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Les Arts Florissants - Barbican

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Fourth Symphony with Michael Tilson<br />

Thomas and the San Francisco<br />

Symphony, Le Grand Macabre under<br />

Esa-Pekka Salonen, a disc of Handel<br />

duets directed by Emmanuelle Haïm,<br />

Vaughan Williams’s Sir John in Love<br />

with Richard Hickox, two recordings<br />

of Berlioz’s Benvenuto Cellini, under<br />

Sir Roger Norrington and Sir Colin<br />

Davis, and recordings of lesser-known<br />

operas by Meyerbeer, Balfe, Pacini<br />

and Thomas.<br />

Marco Borggreve Her recordings include Mahler’s<br />

Kristian Bezuidenhout fortepiano<br />

Kristian Bezuidenhout was born in<br />

South Africa in 1979 and his teachers<br />

included Malcolm Bilson, Paul O’Dette<br />

and Robert Levin. He won First Prize<br />

and the Audience Prize in the 2001<br />

Bruges Fortepiano Competition.<br />

He regularly performs on fortepiano,<br />

harpsichord and modern piano in<br />

North America, Europe, Australia and<br />

Asia. Among the festivals at which he<br />

has appeared are those of Barcelona,<br />

Boston, Bruges, Esterhaza, Utrecht, St<br />

Petersburg, Vermont, Venice and West<br />

Cork. He is currently professor of the<br />

Eastman School of Music and in Basle.<br />

His recordings include solo fortepiano<br />

works and violin sonatas by Mozart,<br />

Schubert’s Die schöne Müllerin, and<br />

Bach concertos with Daniel Hope.<br />

Highlights of last season include a tour<br />

with Frans Brüggen and the Orchestra<br />

of the 18th Century, performing<br />

Mozart’s late piano concertos. This<br />

season he plays concertos with the<br />

Freiburg Baroque Orchestra, goes on<br />

tour with the Royal Concertgebouw<br />

Orchestra, conducted by Ton<br />

Koopman, performs and records<br />

Schumann’s Dichterliebe with Mark<br />

Padmore and takes part in the 2010<br />

Holland Festival, where he will be<br />

playing from Bach’s 48.<br />

<strong>Les</strong> <strong>Arts</strong> <strong>Florissants</strong><br />

about the performers<br />

The renowned vocal and instrumental<br />

ensemble <strong>Les</strong> <strong>Arts</strong> <strong>Florissants</strong> was<br />

founded in 1979 by William Christie,<br />

and takes its name from an opera by<br />

Marc-Antoine Charpentier.<br />

Since the acclaimed production of Atys<br />

by Lully at the Opéra Comique in Paris<br />

in 1987, it has been in the field of opera<br />

where <strong>Les</strong> <strong>Arts</strong> <strong>Florissants</strong> has found<br />

most success. Notable productions<br />

include works by Rameau (<strong>Les</strong> Indes<br />

galantes in 1990 and 1999, Hippolyte<br />

et Aricie in 1996, <strong>Les</strong> Boréades in 2003,<br />

<strong>Les</strong> Paladins in 2004), Charpentier<br />

(Médée in 1993 and 1994), Handel<br />

(Orlando in 1993, Acis and Galatea in<br />

1996, Semele in 1996, Alcina in 1999,<br />

Hercules in 2004 and 2006), Purcell<br />

(King Arthur in 1995, Dido and Aeneas<br />

in 2006), Mozart (The Magic Flute in<br />

1994, Die Entführung aus dem Serail at<br />

the Opéra du Rhin in 1995) and<br />

Monteverdi (Il ritorno d’Ulisse in patria<br />

at Aix-en-Provence in 2000, revived in<br />

2002, L’incoronazione di Poppaea in<br />

2005, and L’Orfeo at the Teatro Real<br />

de Madrid in 2008).<br />

<strong>Les</strong> <strong>Arts</strong> <strong>Florissants</strong> has an equally high<br />

profile in the concert hall, giving<br />

concert performances of operas<br />

(Zoroastre and <strong>Les</strong> fêtes d’Hébé by<br />

11

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