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Womens anthology bibl+ - Wake Forest University

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The Big Break. 2004.<br />

Down All the Roundabouts. Tarcet: Bloodaxe, 2005.<br />

The Plastic Bag. 2008.<br />

The Empty Frame. 2008.<br />

The Plastic Bag. 2008.<br />

Criticism on Higgins<br />

Bourke, Angela, et. al., eds. The Field Day Anthology of Irish Writing, Vols. 4 & 5. Cork: Cork<br />

<strong>University</strong> Press, 2002; New York: New York <strong>University</strong> Press, 2002.<br />

Bourke, Eoin. “Poetic Outrage: Aspects of Social Criticism in Modern Irish Poetry.” In Donald<br />

E. Morse, et. al., eds. A Small Nation’s Contribution to the World. Gerrard’s Cross: Colin<br />

Smythe, 1993: 88–106.<br />

Hildebidle, John. “‘I’ll have to Stop Thinking About Sex’: Rita Ann Higgins and the Patriarchal<br />

Tradition.” In Alexander G. Gonzalez, ed. Contemporary Irish Women Poets: Some Male<br />

Perspectives. Westport, CT: Greenwood, 1999. 33–41.<br />

Paul, Catherine. “Rita Ann Higgins: A Moderator’s View.” South Carolina Review 32.1 (1999):<br />

12–14.<br />

Steele, Karen. “Devil in the Mirror.” Irish Literary Supplement: A Review of Irish Books 20.2<br />

(2001): 15–16.<br />

___. “Refusing the Poisoned Chalice: The Sexual Politics of Rita Ann Higgins and Paula<br />

Meehan.” In Catherine Wiley and Fiona Barnes, eds. Homemaking: Women Writers and the<br />

Politics and Poetics of Home. New York: Garland, 1996. 312–33.<br />

Sullivan, Moynagh. “Assertive Subversions: Comedy in the Works of Julie O’Callaghan and<br />

Rita Ann Higgins.” Verse 16.2: 83–86.<br />

Paula Meehan<br />

Volumes of Poetry<br />

Return and No Blame. Donnybrook: Beaver Row, 1984.

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