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SONETOS PORTUGUESES - Silva Carvalho

SONETOS PORTUGUESES - Silva Carvalho

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His self and the sun were one<br />

And his poems, although makings of his self,<br />

Were no less makings of the sun.<br />

It was not important that they survive.<br />

What mattered was that they should bear<br />

Some lineament or character,<br />

Some affluence, if only half-perceived,<br />

In the poverty of their words,<br />

Of the planet of which they were part.<br />

WALLACE STEVENS<br />

The simulacrum for Deleuze, however, is neither a recent nor<br />

a merely cultural event. The simulacrum is not the loss or<br />

abandonment of the real; it is the real. A force of life<br />

becomes by enhancing its powers of variation and its powers<br />

of being affected; it takes on a form other than what it is. It<br />

imagines or projects what it is not (yet). It simulates:<br />

becoming other than itself through the very power of a life<br />

which is always more than itself. If literature is a power of<br />

the simulacrum it is not because it merely quotes or parodies<br />

with no respect for the real; it is because it introduces new<br />

simulations, a new expression of the real.<br />

Claire Colebrook

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