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representações interculturais na Polónia sob a influência nazi

representações interculturais na Polónia sob a influência nazi

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Simões, A<strong>na</strong>bela Valente – Identity and belonging in the novels of Doron Rabinovici 39–55the Jewish traumatic past seems to collide with Austria’s attitude towards its ownpast, Rabinovici finds himself in a difficult situation, struggling to move in twodifferent, almost antagonistic worlds. In an interview the author talks about aJewish-Self and an Austrian-Self and feels he is trapped in this duplicity, i.e. theconscience that his Jewish cultural and historical identity lives together with thelinguistic and social identity of the country he inhabits (Rabinovici, 1999b). Thefeeling of belonging to a set of traditions and cultural aspects coexists with afeeling of bonding with a country where he speaks and writes in the language ofthe perpetrators. It is in this ambivalence, in this difficult and problematicexistence that he has to search and build his identity – an identity that isinevitably multi-layered, hybrid and fragmented.These questions are also represented in Rabinovici’s novelistic work,which consists so far of the texts Suche <strong>na</strong>ch M. (1997), Ohnehin (2004) and, morerecently, Andernorts (2010). Common denomi<strong>na</strong>tor is the topic of identityconstitution of Jewish post-war generations, more specifically, in the context ofAustria historical and social developments.Suche <strong>na</strong>ch M. (Seach for M.) essentially portrays the intergeneratio<strong>na</strong>ltransmission of trauma, memory and guilt within survivor families, where therewas a consensual pattern of silence about the traumatic experiences of the past –the so-called “conspiracy of silence”, registered in various studies on thepsychological after-effects of the Holocaust. Protagonists are Dani Morgenthauand Arieh Scheinowitz, whose parents have both turned their backs to the pastand refused to describe it to their children. As Dani observes, “dieVergangenheit des Vaters lag im Dunkel seines Schweigens. Es war, als verbergeer sich noch in jenem Versteck am Warschauer Stadtrand” 9 (Rabinovici, 1997:29). From here one may conclude that silence does not mean that the past isovercome, but rather that there is an incapacity to confront it: “Woran seine9 [The f at he r ' s p ast re st e d i n t he d arkne ss of h is si le nc e . It w as as if he is st i llu nd e rg rou nd i n a h id ing - p lac e i n t he War saw su bu rb s. ]Polissema – Revista de Letras do ISCAP – Vol. 12 -201248

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