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SECTION 1:<br />

<strong>British</strong> Feature <strong>Film</strong>s Released Theatrically In The UK Between 1971 And 1981<br />

Abbreviations used:<br />

ORT: title under which film was originally registered<br />

ALT.T: alternative title<br />

RN: registration number<br />

RD: date of registration<br />

RE: registering company<br />

RT: running time<br />

MFB: Monthly <strong>Film</strong> Bulletin<br />

DIR: director<br />

NOTES<br />

Change of title<br />

Nearly all the films with title changes are sexploitation<br />

films. As these do not tend to have any distinctive<br />

features, a change of title can bring in another<br />

audience the second time round.<br />

Series<br />

These have been counted as single films but all the<br />

separate episodic titles are given under the series<br />

entry in the main alphabetical sequence.<br />

Nationality<br />

A film can be registered <strong>British</strong> but still have the<br />

involvement of non-<strong>British</strong> companies, e.g. co-productions,<br />

minority partners.<br />

Britain has signed co-production treaties with<br />

France (1965), I t a ly (1967), Fe d e ral Rep u blic of<br />

Germany (1975) and Canada (1975). Any film made<br />

under the terms of these treaties has a C included in<br />

the registration number, e.g. the registration number<br />

for ‘The Day of the Jackal’, a <strong>British</strong>/French co-production,<br />

is BR/E 36860C/17/6/78.<br />

Because there was a strong Empire Lobby at the time<br />

of the formulation of.the first Cinematograph <strong>Film</strong>s<br />

Act in 1927, ‘<strong>British</strong>’ also includes the<br />

Commonwealth.<br />

Although films from EEC member states are counted<br />

as <strong>British</strong> for quota purposes, they are allocated an<br />

EEC and not a <strong>British</strong> registration number.<br />

Date of registration<br />

This cannot be taken to be synonymous with either<br />

the year of production or the year of re l e a s e<br />

(although it will probably be closer to the latter than<br />

the former).<br />

Registering Company<br />

The Registering Company is normally the distributor.<br />

When the Department of Trade has been notified<br />

of a change of distributor, the entry has been<br />

amended. But, as films go out of distribution, companies<br />

go bankrupt, rights change, etc., the information<br />

will in some cases be out of date and should be<br />

treated with caution as a guide to current distribution.<br />

However, the more recent the registration, the-<br />

BFI Information Services<br />

13<br />

more likely it will still be current.<br />

Running time<br />

The running time given is that of the distribution<br />

company’s original release print. The presence of<br />

two running times indicates the availability of alternative<br />

versions. In some instances after the film’s<br />

initial release, it is decided that the film would be a<br />

more attractive and convenient proposition if shorter,<br />

and cuts are then implemented, though not necessarily<br />

in consultation with the director. Where the<br />

running time has changed, the original registered<br />

running time is given in brackets.<br />

When calculating its own statistics, the Department<br />

of Trade breaks up its register into three sections:<br />

over 72 minutes, 33 1/3 -72 minutes and under 33 1/3<br />

minutes. As this catalogue aims to cover <strong>British</strong> features,<br />

it was felt that there were some films under 72<br />

minutes which should be included, but to take the<br />

full range of the middle category would involve<br />

including some shorts. So 52 minutes, which falls<br />

half way between 33 1/3 and 72 minutes, was considered<br />

to be an appropriate break-off point (Table I<br />

gives details of how many films fall into this section.)

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