Womens anthology bibl+ - Wake Forest University
Womens anthology bibl+ - Wake Forest University
Womens anthology bibl+ - Wake Forest University
You also want an ePaper? Increase the reach of your titles
YUMPU automatically turns print PDFs into web optimized ePapers that Google loves.
The Big Break. 2004.<br />
Down All the Roundabouts. Tarcet: Bloodaxe, 2005.<br />
The Plastic Bag. 2008.<br />
The Empty Frame. 2008.<br />
The Plastic Bag. 2008.<br />
Criticism on Higgins<br />
Bourke, Angela, et. al., eds. The Field Day Anthology of Irish Writing, Vols. 4 & 5. Cork: Cork<br />
<strong>University</strong> Press, 2002; New York: New York <strong>University</strong> Press, 2002.<br />
Bourke, Eoin. “Poetic Outrage: Aspects of Social Criticism in Modern Irish Poetry.” In Donald<br />
E. Morse, et. al., eds. A Small Nation’s Contribution to the World. Gerrard’s Cross: Colin<br />
Smythe, 1993: 88–106.<br />
Hildebidle, John. “‘I’ll have to Stop Thinking About Sex’: Rita Ann Higgins and the Patriarchal<br />
Tradition.” In Alexander G. Gonzalez, ed. Contemporary Irish Women Poets: Some Male<br />
Perspectives. Westport, CT: Greenwood, 1999. 33–41.<br />
Paul, Catherine. “Rita Ann Higgins: A Moderator’s View.” South Carolina Review 32.1 (1999):<br />
12–14.<br />
Steele, Karen. “Devil in the Mirror.” Irish Literary Supplement: A Review of Irish Books 20.2<br />
(2001): 15–16.<br />
___. “Refusing the Poisoned Chalice: The Sexual Politics of Rita Ann Higgins and Paula<br />
Meehan.” In Catherine Wiley and Fiona Barnes, eds. Homemaking: Women Writers and the<br />
Politics and Poetics of Home. New York: Garland, 1996. 312–33.<br />
Sullivan, Moynagh. “Assertive Subversions: Comedy in the Works of Julie O’Callaghan and<br />
Rita Ann Higgins.” Verse 16.2: 83–86.<br />
Paula Meehan<br />
Volumes of Poetry<br />
Return and No Blame. Donnybrook: Beaver Row, 1984.