Les Arts Florissants - Barbican
Les Arts Florissants - Barbican
Les Arts Florissants - Barbican
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Fourth Symphony with Michael Tilson<br />
Thomas and the San Francisco<br />
Symphony, Le Grand Macabre under<br />
Esa-Pekka Salonen, a disc of Handel<br />
duets directed by Emmanuelle Haïm,<br />
Vaughan Williams’s Sir John in Love<br />
with Richard Hickox, two recordings<br />
of Berlioz’s Benvenuto Cellini, under<br />
Sir Roger Norrington and Sir Colin<br />
Davis, and recordings of lesser-known<br />
operas by Meyerbeer, Balfe, Pacini<br />
and Thomas.<br />
Marco Borggreve Her recordings include Mahler’s<br />
Kristian Bezuidenhout fortepiano<br />
Kristian Bezuidenhout was born in<br />
South Africa in 1979 and his teachers<br />
included Malcolm Bilson, Paul O’Dette<br />
and Robert Levin. He won First Prize<br />
and the Audience Prize in the 2001<br />
Bruges Fortepiano Competition.<br />
He regularly performs on fortepiano,<br />
harpsichord and modern piano in<br />
North America, Europe, Australia and<br />
Asia. Among the festivals at which he<br />
has appeared are those of Barcelona,<br />
Boston, Bruges, Esterhaza, Utrecht, St<br />
Petersburg, Vermont, Venice and West<br />
Cork. He is currently professor of the<br />
Eastman School of Music and in Basle.<br />
His recordings include solo fortepiano<br />
works and violin sonatas by Mozart,<br />
Schubert’s Die schöne Müllerin, and<br />
Bach concertos with Daniel Hope.<br />
Highlights of last season include a tour<br />
with Frans Brüggen and the Orchestra<br />
of the 18th Century, performing<br />
Mozart’s late piano concertos. This<br />
season he plays concertos with the<br />
Freiburg Baroque Orchestra, goes on<br />
tour with the Royal Concertgebouw<br />
Orchestra, conducted by Ton<br />
Koopman, performs and records<br />
Schumann’s Dichterliebe with Mark<br />
Padmore and takes part in the 2010<br />
Holland Festival, where he will be<br />
playing from Bach’s 48.<br />
<strong>Les</strong> <strong>Arts</strong> <strong>Florissants</strong><br />
about the performers<br />
The renowned vocal and instrumental<br />
ensemble <strong>Les</strong> <strong>Arts</strong> <strong>Florissants</strong> was<br />
founded in 1979 by William Christie,<br />
and takes its name from an opera by<br />
Marc-Antoine Charpentier.<br />
Since the acclaimed production of Atys<br />
by Lully at the Opéra Comique in Paris<br />
in 1987, it has been in the field of opera<br />
where <strong>Les</strong> <strong>Arts</strong> <strong>Florissants</strong> has found<br />
most success. Notable productions<br />
include works by Rameau (<strong>Les</strong> Indes<br />
galantes in 1990 and 1999, Hippolyte<br />
et Aricie in 1996, <strong>Les</strong> Boréades in 2003,<br />
<strong>Les</strong> Paladins in 2004), Charpentier<br />
(Médée in 1993 and 1994), Handel<br />
(Orlando in 1993, Acis and Galatea in<br />
1996, Semele in 1996, Alcina in 1999,<br />
Hercules in 2004 and 2006), Purcell<br />
(King Arthur in 1995, Dido and Aeneas<br />
in 2006), Mozart (The Magic Flute in<br />
1994, Die Entführung aus dem Serail at<br />
the Opéra du Rhin in 1995) and<br />
Monteverdi (Il ritorno d’Ulisse in patria<br />
at Aix-en-Provence in 2000, revived in<br />
2002, L’incoronazione di Poppaea in<br />
2005, and L’Orfeo at the Teatro Real<br />
de Madrid in 2008).<br />
<strong>Les</strong> <strong>Arts</strong> <strong>Florissants</strong> has an equally high<br />
profile in the concert hall, giving<br />
concert performances of operas<br />
(Zoroastre and <strong>Les</strong> fêtes d’Hébé by<br />
11