12.11.2012 Aufrufe

The art - Exclusiv Media Group

The art - Exclusiv Media Group

The art - Exclusiv Media Group

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asically, we are<br />

like cooks<br />

With a goal in mind,<br />

we develop a concept,<br />

a composition, whose<br />

ingredients we assem-<br />

ble, fine-tune and use<br />

in optimum amounts.<br />

We work with a range<br />

of top-quality products<br />

and we know their<br />

effects, whether indivi-<br />

dually or in combina-<br />

tion with others.<br />

Successful spaces fulfil<br />

their purpose, reach the<br />

desired target group and<br />

retain their quality for decades.<br />

This can only be achieved<br />

if the use of spatial proportion,<br />

materials, interior design<br />

elements and light is planned<br />

with utmost care (and necessary<br />

skill) or simply with ingenuity.<br />

Few architects master this<br />

skill, p<strong>art</strong>ly because they often<br />

approach things from a different<br />

angle or have different<br />

priorities. Peter Zumthor, for<br />

example, is currently one of<br />

the major exceptions. (Kolumba<br />

Museum Cologne, <strong>The</strong>rme<br />

Vals, Klaus Chapel Mechenich<br />

etc.).<br />

Interior architects are like medical<br />

specialists in Germany<br />

in that they undergo specialist<br />

training in construction,<br />

surface materials (with disciplines<br />

including textile, metal,<br />

glass, stone and all of their relatives)<br />

and especially the use<br />

of light.<br />

This also includes furniture<br />

and related decor, i.e. interior<br />

design, but that is only a small<br />

p<strong>art</strong> of the overall service.<br />

However, this is often misconceived<br />

by clients who regard<br />

the interior architect and interior<br />

designer as one and the<br />

same.<br />

<strong>The</strong> interior architect should<br />

be involved in the project as<br />

early as possible to develop a<br />

spatial concept together with<br />

the client and the architect,<br />

whilst determining the position<br />

of walls, window openings,<br />

doors as well as wall or ceiling<br />

cut-outs in accordance with<br />

the spatial philosophy. This<br />

creates values which leave a<br />

lasting spatial impression with<br />

the user.<br />

For many years, we have been<br />

developing solutions for state-of-the-<strong>art</strong><br />

4–5 star hotels<br />

as well as for restaurants and<br />

bars, but also high-end private<br />

homes, practices and lawyers’<br />

offices. At international level,<br />

we were involved in the inte-<br />

interior arcHticture | portrait<br />

rior architecture of the buildings<br />

around the F1 circuit<br />

with Herman Tilke in Abu<br />

Dhabi, and our largest current<br />

project is the design of the 5*<br />

“SEA ONE” hotel on the seafront<br />

of Tel Aviv.<br />

We like working with contrasts!<br />

To experience height,<br />

one should first experience a<br />

low, narrow space; a sump-<br />

tuous material should be felt<br />

in contrast with a pure and<br />

simple one. <strong>The</strong> dramatic impact<br />

of a space results from the<br />

interplay of calculable light,<br />

proportion, surfaces, interior<br />

design and <strong>art</strong>istic concept.<br />

(Pharmacists don’t have it easy<br />

either).<br />

As is the case with product<br />

or industrial design, it is the<br />

design quality of a space that<br />

creates distinct market relevance.<br />

We research the latest<br />

products, technologies, building<br />

materials and lifestyle environments<br />

at specialist trade<br />

fairs in Kortrijk, Paris, Milan<br />

and, above all, Cologne.<br />

Köln <strong>Exclusiv</strong> Living 31

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