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BIENNALE GUIDE 2011 - The Art Newspaper

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At the 2009 Venice Biennale, we at <strong>The</strong> <strong>Art</strong> <strong>Newspaper</strong> very<br />

much liked this neat and really useful guide, produced by<br />

<strong>Art</strong> World magazine, so when we had a sponsor this year in<br />

the form of the London gallery Haunch of Venison, we leapt<br />

at the chance to take it on.<br />

<strong>The</strong> way in which the guide is organised, by main biennale venues, but<br />

also by the neighbourhoods of Venice, makes finding even the most remote<br />

collateral event easy. It shows that it has understood Venice by being<br />

divided into sestieri, the six administrative units of the city under the old<br />

Venetian Republic. <strong>The</strong>se are symbolised on every gondola by the six teeth<br />

beneath the curving metal prow, and they are the reason for an apparently<br />

bizarre house numbering system, which only becomes comprehensible<br />

when you realise that the numbers start anew with 1 in each sestiere and go<br />

on rising until they reach the last house in that sestiere.<br />

This guide is exceptional also in that it integrates the biennale with the<br />

city. It pays you, the reader, the complement of assuming that, although<br />

you are here for the contemporary art, you might also want to know, for<br />

example, that one of the most beautiful paintings by Titian is in the Frari.<br />

As part of the Venice in Peril Fund, I long for this and future<br />

biennales—and the elite of the art world who come to them—to engage<br />

more with the city. I beg you to notice where the water is in relationship to<br />

the buildings: 23 cm (9 inches) higher than in 1897 when scientific<br />

measuring began and due to rise by a minimum of<br />

another 50cm by the end of the century.<br />

Please take the message back to your countries<br />

that Venice has no long-term future unless the world<br />

begins to take a serious, informed interest in it now.<br />

Anna Somers Cocks<br />

Founder editor, <strong>The</strong> <strong>Art</strong> <strong>Newspaper</strong><br />

Gondola prows<br />

and Chairman, Venice in Peril Fund<br />

KEY TO THE LISTINGS<br />

● National Participations: Countries exhibited in their own pavilions at the Venice Biennale<br />

● Collateral Events: Additional exhibitions that are officially associated with the Venice Biennale<br />

● Other Events: Exhibitions that coincide with the Venice Biennale but are not an official part of it<br />

● Classics: Museums, galleries and churches of year-round interest, plus a few quirkier locations<br />

● Food & Drink: Refreshment stops recommended by artists and curators involved in the biennale<br />

★ Highlights: A selection of exhibitions recommended by the contributors to this guide<br />

RANKEELAW<br />

1<br />

THE ART NEWSPAPER VENICE <strong>GUIDE</strong> <strong>2011</strong><br />

Contents<br />

02 GIARDINI<br />

04 Christian Boltanski<br />

05 Biennale for beginners<br />

07 ILLUMInazioni<br />

08 ARSENALE<br />

09 Paolo Ventura<br />

11 <strong>The</strong> Italian Pavilion<br />

12 Christian Marclay<br />

14 CANNAREGIO<br />

17 Tintoretto in Venice<br />

18 CASTELLO<br />

20 Monica Bonvicini<br />

21 Certosa<br />

23 San Servolo<br />

24 DORSODURO<br />

27 Mark Wallinger<br />

28 Iwan Wirth<br />

30 GIUDECCA &<br />

SAN GIORGIO<br />

31 San Giorgio Maggiore<br />

34 LIDO & ISLANDS<br />

36 SAN MARCO<br />

39 Maxwell Anderson<br />

41 Daniel Birnbaum<br />

42 SAN POLO &<br />

SANTA CROCE<br />

45 Anne Ellegood<br />

46 MISCELLANEOUS<br />

46 Mainland<br />

46 Multiple sites<br />

47 Stop press

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