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Cecilia McDowall O Antiphon Sequence

O Antiphon Sequence was conceived as a recital piece, although each of its individual movements would also work in a liturgical context. Each movement is a response to a short extract of liturgical text taken from the 'O Antiphons', which are the Magnificat antiphons used at Vespers during the last seven days of Advent in Western Christian traditions. The work was commissioned by the American Guild of Organists for performance at the 2018 AGO National Convention in Kansas City, Missouri.

O Antiphon Sequence was conceived as a recital piece, although each of its individual movements would also work in a liturgical context. Each movement is a response to a short extract of liturgical text taken from the 'O Antiphons', which are the Magnificat antiphons used at Vespers during the last seven days of Advent in Western Christian traditions. The work was commissioned by the American Guild of Organists for performance at the 2018 AGO National Convention in Kansas City, Missouri.

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Sw.: Trompette (or Oboe)<br />

Gt.: Flute 8i<br />

Ped.: Diapason 16i, 8i<br />

Commissioned by the American Guild of Organists<br />

O <strong>Antiphon</strong> <strong>Sequence</strong><br />

1. O Sapientia<br />

‘... fortiter suaviterque disponens omnia’<br />

‘... mightily and sweetly ordering all things’<br />

a<br />

Steady but tender = 100<br />

5<br />

V<br />

{ V<br />

9<br />

V<br />

{ V<br />

13<br />

V<br />

{<br />

4<br />

4<br />

4<br />

4b B<br />

œ œ œ œbœ<br />

œ= # œ œ œ œ œ œ œ<br />

4 ∑ ∑<br />

4<br />

V<br />

{<br />

Gt.<br />

V<br />

tbœ<br />

mp legato e dolce<br />

b b bb<br />

œ<br />

œ œ œ œ<br />

œ œ œ œ œ<br />

œ<br />

œ œ œ œ CECILIA McDOWALL<br />

© Oxford University Press 2018 Printed in Great Britain<br />

OXFORD UNIVERSITY PRESS, MUSIC DEPARTMENT, GREAT CLARENDON STREET, OXFORD OX2 6DP<br />

The Moral Rights of the Composer have been asserted. Photocopying this copyright material is ILLEGAL.<br />

mf<br />

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6 4 8<br />

b œ œ œ œ œ œ<br />

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œb B<br />

œ œ œ œbœ<br />

œb œ œ œ œ œw<br />

œ œ œ œ œ œ œ w œ œ œ œ œ œ œ œ<br />

Œ Ó<br />

∑ ∑ ∑<br />

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t # œ#<br />

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œ œ œ œ œ<br />

b # œ œ<br />

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B<br />

œ œ œ œ ‰ œj œ œ œ œ œ œ J<br />

‰ œj œ<br />

∑<br />

œ<br />

J œ œ œ ‰<br />

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# b œ œ œ œ œ œ œ œ œb œ œ œ œ<br />

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t<br />

b œ œ<br />

b b œ œ<br />

b œ œ# œ œ œ œ<br />

b œ= > = # œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œbœ<br />

œ œ œ<br />

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Solo<br />

Sw.<br />

b # b = œ œ œ œ œ b œ = œ # b b œ œ œ<br />

J J t t œ b œ œ œ<br />

J J<br />

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œ œ œ œ œ œ œ<br />

Œ<br />

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# b œ 6 4 8 Sw. f<br />

6 4 8<br />

b œ œ œ œ œ œ<br />

6 4 8 # ‰ #. . t œ œ œ. j œ.> . .> .<br />

# œ j œ œ j

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