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7 Erik Madigan Heck<br />

Born 09.09.1983 in Excelsior, Minnesota, USA. Lives and works in New York. Exhibitions (selection) Etro<br />

Milano Space, Salone Internazionale del Mobile, Milan, 09.04.2013 / Avant/Garde Diaries Project Space,<br />

New York, 06.–24.09.2012 / Ring Cube Gallery, Tokyo, 21.09.–09.10.2011 / Chelsea Art Museum, New York,<br />

25.02.–08.04.2010 / Parsons School For Design, New York, 29.08.–12.09.2009. Publications (selection)<br />

DICA, ed. by Erik Madigan Heck, London 2013 / Tremblant Vielfache, ed. by Erik Madigan Heck, Berlin 2011 /<br />

Photographs of Color, ed. by Erik Madigan Heck, Copenhagen 2011 / Nomenus Quarterly, volumes 1–10,<br />

ed. by Eric Madigan Heck, New York 2007–2011. Website www.maisondesprit.com. Exhibits The Corner,<br />

a co-production of Maison d’Esprit and Ann Demeulemeester, camera and art direction: Erik Madigan Heck,<br />

running time: 2:55 minutes / The End, camera and art direction: Erik Madigan Heck, running time:<br />

6:11 minutes. Lender Erik Madigan Heck.<br />

The work of the photographer and film-maker<br />

Erik Madigan Heck explores the grey areas between<br />

fashion, painting and classical portraiture. His<br />

unique perspective has made the 29-year-old a pop -<br />

ular photographer with various clients from the<br />

fashion world, such as Haider Ackermann, Comme<br />

Des Garçons, Rochas, Giambattista Valli, Kenzo,<br />

Mary Katrantzou and The Row. “I have been lucky<br />

to work with my favourite designers on a very per -<br />

sonal level,” says Heck. This <strong>als</strong>o holds true for the<br />

super 8 short films he has made in the past four<br />

years, in which he merges fashion and music<br />

in a coherent union that goes beyond the typical<br />

glamorous high-gloss fashion aesthetic. The<br />

two films he developed in co-operation with Ann<br />

Demeulemeester are on view in the Frankfurt<br />

exhibition. The End and The Corner offer poetic<br />

insights into the world of the Belgian fashion<br />

designer. They show her grunge- and punk-influ -<br />

enced designs with all of their inherent romance.<br />

Ann Demeulemeester<br />

Born 29.12.1957 in Waregem, Belgium. Lives and works in Antwerp. Label Ann Demeulemeester, founded 1985. Collections<br />

One women’s and men’s collection per season as well as a line of shoes and accessories. Presentations (selection) Paris Fashion<br />

Week, Spring/Summer and Autumn/Winter. Website www.anndemeulemeester.be. Exhibits The Corner / The End, see above.<br />

Along with Walter Van Beirendonck, Dries Van Noten, Dirk<br />

Van Saene, Dirk Bikkembergs and Marina Yee, Ann Demeule -<br />

meester belongs to the so-called “Antwerp Six”, who estab -<br />

lished the reputation of Belgian fashion designers as “concep-<br />

tualists”. The members of the collective were all graduates<br />

of the Royal Academy of Fine Arts Antwerp and made their<br />

first appearance on the international fashion scene in 1986<br />

at the London Fashion Week. Although they each have an in di -<br />

vidual style, they are united by an aspiration towards purity,<br />

towards an essence that, in their view, constitutes fashion.<br />

Demeulemeester is considered to be the founder of the aes the t -<br />

ic of the incomplete. In her first Paris fashion show, she<br />

presented black designs on pale-faced models, designs which<br />

were described by critics as “dismal” and “maladjusted”.<br />

These garments corresponded with the aesthetics of a musical<br />

genre that was new at the time, which was to go down<br />

in history as grunge. Bands like Nirvana, Soundgarden and<br />

Alice in Chains represented a raw and “dirty” sound, heavily<br />

influenced by punk rock and metal; the Belgian designer<br />

supplied the analogous fashion design – fashion full of longing<br />

for independence and authenticity. To this day Ann<br />

De meu lemeester presents very distinct designs every season<br />

in Paris, with a unique, unconventional aesthetic. She is <strong>als</strong>o<br />

considered to be one of the few self-reliant fashion designers<br />

today, working independently, both creatively and financially,<br />

of the large fashion conglomerates.<br />

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