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e MAGAZINE<br />
VIRGINIA ASSOCIATION OF INDEPENDENT SCHOOLS<br />
Active Learning Spaces:<br />
ALIVE in VAIS Schools<br />
ISSUE 6<br />
<strong>Winter</strong><br />
<strong>2019</strong>
e MAGAZINE<br />
CONTENTS<br />
2<br />
How Classroom Design Affects Student<br />
Engagement Active Learning<br />
How Classroom Design<br />
Affects Student Engagement<br />
Active Learning |<br />
Post-Occupancy Evaluation<br />
5<br />
7<br />
9<br />
11<br />
13<br />
15<br />
16<br />
17<br />
18<br />
19<br />
20<br />
Transforming to an Active Learning Space?<br />
A Challenge Worth Tackling!<br />
The WonderLab: A Classroom Built On A Word<br />
Using Instagram in the Spanish Classroom -<br />
Unlocking New Inspiration<br />
Getting Electrified about Learning Engineering<br />
Ditching the Pink Fluffy Chair<br />
Alternative Seating in a Middle School<br />
Math Classroom<br />
Using the City of Richmond to Turn a<br />
Controversy Into a Learning Experience<br />
Intentional and Engaged Learning Spaces<br />
in a Fifth Grade Classroom<br />
Randolph-Macon Academy Opens<br />
Innovation Wing<br />
One Fun Little Dance - An Active Learning Lesson<br />
The Innovation Lab - Movement, Commotion<br />
and Production!<br />
New data from ongoing Steelcase Education studies shows that<br />
classrooms designed for active learning—i.e., where physical<br />
space supports a focus on engaging experiences for students and<br />
faculty— have a significant effect on student engagement.<br />
Noteworthy studies have been completed in recent years that show<br />
factors in the built environment can affect retention, attention,<br />
motivation, learning and academic achievement, but there have<br />
not been reliable post-occupancy evaluations of how different<br />
classroom designs affect student success. To address this important<br />
gap, a team of Steelcase Education researchers, in collaboration<br />
with academic researchers in Canada and the United States,<br />
recently completed studies at four U.S. universities. A robust survey<br />
instrument, titled the Active Learning Post Occupancy Evaluation<br />
(AL-POE) tool, was developed specifically for measuring the impact<br />
of classroom design on student engagement. Engagement is widely<br />
recognized as a highly probable predictor of student success.<br />
The results of the study and the following term’s aggregated data<br />
revealed that classrooms intentionally designed to support active<br />
learning increased student engagement on multiple measures as<br />
compared to traditional classrooms<br />
Figure 1: Standard Classroom<br />
21<br />
Making Space for Active Learning<br />
Editorial Advisory Board<br />
Kim Failon, Director of Communications, VAIS<br />
Lelia Grinnan, Director of Accreditation, VAIS<br />
Interested in writing an article for an upcoming<br />
<strong>Vision</strong>? Contact: Kim Failon, Director of<br />
Communications, VAIS, at kimfailon@vais.org<br />
EXTENDING WHAT’S KNOWN<br />
Sociological and environment behavioral research has established<br />
the impact of built environments on various behaviors:<br />
territoriality, crowding, situational and personal space. More<br />
recently researchers have explored how a learning environment<br />
impacts students. The consensus is that learning spaces have<br />
physical, social and psychological effects. The Steelcase Education<br />
research program was undertaken to build upon this growing<br />
body of evidence that the learning environment impacts students’<br />
success and engagement is a key predicting factor.<br />
Verb classroom<br />
Node classroom<br />
CONNECT. COLLABORATE. LEAD.<br />
ISSUE 6<br />
<strong>Winter</strong><br />
<strong>2019</strong><br />
THE APPROACH: AN ACTIVE LEARNING POST-<br />
OCCUPANCY EVALUATION SURVEY<br />
The research was designed to analyze student engagement by<br />
asking participants to compare their experiences in a traditional/<br />
standard classroom with row-by-column seating (See Figure 1:<br />
Standard Classroom) to what they experienced in a classroom<br />
intentionally designed for active learning—i.e., where physical<br />
space supports a focus on engaging experiences for students and<br />
faculty. (See Figure 2: Steelcase Advanced Learning Environments)<br />
media:scape classroom<br />
LearnLab (or media:scape LearnLab)<br />
Figure 2: Steelcase Advanced Learning Environments –4 Scenarios<br />
1<br />
2
How Classroom<br />
Design Affects Student<br />
Engagement<br />
Active Learning<br />
How Classroom<br />
Design Affects<br />
Student Engagement<br />
Active Learning<br />
The active learning classrooms were furnished with Steelcase’s<br />
advanced innovative products and applications for active learning<br />
settings: Node® seating (See Figure 3), Verb®, media:scape®<br />
and LearnLab. To determine a relationship between classroom<br />
design and the behavioral factors of student engagement,<br />
participating faculty members did not receive training from<br />
Steelcase on active learning practices. The settings were simply<br />
provided for their use as they saw fit.<br />
Using a two-step decision-making research method, student and<br />
faculty participants simultaneously evaluated their experience in<br />
the active learning setting and their previous experience in the<br />
traditional classroom; specifically, they compared the “pre/old” and<br />
“post/new” settings for each metric.<br />
The main body of the resulting evaluation has two sections.<br />
Section I (Practices) focuses on active learning practices that<br />
elicit engagement in the learning space. Section II (Solutions)<br />
measures the effect of the classroom design on these active<br />
learning practices. Twelve measurement factors are consistent<br />
across the two sections, including:<br />
• collaboration<br />
• focus<br />
• active involvement<br />
• opportunity to engage<br />
• repeated exposure to material through multiple means<br />
• in-class feedback<br />
• real-life scenarios<br />
• ability to engage ways of learning best<br />
• physical movement<br />
• stimulation<br />
• feeling comfortable to participate<br />
• creation of an enriching experience<br />
Another set of questions uses a five-point Likert scale to<br />
determine perceptions of grades, retention, overall engagement<br />
and ability to be creative.<br />
To ensure adherence to the standards of academic research, the<br />
Steelcase Education team worked with third parties: IRB research<br />
protocol review, academic researchers and a statistician to<br />
analyze and report results.<br />
Respondents completed the survey online approximately 6-8<br />
weeks into the term so they had enough time to establish a<br />
rhythm of using the space.<br />
3<br />
Figure 3: Node ClassroomExample<br />
To ensure adherence to the standards of academic<br />
research, the Steelcase Education team worked with<br />
third parties: IRB research protocol review, academic<br />
researchers and a statistician to analyze and report<br />
results.<br />
RESULTS: ACTIVE LEARNING CLASSROOMS<br />
HAVE A POSITIVE IMPACT ON STUDENT<br />
ENGAGEMENT.<br />
The combined studies results yielded major findings, all<br />
supporting a highly positive and statistically significant<br />
impact of active learning classrooms on student<br />
engagement:<br />
1) Participants reported that the new classrooms<br />
improved active learning practices and had more<br />
positive impact on engagement compared to the old<br />
classrooms. There were no significant differences in<br />
results among participating universities, strengthening<br />
the applicability of the findings.<br />
2) The majority of students rated the new<br />
classroom better than the old classroom on each of the<br />
12 factors.<br />
3) Active learning practices and the impact of<br />
the physical space significantly improved in the new<br />
classrooms for both students and faculty. In the<br />
practices section, average composite scores rose from<br />
23.2 to 34.2 for students, and from 24.0 to 37.3 for<br />
faculty. In the solutions section, average composite<br />
scores rose from 21.8 to 35.5 for students and from 19.1<br />
to 38.8 for faculty. (See Figures 5 and 6)<br />
2<br />
Average Composite Score<br />
Average Composite Score<br />
40<br />
30<br />
20<br />
10<br />
0<br />
40<br />
30<br />
20<br />
10<br />
0<br />
23.2<br />
24.0<br />
34.2<br />
PRACTICES<br />
Figure 5: Average Overall Engagement<br />
Scores For Old and New Classrooms:<br />
Students (n=389)<br />
37.3<br />
PRACTICES<br />
21.8<br />
19.1<br />
35.5<br />
38.8<br />
SOLUTIONS<br />
Figure 6: Average Overall Engagement Scores<br />
For Old and New Classrooms: Faculty (n=41)<br />
Standard (old)<br />
Current (new)<br />
SOLUTIONS<br />
PERCENTAGE REPORTING MODERATE OR EXCEPTIONAL INCREASES IN:<br />
ability to be creative<br />
motivation to attend cl ass<br />
ability to achieve a highergrade<br />
engagement in class<br />
4) The majority of students and faculty reported that the new classrooms<br />
contributed to higher engagement, the expectation of better grades, more<br />
motivation and more creativity. A large majority of students self-reported a<br />
moderate to exceptional increase in their engagement (84%), ability to achieve<br />
a higher grade (72%), motivation to attend class (72%), and ability to be creative<br />
(77%). Almost all faculty members reported a moderate to exceptional increase in<br />
student engagement (98%), and all perceived a moderate to exceptional increase<br />
in student’s ability to be creative (100%). A large majority of faculty reported a<br />
moderate to exceptional increase in students’ ability to achieve a higher grade<br />
(68%), and a moderate to exceptional increase in students’ motivation to attend<br />
class (88%). (See Figure 7)<br />
THE BOTTOM LINE: INTENTIONALLY DESIGNING SPACES<br />
PROVIDES FOR MORE EFFECTIVE TEACHING AND LEARNING<br />
As a result of the development of the evaluation instrument and this managed<br />
research program, decision makers at educational institutions, architects and<br />
designers can be assured that investments in solutions intentionally designed to<br />
support active learning can create more effective classrooms and higher student<br />
engagement.<br />
The study also underscores the importance of designing products for educational<br />
environments based on insights from rigorous research. All the products used<br />
in the new/post classrooms were developed from Steelcase’s human-centered<br />
research process methodology, and this study validates that the evidence-based<br />
design protocol helps produce measurable results in use.<br />
0% 20% 40% 60% 80% 100%<br />
Figure 7. Impact of New Classroom<br />
on Student Engagement<br />
Faculty<br />
Students<br />
This white paper was originally published by Steelcase and the full version can be found here:<br />
https://www.steelcase.com/research/articles/topics/active-learning/how-classroom-design-affects-student-engagement/<br />
Creative Office Environments is an authorized Steelcase Dealer and a proud VAIS Strategic Partner. For more information please contact<br />
Jim Trebour at jtrebour@creative-va.com or 804-405-9717.<br />
34
Active engagement is nothing but a prerequisite to the<br />
learning process. Active learning is not trendy or faddish.<br />
It is fundamental to the learning process. There is no cost,<br />
program, or material that must be purchased to transform<br />
a traditional classroom into an active learning space. I share<br />
with you a few vignettes from my classroom and my reasoning<br />
for incorporating active learning across the curriculum.<br />
When I look at pictures taken in my classroom this fall, I<br />
find two students on the carpet as they play a dice game they<br />
created to practice their addition facts. In another photo I<br />
observe students in a corner deeply engaged in a nonfiction<br />
book about dogs, and I recall overhearing their conversation<br />
about their own pet dogs as they read during partner reading<br />
time. I look at a different picture, and I see four secondgraders<br />
precariously balancing on chairs, contemplating<br />
how to maximize gravitational pull to design a marble<br />
maze using PVC pipes. I also notice a photograph of several<br />
second-graders deeply engaged as they listen to one student<br />
5<br />
Transforming to an Active<br />
Learning Space? A Challenge<br />
Worth Tackling!<br />
Michelle Bruch, Grade Two Teacher, Grace Episcopal School, Alexandria<br />
share the story she had written that morning. This picture in<br />
particular makes me smile because I remember asking these<br />
students to read independently right before they decided to<br />
have an impromptu writing time instead. In a photo I took<br />
just last week, I see a second grader’s joyful expression as she<br />
holds up her very own bean sprout and takes a moment to<br />
process the miracle of life.<br />
Teaching and learning are one. I cannot teach my students a<br />
new instructional objective if I do not first probe their background<br />
knowledge. Recent neurological research supports the role<br />
of movement and the importance of activating background<br />
knowledge. We must prioritize connections in the classroom:<br />
social, physical and cognitive connections are the essence of<br />
learning itself.<br />
I cannot expect my students to cultivate a deep comfort<br />
with new content if I do not give them time to grapple,<br />
explore, and explain newly learned concepts. It is ironic that<br />
when I stop teaching and start learning that my teaching is<br />
at its best. We actively learn together by using our classroom<br />
space flexibly, and this practice allows me to differentiate<br />
instruction, gives my students opportunities to engage deeply<br />
with the curriculum through movement and conversation,<br />
and provides ample time to question and learn.<br />
Letting go of how we manage classroom space and time in<br />
a traditional sense is difficult. Thoughtful deliberation is required<br />
to engage students with direct inquiry meaningfully. Guided<br />
by powerful questions, clearly communicated objectives, and<br />
consistent routines, I am able to facilitate the smooth management<br />
of the classroom. I must embrace trial and error, be deliberate<br />
about my instructional objectives, and constantly assess the<br />
classroom climate. As I listen closely to my students, I allow<br />
them to take ownership of their learning. I continually seek<br />
opportunities to help them make connections and inhabit a<br />
state of wonder.<br />
Facilitating active learning means acknowledging that there<br />
is a give and take within the classroom learning environment. We<br />
move our desks apart and place them so they face the walls during<br />
writing workshop. I find this enables my second graders to focus<br />
deeply on their writing and to find quiet spaces in the classroom as<br />
they write. We also sit on the floor to read with partners each day.<br />
Word study necessitates movement as we sort, hunt for word<br />
patterns, and play games to deepen our knowledge. Math is<br />
perhaps the most active time in my classroom because I rely<br />
on my students who understand a concept to translate their<br />
problem-solving processes to their peers, as cooperative<br />
learning is central to our math curriculum.<br />
By cultivating a culture of questioning, prioritizing process<br />
in the classroom across the curriculum, and giving students<br />
many opportunities each day to move and talk as they learn,<br />
I enhance their educational experience. They take ownership<br />
of their learning and beg to stay in the classroom during<br />
recess to complete science projects, offer to help a classmate<br />
who is feeling confused about how to solve a multi-step math<br />
problem, and set and achieve goals higher than I would have<br />
set for them. I continually seek opportunities to maximize<br />
the active learning and engagement in my classroom. Active<br />
learning is a rewarding and effective teaching practice that<br />
allows me to guide and support student learning throughout<br />
the school day. As William Butler Yeats wrote, “Education is<br />
not the filling of a pail, but the lighting of a fire.” Rethinking<br />
how we use classroom space and time to ignite a passion for<br />
learning is a worthy challenge.<br />
6
The WonderLab: A Classroom<br />
Built On A Word<br />
Tracy Camp-Johnston, WonderLab Creator and Curator,<br />
Burgundy Farm Country Day School, Alexandria<br />
It’s often said that you need a strong foundation to build<br />
a sturdy structure. I disagree. I built an entire classroom and<br />
a curriculum on a piece of paper. One tiny scrap of lined paper<br />
torn from a composition notebook. One slip of paper with a<br />
single word written on it. WONDER.<br />
After a successful and fulfilling thirteen-year career in the<br />
public school system and time off to raise a family, I had mixed<br />
feelings about returning to teaching. I loved my job as a secondgrade<br />
teacher in my local public school system, but towards<br />
the end, my creativity felt crushed by an avalanche of SOLs and<br />
benchmarks.<br />
At the end of my career, I felt drained and detached. I had<br />
lost my sense of magic. My inspiration was gone, and I worried<br />
that I might not get it back. I knew that if I returned to teaching,<br />
I would have to find an environment in which I felt the freedom<br />
to explore new ideas and to move beyond traditional teaching<br />
methods. I was lucky to find such a place. Tucked in a tiny haven<br />
of woods, with weather-worn barns and a clutch of noisy hens,<br />
just minutes from I-95, was Burgundy Farm Country Day School.<br />
Burgundy’s founders had a vision when they created this special<br />
progressive school. They dreamt of a place where children and<br />
teachers could explore, wonder, and create in a beautiful natural<br />
environment. A place where curiosity would be encouraged and<br />
where divergent thinking was embraced. I found my home here.<br />
And then I found my wonder.<br />
The wonder came to me during a faculty meeting several years<br />
ago. Happily exhausted from a day spent with my fifteen active<br />
kindergarteners and sleepy from too many M&Ms and an overly<br />
toasty auditorium, I began doodling on my agenda to stay awake.<br />
Amongst the swirls and sketches, I wrote the word WONDER. Such<br />
a simple word yet it proved strong enough to inspire an entire<br />
classroom.<br />
Truly it begins with wonder. The very first people probably<br />
looked upward in wonder at the infinite sky. It’s likely that George<br />
Washington Carver wondered, “What else can I make from this<br />
peanut?” And no doubt, Lin-Manuel Miranda wondered about<br />
the untold story of our founding fathers. All good things begin<br />
with wonder. We are born wonder-ers. It is wound and bound<br />
within our DNA. Every child comes to this world equipped with<br />
a nearly insatiable, and (at times exhausting) sense of curiosity<br />
and wonder. Young children seem to be 1⁄5 noise, 1⁄5 dirt and<br />
the rest equal parts movement and wonder. That is why it is<br />
so important to provide outlets for that spirit of wonder in the<br />
early childhood years. Burgundy recognizes the need for young<br />
children to delight in the natural world and inspires them to<br />
engage in playful exploration.<br />
With the backing of my generous administration, inspiration<br />
from dedicated colleagues, and the love and support of my<br />
husband, I set out to build a new kind of classroom. I knew it<br />
needed to be an engaging space that captivated and inspired<br />
awe and was accessible and friendly. I knew the space required<br />
a floor plan that allowed for a variety of collaborative endeavors<br />
but also made room for contemplation and introspection. I<br />
wanted a space that included places to create, explore, build,<br />
observe, and most of all wonder. After a year of planning and<br />
revising, building and creating, the WonderLab was born. It is a<br />
classroom transformed by wonder. As you enter the WonderLab,<br />
you are greeted by a large and friendly tree. Birds and squirrels<br />
and even an opossum cavort on sturdy branches, and turtles<br />
and toads gather at the base.<br />
The WonderLab is a fascinating space to see and touch. An<br />
expansive interactive wall allows for new materials to be added<br />
and removed as children’s interest and abilities grow and change.<br />
The wall beckons to be touched, and for its items to be removed,<br />
played with, and then put back. It is a new wall after each class, as<br />
children replace items in different and personal ways after each<br />
use. This special wall creates visual and kinesthetic connections<br />
that make lasting impressions.<br />
A roomy sensory bin allows multiple children to experience<br />
the world through touch and provides a valuable cooperative<br />
base for sharing observations, ideas, and materials. The<br />
WonderLab boasts an impressive library and an inviting space<br />
for a solitary read, a small group meeting, or simply a space to<br />
regroup and refresh. There is a CreatorSpace filled with loose<br />
parts, tools, and compelling bits gleaned from recycling bins.<br />
A “WonderBar” features a row of tables and stools perfect for<br />
puzzles, games, and small-group exploration.<br />
A mobile lab and kid-friendly flooring ensure that even the<br />
messiest experiments (Ooblek) are easy to clean up. There are<br />
puppets and builder’s bins, games, toys, and much to discover<br />
here. The lab is a living classroom designed to flex, change, and<br />
respond to the people who visit. The physical space not only<br />
provides a vibrant learning environment for many different<br />
activities and pursuits, but it also allows me to offer engaging<br />
and responsive lessons. The flexible interactive wall lets me add<br />
items to spark conversation about new topics; it helps to hold<br />
student interest in long-range projects by providing new objects<br />
to connect to; and lastly, this wall unit even can showcase student<br />
items, allowing for an informal but meaningful assessment tool<br />
as we synthesize a concept. Easily accessible drawers in the<br />
CreatorSpace allow me to change materials to enhance projectbased<br />
learning. Adjustable display areas ensure that students<br />
see value in their work. The WonderLab invites students to<br />
safely explore a variety of learning experiences, and my plans<br />
reflect this. A wonder-filled space makes planning wonder-filled<br />
lessons easier and more manageable.<br />
All of it was built on one word. Wonder. Proof that just one<br />
word can bear a teacher’s hopes and dreams, as well as the<br />
weight of the wonder of all who pass through the door.<br />
7<br />
8
Using Instagram in the Spanish Classroom -<br />
Unlocking New Inspiration<br />
Mark Viser, Spanish Instructor, Hall Parent, Football/Basketball Coach, Christchurch School, Christchurch<br />
Of all the wonderful things about Christchurch School, perhaps my favorite<br />
part about working here is the diversity of our student body. Among<br />
our 215 students, 19 countries are represented, and this diversity contributes<br />
countless traditions, customs, and world views to our campus life. With this<br />
diversity, though, comes an often unwieldy range of interests, learning styles,<br />
and behaviors. As a Spanish teacher, this sometimes has been difficult to<br />
navigate. How can I inspire and facilitate language learning to such a wide range<br />
of people with varying degrees of ability?<br />
While studying at Middlebury College this summer, I found an exciting solution<br />
under the guidance of Esther Poveda Moreno of the University of Virginia. In an<br />
effort to give students freedom to explore the language, I adapted her portfoliobased<br />
approach by making Instagram a central focus of all my classes this year.<br />
Each marking period, students are told to find aspects of the Spanish language<br />
that interest them and periodically upload videos that report their discoveries to<br />
their Spanish-only Instagram account. Already, their progress has exceeded my<br />
expectations. Instead of being drilled on vocabulary and subject matter that I<br />
select, students are independently finding TV shows, music, podcasts, and other<br />
resources that they genuinely like and are sharing them with their classmates. Best<br />
of all, some students have told me that they are enjoying their findings so much<br />
that they spend their free time learning more. This type of self-driven studying is<br />
much more effective than any number of vocabulary lists, conjugation drills, or<br />
cultural readings I could ever implement. Furthermore, students have the ability<br />
to focus on their strengths instead of being penalized for their weaknesses. For<br />
example, if a student has trouble listening to the language and wants to capitalize<br />
on their stronger reading skills, I encourage them to choose resources that play to<br />
these advantages. So far, this has resulted in students’ feeling confident about what<br />
they do know instead of feeling ashamed and embarrassed for what they don’t.<br />
Of course, the nature of social media is essential to the success of this project.<br />
Already, the students have enjoyed following their classmates and leaving them<br />
comments or suggestions. In fact, I have found that students are easily picking<br />
up on their peers’ mistakes and omissions and are making mutual suggestions on<br />
how to improve. This has organically created a friendly atmosphere that makes<br />
our courses feel less like traditional classes and more like teams working toward<br />
a common goal. Going forward, I hope to use Instagram to connect with student<br />
groups in Spanish-speaking countries to make this process even more authentic.<br />
By connecting with native speakers around their same age, the students would<br />
not only get valuable feedback on their language skills, but also have a genuine,<br />
tangible reason to study the language.<br />
Above all, the best way to learn a language is to enjoy the process. What better<br />
way to facilitate this journey than to give students the liberty to pursue what<br />
interests them most?<br />
9<br />
10 ision
Getting Electrified about Learning Engineering<br />
11<br />
Elizabeth Kennedy, Science Department Chair, Highland School, Warrenton<br />
While our new Physics and Engineering Lab is a work in<br />
progress, we think that it has been a game-changer<br />
at Highland School. The lab is a place where students are<br />
encouraged to touch, make, take-apart, and create; and<br />
where they are expected to help one another learn different<br />
strategies and skills by doing so. For the upper school physics<br />
and engineering students, this means having the space and<br />
the freedom to explore a wide variety of phenomena in a<br />
hands-on way. Dedicated in honor of the Class of 2017, this lab<br />
is the ideal environment for active learning to occur, as well as<br />
for accommodating a range of learning styles.<br />
The physical space is large, with room for students to work<br />
at desks or tables and plenty of storage for works-in-progress.<br />
The lab is equipped with a state-of-the-art SMART Boards 6000,<br />
several whiteboards, and a good old-fashioned blackboard.<br />
Tools available include standard shop basics such as a drill<br />
press, band saw, power tools, and a large complement of<br />
hand tools. 3D printers and several laptops are available with<br />
data collection interfaces and electronic sensors, including<br />
motion detectors, force sensors, current/voltage sensors, and<br />
temperature/pressure sensors. The lab is further equipped<br />
with standard physics apparatus and equipment comparable<br />
to what students would use at the university level.<br />
As the teacher in this lab, I strive to cultivate a culture of<br />
collaboration, where technical skills are valued and sought out.<br />
Students collaborate to achieve common goals, such as building<br />
rockets for the Team America Rocketry Challenge, making<br />
experimental equipment for an AP® Physics lab, and producing<br />
a science outreach presentation for younger students who<br />
visit the lab for a “field trip.” The spread of knowledge and skills<br />
happens organically. I see my role as a facilitator who enables<br />
students to share knowledge and skills.<br />
One example of how the lab supports active learning is<br />
a recent “machine dissection” activity in the Introduction to<br />
Engineering class. Students in this class range from freshmen<br />
to seniors, and their experience working with their hands<br />
ranges from novice to veteran. The students were arranged in<br />
groups and tasked to take apart a variety of machines in order<br />
to study what they found inside. These machines included an<br />
“all-in-one” printer-copier, a microwave oven, a computer, and<br />
a DVD/Blu-ray player. The students dissected the machines<br />
using any tools (except hammers!) and salvaged useful parts.<br />
As the students worked to take apart the machines, I walked<br />
around and asked questions about the things they were<br />
finding. “What do you think this component does?” “Why do<br />
you think there would be a motor inside of a printer?” “What<br />
do you think we could re-use these toroids for?” One student<br />
who retrieved a DC motor out of a printer didn’t recognize it as<br />
a motor. I handed him some wire-strippers and an AA battery.<br />
After some initial trepidation, and with help from his group<br />
members, he connected the wire to the battery and was soon<br />
walking around showing everyone the motor that was now<br />
spinning. The diversity of learning styles and skills in each<br />
group enriched the experience for everyone.<br />
The following day, the reclaimed components from the<br />
dissected machines were put to use by students in AP® Physics<br />
C: Electricity and Magnetism. Therein, the students found the<br />
necessary materials to construct their own electroscopes. Of<br />
course, we could have purchased this simple lab equipment<br />
from a supply house. But why not take advantage of an<br />
opportunity for students to have even more “skin in the<br />
game” by making their own? For a look at one of the student’s<br />
electroscopes, check out this video.<br />
Introduction to Engineering is a required course for Highland’s<br />
new Pre-Engineering Certificate. Seniors earn this certificate at<br />
graduation by satisfying requirements that include completing<br />
honors and AP® math and science classes, as well as programming<br />
classes, a group engineering design class or participation on our<br />
FIRST Robotics Team, and an individual engineering experience<br />
over the summer. The program culminates with our Engineering<br />
Capstone class in which seniors work with an outside sponsor to<br />
design and build a project of their choice. Eight members of the<br />
Class of 2018 earned the certificate by completing projects that<br />
included a Rubens tube, a Tesla coil, and a pond-cleaning robot.<br />
None of these projects could have been realized had we not had<br />
the space and tools to inspire innovation.<br />
As each student finds his or her own role in the class and<br />
on teams, “Be yourself at Highland” becomes more than just a<br />
tagline. It’s an ideal we strive to help each student live up to, in<br />
a hundred different ways each day.<br />
12
Ditching the Pink Fluffy Chair<br />
Christina Grande, English 8 and English 10 Honors Teacher, Trinity Episcopal School, Richmond<br />
In the late 90s when I was in graduate school for education, the<br />
buzz phrase was “cooperative learning.” Education moved away<br />
from individual assignments and papers towards group projects<br />
and group interactions. When designing lesson plans, I had to start<br />
with an “anticipatory set” or an opening activity, often a series of<br />
questions or a demonstration.<br />
As the 90s turned into the millenium, the phrase, “21st century<br />
skills” buzzed around the academic building. Content was a thing<br />
of the past; students could Google whatever information they<br />
wanted to know. Instead, we wanted students to develop skills<br />
that would prepare them for the real world. No longer did we<br />
question what we wanted them to know or why, but instead how.<br />
How, we asked ourselves, should we teach students who already<br />
have the world, or at least the internet, at their fingertips?<br />
As I’ve watched education evolve, I’ve noticed that one thing<br />
has remained constant--we, as teachers, must find a way to reach<br />
students where they are. Students must be engaged to learn.<br />
Listening to a lecture may have worked for us old folks in the 80s,<br />
but it isn’t going to cut it with kids today. They need to move. They<br />
need to be active. They need to generate their own discussions.<br />
We can’t tell them how to think. We need to show them what it<br />
means to think critically. We need to guide them. Enter the new<br />
catch-phrase “active learning.”<br />
My biggest challenge as a teacher was probably my move<br />
from high school to eighth grade. My first attempt at active<br />
learning was to implement flexible seating in the eighthgrade<br />
classroom. I read that flexible seating gave students<br />
more freedom and choice and allowed them to collaborate<br />
more authentically than they could at traditional desks. I<br />
learned quickly that active learning, while important, must be<br />
purposeful and planned. While I had fun running to secondhand<br />
stores and Craigslist to buy bean bags, floor pillows, and<br />
papasan chairs, those items alone made my classroom more<br />
chaotic than productive. My classroom became a “free for all”<br />
with kids rushing to my room to snag the pink fluffy chair and<br />
others jumping on top of the new owner of the fluffy chair<br />
until the chair looked like a pile-up on a football field rather<br />
than a fun place to learn. As you can imagine, the fluffy chair<br />
quickly broke, and I decided to regroup and redefine active<br />
learning for my eighth-grade classroom.<br />
Now active learning looks like scissors and glue sticks--<br />
messy but manageable. My students use interactive notebooks.<br />
Inside their spirals all of their activities live--they cut events<br />
from the myths we are reading and rearrange and paste them<br />
chronologically; they draw pictures of their ideas of what monsters<br />
look like before we read Walter Dean Myers’ book Monster; they<br />
cut out and color foldables to learn about the differences between<br />
paraphrasing and summarizing. Sometimes the desks seem too<br />
clunky and restrictive, so we move them. In circles they hurl fake<br />
Shakespearean insults at each other while we read A Midsummer<br />
Night’s Dream, and at Christmas time they spread out for a White<br />
Elephant gift exchange in which they learn how to write thankyou<br />
notes.<br />
During my seventeen years of teaching, I’ve learned a lot<br />
about teaching styles. There is not a one-size-fits all method.<br />
What may work for my neighbor next door may not work for me.<br />
My classroom will never be silent. I will never take a “sit down<br />
and wait your turn” approach to teaching. Life is messy and loud<br />
and imperfect. So am I. Kids need guidance and rules, but they<br />
also need a voice. They need to move around. They need to do. I<br />
may have thrown out the bean bags and fluffy chairs, but I have<br />
learned to create my own flexible classroom, and it seems to<br />
work for all of us.<br />
13<br />
14 ision
Using the City of Richmond to Turn a<br />
Controversy Into a Learning Experience<br />
Penn Ward, Communications Coordinator, Orchard House School, Richmond<br />
Alternative Seating in a Middle School Math Classroom<br />
Carmen Rich, Middle School Math Teacher, Nansemond-Suffolk Academy, Suffolk<br />
Over the summer months, I transformed my classroom into<br />
an inviting space that feels like a breath of fresh air. The<br />
room no longer has traditional seating but rather tall chairs and<br />
desks, octagonal tables, stability ball chairs, wobble seats, and<br />
saucer chairs, all tied together with an area rug. Gone is the long<br />
whiteboard that covered the length of the front of the room, and<br />
in its place is a beautiful Smart Panel, vibrant with color and the<br />
potential to transform teaching through powerful technology.<br />
When I first contemplated the brave new world of flexible<br />
seating, I knew I needed to do some research. I read articles and<br />
spoke with teachers who had become experts in the world of new<br />
spaces. By the time I finished, I knew I did not want just to dip my<br />
toe in the water; I wanted to dive in headfirst. I made a plan and<br />
placed my order. As I unpacked each piece of new furniture, I felt<br />
excitement, but at the same time I had a niggling feeling in the<br />
back of my head--worrying about students’ attention spans and<br />
behavior within their new surroundings.<br />
The first day of school arrived. As students entered the newly<br />
designed space, eyes widened and smiles grew large. They loved<br />
the room, were awed by the Smart Panel, and were curious about<br />
the different types of seating. I told them to try a few seats, to<br />
find the one they liked, and to settle in. The first thing we talked<br />
about were the rules of the seating. No spinning was allowed,<br />
but wobbling back and forth gently was acceptable. While high<br />
bouncing was banned on the stability balls, a little bouncing and<br />
swaying was just fine. Students couldn’t use the wheeled chairs as<br />
transportation, but moving around the tables to adjust to group<br />
work was great. I also explained the rules regarding the Smart<br />
Panel. Overall, I asked them to be respectful of our new furniture.<br />
We wanted everything to last for a long time.<br />
With my redesigned space, I have found that I am able to<br />
move around the classroom more easily during instruction and<br />
to observe students during group and individual work times.<br />
I feel more connected to the students, and their behavior has<br />
been fantastic. They seem happy and relaxed. We all have been<br />
told how students have difficulty sitting for long periods of time,<br />
but my students this year seem comfortable and do not always<br />
want to leave when class is over.<br />
Here is a short list of what I believe has contributed to the<br />
success of this new and redesigned arrangement:<br />
- Explaining expectations regarding the Smart Panel<br />
- Allowing experimentation with the Smart Panel in applicable<br />
situations<br />
- Framing the rules of each seat<br />
- Requiring a prompt seat change when a seat rule has been broken<br />
(but allowing a student to try that seat again the next day)<br />
- Allowing appropriate movement befitting each seat type<br />
- Encouraging students to move around and try different seats<br />
each day<br />
- Providing traditional chairs for those few who prefer them<br />
- Circulating amongst the students regularly<br />
Assimilating to new technology and flexible seating has been<br />
a rewarding and exciting adventure, but the most gratifying<br />
aspects have been watching my students’ engagement improve<br />
and reveling in their learning experiences.<br />
Girls bound out the<br />
front door, two-bytwo<br />
with water bottles<br />
in hand, for a warm-up<br />
walk with P.E. instructor<br />
Suzi Horner. Meanwhile,<br />
Janine Russo’s math class<br />
makes their way on foot<br />
to the Virginia Museum<br />
of Fine Arts, the culmination of their months-long math sketchbook<br />
study on the interplay of mathematical concepts and visual art.<br />
The city of Richmond is a classroom teeming with lessons —<br />
history, architecture, music, art, botany, biology, and much more.<br />
Cross the traffic circle at Allen Avenue, however, and the lessons<br />
get more complicated at the base of the Robert E. Lee Monument.<br />
Commissioned in 1876, after the end of Reconstruction in Virginia,<br />
the Lee Monument is one of five monuments commemorating<br />
notable members of the Confederacy along Monument Avenue.<br />
The events of Summer 2017 brought a slew of nationwide protests<br />
regarding the removal of Confederate statues, largely in Southern<br />
cities. When the events of Charlottesville threatened to hit close to<br />
home with a protest at Richmond’s Robert E. Lee Monument, Orchard<br />
House School chose to address the local and national discourse<br />
surrounding the legitimacy of the nearby Confederate memorials.<br />
Honoring Orchard House’s commitment to being a responsive<br />
academic environment, an instructional collaboration between history<br />
teacher Taylor Hollander and English and theatre arts teacher Lucretia<br />
Anderson arose. With an eye towards maintaining the social and<br />
emotional well-being of students, the faculty wondered how much<br />
the girls knew about the controversy, what would be the best way<br />
to support them, and how to turn the controversy into a learning<br />
experience. “I think a lot of the girls knew about the events around<br />
Charlottesville and what was happening with the monuments, but a<br />
lot didn’t; and if they knew something was brewing, they didn’t quite<br />
understand what was happening or going on.” In response Hollander<br />
and Anderson designed a research project for Eighth Grade students.<br />
The Confederate monument project involved five main themes<br />
— fact and opinion, historical memory, public space, debate<br />
and discussion, and oral and written communication skills. This<br />
interdisciplinary approach combined the history unit on the Civil<br />
War and Reconstruction with the literary notions of oral history and<br />
authorship, as well as persuasive writing. While heated debate is<br />
the natural expectation of a project with such timeliness and heft,<br />
Anderson and Hollander found that two of the themes stood out the<br />
most — public space and historical memory.<br />
Prior to their research, few of the students had given much<br />
thought to the significance of the monuments, treating them mainly<br />
as invisible space. By walking from statue to statue on Monument<br />
Avenue and recording information about their subjects, locations,<br />
inscriptions, unique features, and their own first impressions, the<br />
girls gained considerable awareness and understanding. Through<br />
this experiential learning, they began to realize how and why<br />
public space is often contested, writing about ways citizens can<br />
“feel unwelcome driving down a street in the place they call home.”<br />
About the open-ended shape of the project, Anderson notes, “By<br />
letting the girls explore the monuments first and ask their own<br />
questions about what [they were] seeing and experiencing, they<br />
were able to have an intellectual experience with them and not just<br />
drive by the monuments.”<br />
Students then interviewed people outside the school about<br />
the Confederate monument controversy. By collecting personal<br />
reflections and commentaries, they learned about the richness of the<br />
human experience and how everyday people who largely escape<br />
the historical record can have very different views and opinions<br />
about the past and present. The girls demonstrated a multifaceted<br />
approach to their thinking, noting that the discomfort of talking<br />
about Virginia’s history “should not excuse us today from the burden<br />
of trying to understand what made the people of the monuments<br />
fight in the American Civil War.”<br />
While engaging in the debate, Middle schoolers in the throes<br />
of grappling with self-discovery and identity benefited from the<br />
bedrock of Orchard House School—sound relationships with faculty.<br />
Anderson, who stresses historical context in her lessons, felt the<br />
discussion was more nuanced because of diverse voices from faculty<br />
and project interviewees. She noted, “You can always say, ‘This could<br />
affect people of color,’ but it’s nothing like having a person of color,<br />
someone you have a relationship with, saying, ‘Yes, this affects me,<br />
and here’s why.’”<br />
It is those relationships with faculty that most often are cited by<br />
parents and students as a major component of their Orchard House<br />
experience. Drawing upon those relationships and benefitting from<br />
a responsive approach to learning about the Monument controversy,<br />
the Eighth Graders were able to build their own understanding in a<br />
way that challenged and empowered them.<br />
15 16
Intentional and Engaged Learning Spaces<br />
in a Fifth Grade Classroom<br />
Kelsi Bell, Fifth Grade Teacher, Powhatan School, Boyce<br />
With no two learners alike in my classroom, I’ve developed an active<br />
learning environment for my fifth grade students, inclusive<br />
of flexible seating, custom lighting, decreased visual stimuli, and<br />
increased material mobility. And why? An active learning environment<br />
is student-centered, learning-focused, and wildly popular among<br />
students and parents alike. Plus, it’s effective!<br />
So which comes first, the standing table or the active lessons? The<br />
answer is both. If learning is the goal, we must establish a rhythm in<br />
the physical realm and the cognitive realm to work as co-dependent<br />
cogs in the wheel of student growth and development. Let’s take<br />
a look at physical space first, and then at what it looks like to be a<br />
teacher and a student in an active learning environment.<br />
To become an active learning space, a classroom must be<br />
conducive to focused working and learning. This starts with an<br />
aesthetically pleasing space with limited visual distraction. Such an<br />
environment can be achieved by adhering to a basic color palette,<br />
enhancing natural light with soft-light floor and table lamps, and<br />
establishing organizational routines and procedures for tidy materials<br />
management. Upon arrival to our classroom, students are greeted<br />
twice -- once by me and then by the physical appearance of our<br />
classroom. I desire for both messages to communicate, “Welcome!<br />
You matter. To start, choose a seat where you will learn best.”<br />
A student who craves constant motion may prefer to balance on<br />
a stability ball at the round table in the center of the room, but may<br />
later wish to transition to the standing table with the elastic foot band<br />
at the base for increased gross motor stimulation. Another student<br />
who works best when her materials are spread out may choose to<br />
sit on a foam mat at the 16-inch floor table, using the table top and<br />
the surrounding carpet as her work surface. For the students who<br />
desire to see all things at all times, sitting on a countertop-height<br />
stool at the 36-inch table in the back of the room might be the best<br />
place for them. Still, there is the trusty laundry basket full of cushions,<br />
serving as a cozy, confined space for readers and studyers alike, or the<br />
classic chair at a conference room-sized table for those who prefer<br />
a traditional posture while working and learning. In our classroom,<br />
mobility is effortless because students keep their materials organized<br />
in black storage crates divided into sections that keep their binders<br />
and folders upright. Students are free to choose from the variety of<br />
work spaces available to them by simply picking up their crate and<br />
moving to the position most desirable.<br />
Such readily available flexible seating encourages students to<br />
become more self-aware, asking themselves each day, sometimes<br />
several times a day, “Where will I work best?” Becoming mindful of<br />
their bodies, their learning styles, and their social norms enables<br />
students to be increasingly metacognitive, reflecting on the role of<br />
flexible seating as an owned, personal choice to enhance their unique<br />
learning experience. This structure invites students to cognitively<br />
develop who they are as learners. In turn, as I plan and prepare<br />
lessons for my students, I can freely craft experiences that cater to<br />
diverse learning styles, support academic choices, and encourage<br />
intentional movement. As a result, students are not only engaged in<br />
experiences, but are empowered to learn.<br />
Mutually establishing that our classroom is a safe, flexible space<br />
designated for focused working and learning negates social and<br />
behavioral blunders, enhances a sense of community, and fosters<br />
an environment that embraces the unique qualities of each child.<br />
Though it highlights the diversity of students’ learning styles, postures,<br />
and personalities, our active learning environment reminds us that<br />
collectively, we all are learners. As a unified front, we encourage one<br />
another to celebrate that learning doesn’t look or sound the same<br />
for all of us, but tremendous learning is commonly occurring within<br />
us. As we work and learn together, our space greets us all with,<br />
“Welcome! You matter. Choose a seat where you will learn best.”<br />
Randolph-Macon Academy Opens Innovation Wing<br />
Celeste Brooks, Director of Communications, Randolph-Macon Academy, Front Royal<br />
This fall, Randolph-Macon Academy opened the Hadeed<br />
Innovation Wing, with simulation labs intentionally designed<br />
to be integrated learning spaces. These labs cut across academic<br />
disciplines, encompassing flight, robotics, computer science,<br />
engineering, graphic design, and studio art. The environment has<br />
been created to be flexible and dynamic. “More than your typical<br />
maker space, it’s a place where computer science can meld with<br />
engineering and graphic design and studio art, or the drone<br />
program can work with studio art on intentional design for the<br />
aesthetics of the drone design,” explained Dr. Tess Hegedus, Dean<br />
of Instructional Leadership and Innovation.<br />
She gave another example: “If one of the pre-professional<br />
pathways is Entrepreneurship, and you’re learning about product<br />
development as part of Entrepreneurship, you could go into the<br />
Simulation Lab and work on engineering design, use the graphic<br />
design lab to build a website to market or promote your business,<br />
you could create logos, and plan how you might market your<br />
product. It is a place to explore and integrate it all.”<br />
While the studio art lab and graphic design lab are standalone<br />
rooms on one side of the wing, on the opposite side are the<br />
flight simulation lab and the robotics lab, which are separated by<br />
a removable partition. Both are designed to encourage students<br />
to move around or design on their feet, rather than sitting<br />
(though that remains an option). But the most-anticipated piece<br />
of equipment might just be the soon-to-arrive flight simulator,<br />
the FAA approved Redbird TD.<br />
“It’s a place for authentic learning experiences that are<br />
connected to future careers,” said Hegedus. “It provides a stepping<br />
stone to a future internship. We’re going to simulate what a<br />
student might do in a career path.”<br />
Students will use the simulation labs to learn primary, essential<br />
skills that align with a career pathway, with the idea that when<br />
they begin an internship, they go in with some foundational<br />
knowledge or some exposure to the field. This allows them to<br />
participate in the internship more fully, whether that means they<br />
are asking deeper questions or they are coming up with bigger<br />
ideas. The hope is that when they get back from the internship<br />
experience, those ideas are things they want to research further,<br />
and the questions are problems they want to solve—thus, they<br />
begin to research, create, and innovate.<br />
17 18
One Fun Little Dance - An Active<br />
Learning Lesson<br />
Maura Rice, Junior Kindergarten Teacher, Congressional School, Falls Church<br />
“I’m in, right out, right up,<br />
right down, and I’m feeling fine!”<br />
My students and I sing to each other as we start our morning<br />
meeting with movement (courtesy of one of our favorite<br />
Dr. Jean songs). We stretch our arms in, out, up and down and<br />
turn ourselves around. We run in place; we practice freezing our<br />
whole bodies; and then, we do it all again! By the end, both the<br />
kids and I are smiling ear to ear; our bodies are more relaxed;<br />
we are sometimes a little out of breath; but we are ready to<br />
begin our next activity. Until … “Can we please do it again, but<br />
in sloth mode?” they ask. Sloth mode is part of the dance our<br />
class came up with, where we do the same actions but as slow<br />
as we possibly can. Time is ticking away in the morning, but<br />
as an early childhood educator, I have to pause and listen to<br />
19<br />
their request. When the children ask for more movement, what<br />
they really are telling me is, “My brain needs this, and I need to<br />
shake it up, to get up and move around; I need to have fun and<br />
be active so that I can do my best learning today.” So of course,<br />
we hold off on morning meeting for three more minutes, and<br />
begin again, in “sloth mode.”<br />
To an outsider looking in, this probably looks like one fun,<br />
little dance. While that is true and learning through play is<br />
imperative with learners of all ages, that is not the only reason<br />
we do this. This fun, little dance is also helping the children<br />
learn self- regulation skills, understand and follow multi step<br />
directions, identify rhythms and patterns, develop a sense of<br />
directionality, learn new vocabulary, engage in teamwork, and<br />
foster classroom community. All of those incredibly important<br />
learning skills from one fun, little dance!<br />
Active learners translate to active minds—when we enable<br />
and encourage our children to get up, move around, find new<br />
spots, get their wiggles out, or take a brain break—what we are<br />
really doing is empowering children to learn, grow, and progress<br />
in the classroom in different, new, and exciting ways. We are<br />
teaching them that learning doesn’t just happen while sitting<br />
down at a table, working with pencils and pens, or sitting on the<br />
carpet for fifteen minutes straight. Learning also happens when<br />
a student gets up, moves across the aisle, talks to a friend, tries<br />
something new, or stands on his head! New ideas flourish when<br />
children are given the chance to move their bodies, to be in<br />
control of their physicality, and to realize that they are learning<br />
and having fun while doing it.<br />
We are preparing our children for a life of active learning and<br />
for an actively changing and fast-paced world. We are teaching<br />
them that they are, and should always be, active participants<br />
in their own education. Giving them the chance for physical<br />
flexibility encourages them to have mental flexibility as well.<br />
The next time you see a class of five-year-olds dancing it out,<br />
or jumping around, join in! It is never too late to get your blood<br />
pumping, get your energy going, and get active. You just might<br />
find, that if you let it, your mind can be as active as your body.<br />
What does action look like in the classroom? It is movement,<br />
commotion, and production. It is embracing the unknown.<br />
It is failing and succeeding all at once. Ultimately, it is cementing<br />
knowledge. Learning by doing is not a new concept, but it is one<br />
that is often isolated within certain areas of our curriculum. I’m a<br />
fine arts teacher. My entire curriculum is project-based learning.<br />
My day is eternally action-packed. What I see on the horizon is<br />
a maker movement that is tearing down the walls between art<br />
and every other discipline.<br />
As teachers, we want to set up our students to succeed. We<br />
share with them the knowledge we want them to attain and then<br />
help them navigate their way. We map out a means to an end.<br />
Delivering projects in a classroom does not change the end, it<br />
changes the means. When students are permitted to design their<br />
own outcomes, they set out on pathways that are untrodden.<br />
They are instilled with the courage to make waves, not just to<br />
rinse and repeat. Action is diving deeper and resurfacing with<br />
something new. Active learning at Foxcroft School is embodied<br />
in the buzz of The Innovation Lab (TIL@FXC).<br />
When we embarked on the creation of our makerspace<br />
two years ago, we charged the students with designing the<br />
space from conception to completion. It is truly a studentowned<br />
space. The faculty continues to empower their student<br />
leadership in refining the space and its use. The makerspace<br />
has become a gathering place on campus for everything from<br />
faculty hack sessions to student club meetings, from college<br />
The Innovation Lab - Movement,<br />
Commotion and Production!<br />
Julie Fisher, Digital Arts and Engineering Instructor, Foxcroft School, Middleburg<br />
information sessions to class meeting space. It is a place for<br />
dreaming and doing.<br />
Everyone is a maker and a doer at heart. If we did not strive<br />
to create, we would have very little to show for our humanity.<br />
Instead we produce a barrage of innovations on a daily basis.<br />
Most inventors bridge concepts across disparate media. They<br />
find relevance in the seemingly irrelevant, and a new idea is<br />
born. The entire premise of a makerspace is to provide the ideal<br />
conditions for ingenuity to flourish. The space itself is empty<br />
without minds to explore it. TIL@FXC is a revolving door of<br />
students with ambitious ideas and ready hands.<br />
On a regular basis, I see my colleagues actively learning<br />
with their students. Like art educators, they have embraced<br />
lessons that encourage their students to create. In TIL@FXC, I<br />
witnessed a world language student create an emblem for an<br />
ancient myth and a world history student design a genocide<br />
memorial. I watched a biology student create a paper doll-sized,<br />
layered rendition of all the inner workings of the human body. A<br />
creative writing student generated a poem inspired by a student<br />
photographer’s blended imagery. A theatre student engineered<br />
a dress to transform Cinderella from rags to a ravishing gown<br />
in seconds. A physics student built a pan flute out of bamboo<br />
that she culled on campus. Each of these students utilized<br />
the makerspace to step outside the confines of their focused<br />
curriculum. These are the types of learners and creators we want<br />
to put out there in the world to invent our future.<br />
20
Making Space for<br />
Active Learning<br />
Evie Hinrichs, Second Grade Teacher, Congressional School, Falls Church<br />
Taking inspiration from the book Most Likely to Succeed, by Ted<br />
Dintersmith and Tony Wagner, many educators are looking<br />
carefully at the learning opportunities afforded to students in the<br />
What this meant for our classroom was that we needed lots of space<br />
to work! The map was about 10 feet wide. Changing the set-up of<br />
desks and tables to accommodate a 10-foot-wide map required<br />
21st Century. Providing opportunities where students can think<br />
some creativity and ingenuity. Students were excited to adjust<br />
creatively and critically, collaborate with peers, and take charge<br />
the learning space to support their needs. Three groups worked<br />
of their own learning is paramount to student engagement and<br />
on the different islands from the stories while others created the<br />
success. As educators, we can and should leverage our teaching<br />
map features. Every second grader was engaged, working across<br />
environment, within our classrooms and beyond, as flexible,<br />
weeks on their part of the project. The conversations between<br />
active learning spaces.<br />
students as they planned, created, and placed islands on the map<br />
In my own second-grade classroom, this exploration into<br />
were a teacher’s dream. At the end of the project, the class was<br />
active learning spaces has led to a burst of creativity, critical<br />
excited to have the opportunity to share their map with the entire<br />
thinking, and student engagement. Children of all ages are<br />
student community at an all school gathering. They used the map<br />
inherently active; learning through inquiry and exploration.<br />
to summarize the adventures of Elmer and the dragon, describing<br />
During a lesson about addition strategies, the class needed to<br />
all to see. The lasting benefits of this type of hands-on, authentic<br />
They are full of energy and are always eager to learn something<br />
each island’s location and topography using their new map skills.<br />
spread out to practice computation skills without distraction.<br />
learning experience will stick with the students long after they<br />
new. Although students have always been active learners, the<br />
This project was so successful, because it was student-inspired<br />
This was achieved by writing on whiteboard space on the walls,<br />
leave second grade.<br />
shift to maximizing the classroom to facilitate and support<br />
and student-led.<br />
desk tops, and even windows. We rotated to a new surface with<br />
Over the past several years, the approach of utilizing our<br />
learning takes time, patience, and trust in the process. Every<br />
Our classroom continues to shift as we work on different<br />
each new equation. The novelty of writing on different surfaces<br />
learning spaces both inside and out as tools to enhance student<br />
part of our learning space has a purpose, yet is flexible to<br />
projects. After reading a variety of books in class, students were<br />
and moving between equations increased student engagement<br />
learning has blossomed. Student motivation and engagement<br />
support the needs of students. The classroom itself has become<br />
challenged to create book reviews to share with other students.<br />
and motivation.<br />
is on the rise as we become more purposeful in planning how<br />
a tool that can enhance inquiry, exploration, collaboration and<br />
We brainstormed a variety of ways to approach this challenge<br />
Finally, we need to remember that active learning is not<br />
we use our spaces. This approach does require flexibility on the<br />
individual learning.<br />
and decided this would be a great time to integrate technology.<br />
confined to the four walls of a classroom. There are many<br />
part of the teacher. Lessons might not go exactly as planned, but<br />
As an example, this fall our second-grade class was reading the<br />
A group of second graders created a green screen studio in our<br />
learning opportunities to extend learning outdoors. Our second<br />
when given the space and opportunity, the students will take<br />
trilogy of My Father’s Dragon by Ruth Stiles Gannett. Our literary<br />
classroom library space by adding a small table, stools, and a green<br />
graders explore early civilizations. During our study of Ancient<br />
the lead and take more ownership of their learning environment<br />
focus was character development over time and understanding<br />
sheet. Students, working with a partner, used iPads to record<br />
Mesopotamia, students learn about cuneiform, the first system<br />
and how they use it. This flexibility will also help us to better<br />
how the setting played a role in the story. These books included<br />
images of each other reading a favorite book. They worked<br />
of writing. Although we read about it and find examples in<br />
adapt to the changing needs of students.<br />
several small maps. The students were fascinated by the maps and<br />
together to place themselves in the setting of the book and then<br />
books, we use a small stream on our campus. During science<br />
tried to follow the main character’s adventure across the different<br />
created a tag line to hook other readers. With guidance, students<br />
class, students discover clay along the banks of the stream so<br />
lands. It also happened that we were studying map features and<br />
were able to plan, problem solve, and work through each step of<br />
we plan a second trip. It’s much more engaging to walk to the<br />
landforms in social studies. When the task of drawing and labeling<br />
the process. As with the map project, students were able leverage<br />
stream to collect clay for a tablet and gather sticks from the<br />
our own maps came up, the class lobbied to collaborate on a giant<br />
our classroom space in a way that encouraged creativity, critical<br />
playground for a stylus. After gathering resources, students<br />
map of the islands from My Father’s Dragon. They wanted to see<br />
thinking, and active learning. And since not every assignment is<br />
are eager to practice being a scribe as they write letters and<br />
all the places from the three books represented on a single map.<br />
collaborative, students also need space to work independently.<br />
numbers in the clay. The clay tablets are dried and displayed for<br />
21<br />
22
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