Viola Concerto (Erdélyi restoration)

Movement III
1 RH first chord is editorial.
5–21 Editorial, with the exception of the RH in m.10, mm.15-16 and m.21.
16 The register of each of the 2-quaver pairs on the first and second beats is not specified in
the MS.
24–28 In the MS, both voices are in the same register. Thus lower voice has been transposed
down an octave for the purpose of the piano reduction.
25 RH first 4 semiquavers are editorial. LH, beat 2, 4 semiquavers are editorial.
26 LH first 4 semiquavers are editorial.
41–46 Editorial, following the first RH BÏ4 quaver in m.41.
47–49 LH doublings to first quaver of m.49 are editorial.
51–65 RH lower canonic voice and LH are editorial. Only the upper voice appears in the MS.
However, in sketches accompanying the draft the same theme is written out (a semitone
lower), with its imitation a beat
later at the lower fourth. The LH accompaniment is derived from elsewhere in the MS.
84 First chord appears in MS as a crotchet.
97–103 LH lower voice, lower octave doublings are editorial.
101–102 RH beat 1 of both measures appears in the MS as a crotchet.
112–114 LH doubling in mm.112-113 is editorial. RH last note of m.113, first note of m.114 upper
octave doubling is editorial.
198–203 RH upper octave doublings are editorial.
205–209 The first chords of each measure appear in the MS as crotchets.
218–226 LH lower octave doublings are editorial.
227 LH is editorial.
233 LH is editorial.
237 LH editorial; these notes appear in the MS in the viola part. See note above.
243–244 RH is chord (AÏ5, DÏ6, F6) is editorial (it is implied by the MS that the chord in m.240
should be tied until here).
247–251 LH lower octave doublings are editorial.
252–254 The first chords of each measure appear in the MS as crotchets.
PE066 – 40