- Page 1 and 2: www.IELTS4U.blogfa.com
- Page 3 and 4: THE LITTLE RED WRITING BOOKMARK TRE
- Page 5 and 6: THELITTLEREDWRITINGBOOKMark Tredinn
- Page 7 and 8: CONTENTSStepping out 7A prologue on
- Page 9 and 10: STEPPING OUTA short walk ina southe
- Page 11 and 12: For you’d want all these qualitie
- Page 13 and 14: writing (mostly) in the active voic
- Page 15 and 16: writers than I am—disciplines I f
- Page 17: 3 ‘...words are the only tools yo
- Page 21 and 22: ‘The end of all method’, said Z
- Page 23 and 24: The staff at the ABC health clinic
- Page 25 and 26: Hear how this sounds like speech, h
- Page 27 and 28: have all been produced by laws acti
- Page 29 and 30: time it’s read; and it’s not ju
- Page 31 and 32: In order to facilitate the timely p
- Page 33 and 34: duty as important as any of the oth
- Page 35 and 36: When we’re anxious, we lose our v
- Page 37 and 38: Question everything theytaught you
- Page 39 and 40: Most writers spend too much time tr
- Page 41 and 42: pressure and lead you to write some
- Page 43 and 44: 2 Laurie’s Place provides a safe
- Page 45 and 46: Shakespeare understood the genius o
- Page 47 and 48: 2 A lexicon of everyday wordsFind e
- Page 49 and 50: most people something like ‘negat
- Page 51 and 52: nurse. It was probably the same for
- Page 53 and 54: CHAPTER 2SENTENCINGI take it as a b
- Page 55 and 56: catchment. Namely, everything.The p
- Page 57 and 58: Good sentences make good writing. A
- Page 59 and 60: Depending on your take, this is ped
- Page 61 and 62: 4 Three double bedrooms (one with s
- Page 63 and 64: Don’t feel obliged to write somet
- Page 65 and 66: Twenty-four troublesomewords and ph
- Page 67 and 68: ‘I have prioritised the issues’
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Who does whatEvery sentence names s
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5 The sky is grey; She is gorgeous;
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If this is any better, it’s becau
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no action at all. (This is a what-i
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Bearing those points in mind, you m
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VerbsA magazine editor said to me l
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Good writing uses splendid verbs—
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when a deadline presses) the more l
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TRY THISMake a place at the back of
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won’t be a sea-serpent with half
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William Maxwell uses the segregatin
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Then try this on a letter you have
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it is good for, though, is getting
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I came; I saw; I conquered.Here’s
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from the Caledonian market—Claris
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A decade of economic chaos and a ce
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The passage was cool; a telephone s
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pose a problem and suggest an answe
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pick up your clause where you left
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And an essayist’s compound-comple
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James Agee writes a sentence, here,
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CHAPTER 3GRACEAll good things come
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I like the form and size and quiet
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Or write a blockbuster in worse tha
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Just exactly where Clarissa and her
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ride roughshod over’ mean? If you
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Corporate clichésProactive approac
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they’re trying to sell you real e
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few in this book.You might have to
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An allocation has been made for the
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If one concedes, with Levinas and B
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TRY THISRewrite these samples of ab
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What does the passive look like?In
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And what’s right about it?Turns o
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sentence would cause me to cover so
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two per cent of our body weight is
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infrastructure’ a shorter way to
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assist in booking an examination. W
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meant to mean. Writing can educate
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But let’s not abbreviateWhen writ
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Consider the ambiguities within•
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come at things from an angle; it sh
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strange. A good tale is only good,
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sometimes that’s going to hurt. E
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people at once—yourself now; the
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We were talking ahead of a conversa
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look life’s mysteries in the eye.
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TRY THIS1 What do you wonder at? Wr
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TRY THIS1 What kind of book or work
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was a plain woman in a big hat; But
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tale; find a title; write a draft;
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Hermes (messenger of the gods)—li
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This quality, the texture of person
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• Speak your work (or some of its
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metaphors and figures of speech gen
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middle) of a number of words in suc
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hexameter; on feminine endings; on
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CharacterCapturing the character of
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Plot is simply one device a writer
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Not telling—a noteon indirectionY
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Let’s say, then, that indirection
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about a place you once lived, a pla
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length) of sentence you choose (see
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Points of viewIf you’re writing a
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I know you are tired. I am tired to
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The teller stands outside the story
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TRY THIS1 Write a scene from breakf
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since the seventies, waning now. Ju
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And again and again.Writing is iter
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Good writers behave like that on th
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Eighty/twentyYou see, we’re all p
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not summarising, but rather, supply
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At work, too, writers should be all
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standing—you must also be someone
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You’re not here to judgeMany of m
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adequate industry coverage, as well
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Rob’s a potter and a builder and
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I hold these six things to be true
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Order your writing by getting clear
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Thesis/antithesisWriting, as Thomas
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Mindful mappingIf you’ve finished
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what we know; for naming the parts;
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It’s a simple rhetorical model th
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The consultancy brief asked us to a
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days when clear (as opposed to loud
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Into this soft overlay Jana Wendt i
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measure of devotion—that we here
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and again: everyone and everything
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this one case but to a class of two
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would have occurred without them, b
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Here’s Michel de Montaigne propos
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decay of rocks, plus small amounts
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The art of transitionYou have to le
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which he starts each paragraph: Adm
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CHAPTER 1AMENHarry Potter’s all r
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CHAPTER 1FURTHER READINGColman, Rut
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ACKNOWLEDGMENTSI learned to write b
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Passages from Out of Africa by Kare
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The Little Red Writing Bookis a liv