitext author
Page 381 and 382:
The public authorial epitext respon
Page 383 and 384:
The public authorial epitext depriv
Page 385 and 386:
The public authorial epitext Maria
Page 387 and 388:
The public authorial epitext perenn
Page 389 and 390:
The public authorial epitext carryi
Page 391 and 392:
The public authorial epitext semina
Page 393 and 394:
The public authorial epitext victim
Page 395 and 396:
The public authorial epitext less a
Page 397 and 398:
14 The private epitext What disting
Page 399 and 400:
Correspondence Ordinarily, one does
Page 401 and 402:
Correspondence shared with the far-
Page 403 and 404:
Correspondence has just left me. He
Page 405 and 406:
Correspondence meticulous (but too
Page 407 and 408:
Correspondence the triumph of Le Pe
Page 409 and 410:
Correspondence apparently did not k
Page 411 and 412:
Oral confidences confidences. This
Page 413 and 414:
Diaries Diaries I use the term inti
Page 415 and 416:
Diaries pushing things too far to r
Page 417 and 418:
Diaries case of Thomas Mann between
Page 419 and 420:
Diaries Orlando is of course a very
Page 421 and 422:
Pre-texts Pre-texts The paratextual
Page 423 and 424:
Pre-texts such as Zola's - their st
Page 425 and 426:
Pre-texts Leuwen and Lamiel, Flaube
Page 427 and 428:
Pre-texts would quite frankly have
Page 429 and 430:
Pre-texts difference between epitex
Page 431 and 432:
Conclusion For the Portable Faulkne
Page 433 and 434:
Conclusion This is all the more tru
Page 435 and 436:
Conclusion means bound to subscribe
Page 437 and 438:
A A A A A A A A A A A A A AA A A A
Page 439 and 440:
Additional references Dante. The Di
Page 441 and 442:
Additional references Lesage, Alain
Page 443:
Additional references Lucien Leuwen
Page 446 and 447:
Index Bayle, P., 327 Bousquet, J.,
Page 448 and 449:
Febvre, L., and Martin, H.-J., 17,1
Page 450 and 451:
Lucian, 165 Lucretius, 117-18, 313
Page 452 and 453:
Sade, marquis de, 87 Sagan,R,91,157
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