tears-in-rain
tears-in-rain
tears-in-rain
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through the ceil<strong>in</strong>g, hangs off steel and the f<strong>in</strong>al speech of Batty takes place with the<br />
neon lights glitter<strong>in</strong>g <strong>in</strong> the distance.<br />
I state all of this because I wish to discuss someth<strong>in</strong>g; power. That old age<br />
thematic which still plagues c<strong>in</strong>ema today with the especial likes of The Social Network<br />
and the works of Christopher Nolan. What is Roy Batty, <strong>in</strong> the hierarchy of power <strong>in</strong><br />
Blade Runner? I’ve touched on this discussion before, but it’s <strong>in</strong>terest<strong>in</strong>g to consider<br />
that his mass of power is exactly what destroys him. He can command no social<br />
position because he is a Replicant, an outsider, but he can still rem<strong>in</strong>d Deckard of his<br />
humanity. His segregation almost a rem<strong>in</strong>der of the Civil Rights movement through the<br />
1960s. Diversity is humanity... right?<br />
Batty is a master, a commander of humanity. He does not realize it until sav<strong>in</strong>g<br />
Deckard’s life, <strong>in</strong> fact it’s his triumph. He lives on through Deckard’s memories, through<br />
his transfer of humanity, through sav<strong>in</strong>g his life. The hunter saves the hunted, just as<br />
the tables of ‘hunter and hunted’ actually changed, to rem<strong>in</strong>d the blade runner of<br />
someth<strong>in</strong>g. His humanity. That he isn’t a bureaucratic kill<strong>in</strong>g mach<strong>in</strong>e, but a human<br />
be<strong>in</strong>g.<br />
This is where Batty’s masterful craft comes <strong>in</strong>to play. His super-human strength,<br />
his philosophies and almost ‘Aryan’ presence. He is the master over Deckard, but he<br />
dies. Why? Because this world is a world of masters, and Roy realizes he has killed<br />
Tyrell, he has killed many who brought him <strong>in</strong>to this world. He has killed those who<br />
control it and has perhaps kicked off a cha<strong>in</strong> of events to br<strong>in</strong>g down the Orwellian<br />
clouds, to turn Room 101 <strong>in</strong>to rubble, and here he passes the torch to Deckard. In this<br />
world of destruction, <strong>in</strong> this world of Orwell, we have to hang on to our humanity. Our<br />
love. Just as W<strong>in</strong>ston Smith does.<br />
I th<strong>in</strong>k it’s a statement of either two th<strong>in</strong>gs. The first, that the n<strong>in</strong>eteen eighties<br />
were full of this media-mogulism that practiced the elevation of corporations and<br />
maniacal ‘elite’ who grasped the economy <strong>in</strong> their hands. That when we start to lose our<br />
arts, our op<strong>in</strong>ion and our money; we have to remember what keeps us human. Love.<br />
Memories. All that good stuff.<br />
Secondly, I believe it to be a warn<strong>in</strong>g. The whole film is Orwellian <strong>in</strong> its genejuices<br />
and it <strong>in</strong>cludes that ‘warn<strong>in</strong>g’. 1984 was written at the time of Stal<strong>in</strong>’s sweep<strong>in</strong>g<br />
control, as he destroyed culture and built his palace around a cult of personality and<br />
destructive reckon<strong>in</strong>g of any opposition. Blade Runner is a warn<strong>in</strong>g of the future, it’s<br />
even set <strong>in</strong> the future, that we will lose our humanity to these ‘masters’. I believe Blade<br />
Runner has never been more relevant, with ‘those responsible’ masters now held to<br />
their s<strong>in</strong>s. Murdoch on trial, MP’s expenses scandal and all sorts of under-table deal<strong>in</strong>gs<br />
with the likes of Gaddafi. In the end, humanity triumphs.<br />
Right?<br />
Except we’re constantly rem<strong>in</strong>ded about what happens when we let them get too<br />
far. When the masters can push the buttons. Blade Runner was written just out of Cold