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Livro Vicente Rever para crer - Travessa da Ermida

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. ¹<br />

² .<br />

. ³<br />

We return to the Vincentian ³ inquest, reviewing established<br />

ideas and rewriting told stories. It is an inquiry in<br />

which art images draw tangents to words, in purely interactive<br />

model of interaction. <strong>Vicente</strong> does not aspire to more, at<br />

the risk of incensing figure and not force. In his syncretic<br />

spirit, the pages that follow are a subtle ghost which sheds<br />

light on the historical and urban palimpsest. In the work of<br />

each creator, viewed from the issue of the symbol, myth (seems<br />

but) is not black and white.<br />

In this light, <strong>Vicente</strong> unfolds as a unique initiative in citizenship<br />

training, suggesting that strategies for innovation, a<br />

challenge in various fields, can be imbued with the specific<br />

terroir of profound History of the Town and Country, that is,<br />

there is a design, a tourism and marketing, and an economy<br />

and, of course, a culture that can and should be shaken by<br />

the mythical undercurrents of being here – in Lisbon, in<br />

Portugal, in the Mediterranean, in Europe, in the World.<br />

Considering the prospects, implied than explicit, in the most<br />

common and perishable materials, the most different formulations<br />

of hope, and especially in the fleeting encounter with<br />

the symbols, narratives and arguments which show the Vincentian<br />

sensitivity, <strong>Vicente</strong>’s program says that reviewing<br />

is believing. Tomorrow begins to<strong>da</strong>y, Crás!<br />

Projecto <strong>Travessa</strong> <strong>da</strong> Ermi<strong>da</strong><br />

Belém, September 2012<br />

<strong>Vicente</strong> – Ressonâncias de um Mito Luminoso / <strong>Vicente</strong> – Resonances of a Luminous<br />

Myth, Projecto <strong>Travessa</strong> <strong>da</strong> Ermi<strong>da</strong>, 2011.<br />

Long Streets for Short Stories arrives in Lisbon after being presented in Tallinn (2009)<br />

and Riga (2010), in which the formal solutions, a<strong>da</strong>pted to the corresponding contexts, were<br />

very diverse.<br />

Cf. Caeiro, Mário; «A Vicentine Inquest – Facts, myths and beliefs in a puzzle for future<br />

memory», in <strong>Vicente</strong> – Resonances of a Luminous Myth, Projecto <strong>Travessa</strong> <strong>da</strong> Ermi<strong>da</strong>,<br />

Mercador do Tempo, Lisbon, 2011, pp. 93-107.<br />

7

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