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Ernemann-Synchronismus, Ausführung I

Ernemann-Synchronismus, Ausführung I

Ernemann-Synchronismus, Ausführung I

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THE ERNEMANN<br />

£%Cic ro -Kin ema togra p h<br />

Extract from " 'CTie {ßioscope,"<br />

June 6th, 1912.<br />

One of the chief uses of the cinematograph<br />

lies in the fiele! of scientific research, and anything<br />

that will assist in the taking of moving<br />

pictures in any one branch of natural science is<br />

to be welcomed. In micrography the camera<br />

is essentially valuable, but the difficulties in the<br />

way of its general, to say nothing of universal, use<br />

have been many and various. Infinite patience,<br />

labour, expense, and, above all, experience of<br />

both micrography and cinematography, have<br />

been needed to produce records of the living<br />

micro-organism. The general use of the microcamera<br />

has, therefore, been limited, and so<br />

kinemicro-photography has not advanced at the<br />

pace one would have wished. Our foremost<br />

producers have certainly obtained some very<br />

valuable subjects that have without question<br />

been of the greatest use in the development of<br />

science, but it is a fact that the füll field of the<br />

cinematograph's usefulness will not be attained<br />

until the micro-cinematograph is introduced<br />

into every bacteriological and scientific institution<br />

in the country.<br />

IIIS combined arrangement of Kinematograph-Camera and<br />

the Microscope will be found to be at once the most complete<br />

and practical outfit that can be coneeived. Complete<br />

in all its details of efficiency and convenience, and practical<br />

in that the various movements offer a means to anyone with any<br />

knowledge of microscopy of immediately being able to take<br />

a cinematograph film of moving micro-organisms, whether of the<br />

larger infusoria or the smallest bacteria. A knowledge of micrography<br />

is of course essential, because success depends almost entirely on the<br />

correct disposition of the object and the arrangement of the illuminating<br />

' apparatus.<br />

^<br />

Not so necessary is a knowledge of photography, because there are<br />

so many firms now who cater for the development of films, that this<br />

rather tedious process may well be left to the experts who can make a<br />

good negative and know what a good negative should be like and have<br />

the facilities for doing it. On the other hand, so many people prefer<br />

to do their own work, both from motives of interest and as a means of<br />

reserving the results for those whom it may more immediately concern,<br />

that we give a list of the necessary, but simple apparatus for printing<br />

and developing their own films. The actual taking of the film is little<br />

more than ordinary snapshotting, with the extra advantage of being able<br />

to watch the image the whole time that it is being recorded on the film.<br />

The apparatus consists of :—<br />

A—A firmly-built Iron Stand with vertical supports,<br />

for> holding the Camera above the eyepiece of<br />

the Microscope.<br />

B—A Kinematographie Camera.<br />

C—An Optica! Bench.<br />

D—A Motor for running the Kinematographie Camera.<br />

These various parts are hereinafter described in detail, and a study<br />

of the illustration will be helpful in following the descriptions. The<br />

floor space required is 4ft. by lft. 6ins.<br />

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