Womens anthology bibl+ - Wake Forest University

Raschke, Debra. “Eavan Boland’s ‘Outside History’ and ‘In a Time of Violence’: Rescuing
Women, the Concrete, and Other Things Physical from the Dung Heap.” Colby Quarterly 32.2
(1996): 135–42.
Reizbaum, Marilyn. “What’s My Line: the Contemporaneity of Eavan Boland.” Irish University
Review 23.1 (1993): 100–10.
Russell, Richard Rankin. “Boland’s ‘Lava Cameo.’” Explicator 60.2 (2002): 114–17.
Sarbin, Deborah. “‘Out of Myth into History’: The Poetry of Eavan Boland and Eiléan Ní
Chuilleanáin.” Canadian Journal of Irish Studies 19.1 (July 1993): 86–96.
Shifrer, Anne. “The Fabrics and Erotics of Eavan Boland’s Poetry.” Colby Quarterly 37.4
(2001): 327–42.
Sullivan, Moynagh. “I am, Therefore, I am Not (Woman).” International Journal of English
Studies 2.2 (2002): 123–34.
Villar-Argáiz, Pilar. “Recording the Unpoetic: Eavan Boland’s Silences.” Irish University
Review: A Journal of Irish Studies 37.2 (2007): 472–91.
___. “Witchcraft and Evilness as Sources of Female Potential: Eavan Boland’s Representation of
a New Eve in Irish Poetry.” Grove: Working Papers on English Studies 14 (2007): 129–45.
Weekes, Ann Owens. “‘An Origin like Water’: The Poetry of Eavan Boland and Modernist
Critiques of Irish Literature.” Bucknell Review 38.1 (1994): 159–76.
Wheatley, David. “Changing the Story: Eavan Boland and Literary History.” Irish Review 31
(Spring-Summer 2004): 103–20.
EVA BOURKE
Volumes of Poetry
Gonella. Dublin: Dedalus Press, 1985.
Litany for the Pig. Dublin: Dedalus Press, 1989.
Spring in Henry Street Dublin: Dedalus Press, 1996.
Travels with Gandolpho. Dublin: Dedalus Press, 2000.
The Latitude of Naples. Dublin: Dedalus Press, 2005.