Download PDF - Furniture Magazine
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33<br />
DESIGNERS’ DESK<br />
FURNITURE & ACCESSORIES EUROPE<br />
BN: The industry has grown a lot and expanded out, FAE: What is your dream project?<br />
but of course, there has been a slight shrinking with BN: I don't have one dream project but there is so<br />
global markets struggling. much that I would love to design, from a pen to a car, a<br />
mobile phone to an entire building. My ideas are<br />
FAE: What is the greatest appraisal you have ever<br />
received from anyone?<br />
limitless.<br />
BN: That would be a manufacturer believing in my FAE: Whose work do you like the best among your<br />
design and investing the in brands in future on my contemporaries and why?<br />
ideas. With this comes a lot of pressure and BN: There are so many but I guess I like aspects of<br />
expectation but that's all part of the job. When my different designers, like Ron Arad's experimental<br />
first production design was confirmed I was only 25 playfulness, Ross Lovegrove's form refinement,<br />
and a group of Italian businessmen invested<br />
thousands into the idea of a wall light. That is indeed<br />
a great appraisal and thankfully the design is still in<br />
production and selling well.<br />
Starck's storytelling etc.<br />
A dual layered wall light featuring a dimple like<br />
undulation. The two thermoformed diffusers, one<br />
transparent the other translucent, mimic one<br />
another as they morph into their organic form.<br />
intro<br />
a black gloss seat with smooth undulating surfaces containing<br />
three window-like apertures that merge with fluid-like<br />
transition<br />
morphie<br />
<strong>Furniture</strong> & Accessories Europe 2012<br />
C
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