09 )(8* =-0 - Irish Arts Review
09 )(8* =-0 - Irish Arts Review
09 )(8* =-0 - Irish Arts Review
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Vol. 26, Issue 4. Winter 20<strong>09</strong><br />
State Apartments<br />
Dublin Castle, Dublin 2, Ireland<br />
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IRISH ARTS REVIEW<br />
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The average net audited circulation of the<br />
<strong>Irish</strong> <strong>Arts</strong> <strong>Review</strong> is 1 1 ,439.<br />
IAR 20<strong>09</strong><br />
CONTRIBUTORS<br />
*<br />
TOP TO BOTTOM:<br />
STEPHANIE MCBRIDE<br />
NANCY IRESON<br />
EAMONN MALLIE<br />
TERENCE REEVES-<br />
SMYTH<br />
0RU' MURPHY<br />
Ciarán Bennett (John Nod Smith: Pandect,<br />
page 56) is an independent art critic, curator<br />
and President of the International Association of<br />
Art Critics (Ireland).<br />
Riann Coulter (Complementary spirits: Nano<br />
Reid and Gerard Dillon, page 58) is an art historian<br />
and curator specialising in modern and<br />
contemporary art. She has worked in IMMA,<br />
the National Gallery of Ireland and Trinity<br />
College Dublin. She is currently Curator of<br />
the FE McWilliam Gallery & Studio, Banbridge,<br />
Co Down.<br />
FM, Dublin. He is author of Blackshaw (2003)<br />
and co author with Paddy Mackie of Kathleen<br />
Isabella Metcalfe Mackie (20<strong>09</strong>).<br />
Peter Harbison (Iveragh Peninsula, page 94)<br />
is Honorary Academic Editor at the Royal <strong>Irish</strong><br />
Academy. He is a contributor to the recent<br />
Treasures of the Royal <strong>Irish</strong> Academy Library (20<strong>09</strong>).<br />
Judith Hill (Killua in transformation, page 98) is<br />
an architectural historian and the author of<br />
several books including Lady Gregory: An <strong>Irish</strong> Life<br />
and In Search of Islands: A Life of Conor O'Brien.<br />
Catherine Leen (Mining the landscape, page<br />
60) is an art critic and a lecturer in the<br />
Department of Spanish, National University of<br />
Ireland, Maynooth.<br />
Stephanie McBride (The everyday gaze<br />
page 62) has written widely about film, media<br />
and visual culture in Circa, the <strong>Irish</strong> Times and Film<br />
Ireland. Recent books include Ireland into Film:<br />
Felicia s Journey (2007).<br />
Brian McAvera (Tracking Donald Teskey, page<br />
64, Winter Catalogue <strong>Review</strong>s, page 140) is a playwright,<br />
art critic and curator. He has been a<br />
contributing editor to the American magazine<br />
Sculpture for the past twenty years.<br />
Nancy IreSOn (Sculpture in the face of convention,<br />
page 72) is an art historian and curator based in<br />
London. At present, as a Leverhulme Trust<br />
Research Fellow, she is working on a Toulouse-<br />
Lautrec exhibition for the Courtauld Gallery.<br />
Tom Dunne (Art in an age of anxiety, page 76)<br />
teaches art history at UCC. His James Barry,<br />
1741-1806: History Painter (co-edited with<br />
William L. Pressly) will be published by Ashgate<br />
in January 2010.<br />
Anne-Marie Keaveney (Desmond Carrick:<br />
light and colour, page 82) is a painter and parttime<br />
lecturer at the National College of Art &<br />
Design, Dublin.<br />
RÓisín Kennedy (Role reversal, page 86)<br />
teaches in the School of Art History and<br />
Terence Reeves-Smyth (Temple of the<br />
Winds, page<br />
Cultural Policy at UCD. She writes and lectures<br />
on modern <strong>Irish</strong> art and its contexts and is<br />
former Yeats Curator at the National Gallery<br />
of Ireland.<br />
Eamonn Mallie (Kathleen Mackie - artist<br />
adventurer, page 90) is Northern Editor for Today<br />
1 04) is Senior Inspector for<br />
Historic Buildings, Northern Ireland<br />
Environment Agency. He has published widely<br />
on archaeology, architectural and garden<br />
history topics.<br />
Orla Murphy (Community purpose, page 108)<br />
is an architect and lecturer at the School of<br />
Architecture, University College Dublin. She<br />
was awarded the Kevin Kieran Award by the<br />
<strong>Arts</strong> Council for 20<strong>09</strong>-201 1.<br />
Joseph McBrinn (Showing his mettle, page<br />
1 12) lectures at the School of Art and Design,<br />
University of Ulster, Belfast. He is a<br />
contributor to the recent Material Cultures 1 740-<br />
1920: The Meanings and Pleasures of Collecting (20<strong>09</strong>).<br />
Ann MulrOOney (Memory of space, page<br />
1 1 4) is a practising artist and curator of the<br />
National Craft Gallery, Kilkenny. She has<br />
curated exhibitions for a number of institutions<br />
in Ireland and the UK and is a contributor<br />
to numerous publications, including<br />
Debatable Lands II, University of the West of<br />
England/ AHRC (forthcoming).<br />
Sara Smyth (Connemara Album, page 142) is<br />
Curator of the National Photographic Archive,<br />
Temple Bar, Dublin.<br />
Con Power (The IAR Winter Diary, page 20) is<br />
an artist and a regular contributor to the <strong>Irish</strong><br />
<strong>Arts</strong> <strong>Review</strong>.<br />
Robert O'Byrne (Under the Hammer, page<br />
46) is a journalist and author. His most recent<br />
book is Romantic <strong>Irish</strong> Homes (20<strong>09</strong>).<br />
Eleanor Flegg (Design Portfolio, page<br />
120) is currently a doctoral candidate in craft<br />
history at the University of Ulster. ■