The Unfinished Piano Sonatas of Franz Schubert Javier ... - Ethesis

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Contents Acknowledgements vii Prelude ix I The Beginnings: 1815-16 1 II The Sonata Year: 1817 27 III New Paths: 1818 51 IV Of Changes and Operatic Hopes: 1819-1823 63 V Auf dem Weg zur großen Sinfonie: 1824-1828 81 Postlude 95 Chronological Tables of Schubert’s Output 97 Table of Schubert’s Solo Piano Sonatas 106 Notes 107 v
Page 1 and 2: Javier Arrebola The Unfi nished Pia
Page 3 and 4: ISBN 978-952-5959-34-5 (Paperback)
Page 8 and 9: Acknowledgements Any book represent
Page 10 and 11: Prelude Any work of art, whether co
Page 12 and 13: standard repertory and they represe
Page 14 and 15: I The Beginnings 1815 For me the mo
Page 16 and 17: 1815 However, these forms pose musi
Page 18 and 19: # & # # # 6 ? # # # # # # & # # 12
Page 20 and 21: second movement of the Piano Sonata
Page 22 and 23: 1815 Schubert’s autograph contain
Page 24 and 25: Ex. 7. Schubert: Piano Sonata in C
Page 26 and 27: œ b œ & p ? Ex. 9. Schubert: Alle
Page 28 and 29: sonatas for violin and piano also b
Page 30 and 31: major (D349) follows the fifth move
Page 32 and 33: # & # # # ? # # # # # & # # # 55 ?
Page 34 and 35: Technically it is less demanding, a
Page 36 and 37: g & b c ? b c π # ˙ # w ° Ex. 19
Page 38 and 39: 1816 Whatever might have been their
Page 40 and 41: II The Sonata Year 1817 As from afa
Page 42 and 43: psychological symbolism of the dual
Page 44 and 45: an important reason for Schubert’
Page 46 and 47: examples of this striking procedure
Page 48 and 49: 7 & b b b ? b b b 13 & b b b ? b b
Page 50 and 51: Ex. 5. Schubert: Piano Sonata in A-
Page 52 and 53: Ex. 8. Schubert: Piano Sonata in E
Page 54 and 55: 1817 four-movement work with an exq
Page 56 and 57:
1817 special place in his output: s
Page 58 and 59:
6 & ? ˙ ˙ Ex. 13. Schubert: Graze
Page 60 and 61:
Ex. 15. Beethoven: Piano Sonata in
Page 62:
1817 During the year of 1817, Schub
Page 65 and 66:
III New Paths The craze awoken in V
Page 67 and 68:
III New Paths from Beethoven’s pi
Page 69 and 70:
III New Paths # & # # # ? # # # n n
Page 71 and 72:
III New Paths such a group - one wh
Page 73 and 74:
III New Paths & b ? b b b b b b b n
Page 75 and 76:
III New Paths Ex. 7. Schubert: Pian
Page 77 and 78:
IV Of Changes and Operatic Hopes st
Page 79 and 80:
IV Of Changes and Operatic Hopes be
Page 81 and 82:
IV Of Changes and Operatic Hopes 68
Page 83 and 84:
Page 85 and 86:
IV Of Changes and Operatic Hopes Ex
Page 87 and 88:
IV Of Changes and Operatic Hopes we
Page 89 and 90:
Page 91 and 92:
Page 94 and 95:
V Auf dem Weg zur großen Sinfonie
Page 96 and 97:
1824-1828 date) and the Variations
Page 98 and 99:
Ex. 1. Schubert: Piano Sonata in C
Page 100 and 101:
Ex. 3. Schubert: Piano Sonata in C
Page 102 and 103:
1824-1828 In the third movement, th
Page 104 and 105:
# # & # # n # œ ? # # # 63 ? # # #
Page 106:
1824-1828 obvious and therefore a c
Page 109 and 110:
like quality of his musical discour
Page 113 and 114:
100
Page 115 and 116:
102
Page 117 and 118:
104
Page 119 and 120:
Chron. order 106 Key Schubert’s S
Page 121 and 122:
30 Reinhard Van Hoorickx, ‘The ch
Page 123 and 124:
6 Letters from Schubert to his brot
Page 125:
Unless otherwise explicitly stated,
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The Unfinished Piano Sonatas of Franz Schubert Javier ... - Ethesis

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