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Download (1.77 MB - PDF) - British Film Institute

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<strong>British</strong> <strong>Film</strong>s 1971 – 1981: - back cover text to original 1983 publication.<br />

What makes a film <strong>British</strong>? Is it the source of its finance or the nationality of the production<br />

company and/or a certain percentage of its cast and crew? Is it possible to define a <strong>British</strong><br />

content? These were the questions which had to be addressed in compiling <strong>British</strong> <strong>Film</strong>s 1971<br />

– 1981.<br />

The publication includes commercial features either made and/or released in Britain between<br />

1971 and 1981 and lists them alphabetically and by year of registration (where appropriate).<br />

Information given for each film includes production company, studio and/or major location,<br />

running time, director and references to trade paper production charts and Monthly <strong>Film</strong><br />

Bulletin reviews as source of more detailed information.<br />

Introductory sections outline major trends of the seventies and the <strong>British</strong> film industry’s<br />

relationship with <strong>British</strong> television. Also included are relevant tables of statistics, a<br />

chronology of key events and bibliographies on the related areas of independent productions<br />

of <strong>British</strong> tv programmes.<br />

Compiled by Linda Wood, a member of bfi Library Services, <strong>British</strong> <strong>Film</strong> 1971 – 1981 provides<br />

a unique record of recent <strong>British</strong> film production.<br />

Acknowledgments to 1983 publication<br />

Typing: Jo Foster<br />

General Assistance: Rachel Marks<br />

Cover Design: Berni Stevens<br />

Acknowledgments:<br />

BNFC (Maureen Brown, Linda Wood and Jean Stock)<br />

John Joddrell (Department of Trade)<br />

Gillian Hartnoll<br />

Frances Thorpe<br />

Ian MacDonald<br />

Markku Salmi<br />

Peter Todd<br />

We should like to thank Screen International for giving permission to use material from their<br />

weekly production listings which has formed the basis of Part II: <strong>Film</strong>s “In Production”

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