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through the ceil<strong>in</strong>g, hangs off steel and the f<strong>in</strong>al speech of Batty takes place with the<br />

neon lights glitter<strong>in</strong>g <strong>in</strong> the distance.<br />

I state all of this because I wish to discuss someth<strong>in</strong>g; power. That old age<br />

thematic which still plagues c<strong>in</strong>ema today with the especial likes of The Social Network<br />

and the works of Christopher Nolan. What is Roy Batty, <strong>in</strong> the hierarchy of power <strong>in</strong><br />

Blade Runner? I’ve touched on this discussion before, but it’s <strong>in</strong>terest<strong>in</strong>g to consider<br />

that his mass of power is exactly what destroys him. He can command no social<br />

position because he is a Replicant, an outsider, but he can still rem<strong>in</strong>d Deckard of his<br />

humanity. His segregation almost a rem<strong>in</strong>der of the Civil Rights movement through the<br />

1960s. Diversity is humanity... right?<br />

Batty is a master, a commander of humanity. He does not realize it until sav<strong>in</strong>g<br />

Deckard’s life, <strong>in</strong> fact it’s his triumph. He lives on through Deckard’s memories, through<br />

his transfer of humanity, through sav<strong>in</strong>g his life. The hunter saves the hunted, just as<br />

the tables of ‘hunter and hunted’ actually changed, to rem<strong>in</strong>d the blade runner of<br />

someth<strong>in</strong>g. His humanity. That he isn’t a bureaucratic kill<strong>in</strong>g mach<strong>in</strong>e, but a human<br />

be<strong>in</strong>g.<br />

This is where Batty’s masterful craft comes <strong>in</strong>to play. His super-human strength,<br />

his philosophies and almost ‘Aryan’ presence. He is the master over Deckard, but he<br />

dies. Why? Because this world is a world of masters, and Roy realizes he has killed<br />

Tyrell, he has killed many who brought him <strong>in</strong>to this world. He has killed those who<br />

control it and has perhaps kicked off a cha<strong>in</strong> of events to br<strong>in</strong>g down the Orwellian<br />

clouds, to turn Room 101 <strong>in</strong>to rubble, and here he passes the torch to Deckard. In this<br />

world of destruction, <strong>in</strong> this world of Orwell, we have to hang on to our humanity. Our<br />

love. Just as W<strong>in</strong>ston Smith does.<br />

I th<strong>in</strong>k it’s a statement of either two th<strong>in</strong>gs. The first, that the n<strong>in</strong>eteen eighties<br />

were full of this media-mogulism that practiced the elevation of corporations and<br />

maniacal ‘elite’ who grasped the economy <strong>in</strong> their hands. That when we start to lose our<br />

arts, our op<strong>in</strong>ion and our money; we have to remember what keeps us human. Love.<br />

Memories. All that good stuff.<br />

Secondly, I believe it to be a warn<strong>in</strong>g. The whole film is Orwellian <strong>in</strong> its genejuices<br />

and it <strong>in</strong>cludes that ‘warn<strong>in</strong>g’. 1984 was written at the time of Stal<strong>in</strong>’s sweep<strong>in</strong>g<br />

control, as he destroyed culture and built his palace around a cult of personality and<br />

destructive reckon<strong>in</strong>g of any opposition. Blade Runner is a warn<strong>in</strong>g of the future, it’s<br />

even set <strong>in</strong> the future, that we will lose our humanity to these ‘masters’. I believe Blade<br />

Runner has never been more relevant, with ‘those responsible’ masters now held to<br />

their s<strong>in</strong>s. Murdoch on trial, MP’s expenses scandal and all sorts of under-table deal<strong>in</strong>gs<br />

with the likes of Gaddafi. In the end, humanity triumphs.<br />

Right?<br />

Except we’re constantly rem<strong>in</strong>ded about what happens when we let them get too<br />

far. When the masters can push the buttons. Blade Runner was written just out of Cold

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