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Livret-Mozart-Levin-Poulet-La-Goillotte-Le-Palais-des-D%C3%A9gusteurs

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was unanimously elected to membership of the<br />

Accademia Filarmonica in Bologna.<br />

Several operas date from this period. <strong>Mozart</strong> often<br />

composed them at speed, waiting for singers who<br />

arrived at the last minute before he could write<br />

their arias, and having to adapt to changes in the<br />

libretti.<br />

After completing an opera in March 1770, <strong>Mozart</strong><br />

turned his attention back to the string quartet, "to<br />

pass the time" as his father put it. In actual fact,<br />

he had fallen in love. But he was in Italy, sad to<br />

be separated from the woman he yearned for<br />

who was still in Salzburg. He was 16 years old.<br />

The string quartet was not yet regarded as the<br />

Holy Grail of all musical composition; it would<br />

eventually acquire this status, becoming the<br />

ultimate test that many composers would only<br />

tackle with fear and respect. But <strong>Mozart</strong> had<br />

already made it his confidant. In a few months,<br />

between late 1772 and early 1773, he would<br />

write six of them. These are rare examples of<br />

<strong>Mozart</strong> works that were not composed to order for<br />

a commission.<br />

In the service of Colloredo<br />

(1773-1781)<br />

At 16, he wrote eight symphonies (Nos. 14 to<br />

21) in ten months. The following year, also in<br />

Salzburg, he wrote another five (Nos. 22 to 27) in<br />

two months.<br />

Relationships with his new patron, Prince-<br />

Archbishop Hieronymus von Colloredo, were not<br />

good. It is not the place to examine them here,<br />

but <strong>Mozart</strong> was increasingly aware that being in<br />

service to a master was costing him his creative<br />

freedom. He expressed this in a letter to his father<br />

dated 10 October 1777: "If, in the meantime,<br />

I get no situation, eh, bien! I shall still have the<br />

resources to go to Italy. [...] And I am far happier<br />

when I have something to compose. It is my chief<br />

delight and passion. [ … ] Even when I hear an<br />

opera discussed, or am in a theatre myself and<br />

hear singing, oh! I really am beside myself!" His<br />

emphasis on opera is worth noting.<br />

In September 1777, he undertook his first journey<br />

without his father, Colloredo having refused to<br />

give him leave. So he set off with his mother,<br />

going first to Germany. On 8 November 1777,<br />

he fell under the spell of a young woman and<br />

immediately wrote an arietta in French for her,<br />

Oiseaux, si tous les ans. On the same day, he wrote<br />

a letter to his father, including this passage which<br />

41

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