The art - Exclusiv Media Group
The art - Exclusiv Media Group
The art - Exclusiv Media Group
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asically, we are<br />
like cooks<br />
With a goal in mind,<br />
we develop a concept,<br />
a composition, whose<br />
ingredients we assem-<br />
ble, fine-tune and use<br />
in optimum amounts.<br />
We work with a range<br />
of top-quality products<br />
and we know their<br />
effects, whether indivi-<br />
dually or in combina-<br />
tion with others.<br />
Successful spaces fulfil<br />
their purpose, reach the<br />
desired target group and<br />
retain their quality for decades.<br />
This can only be achieved<br />
if the use of spatial proportion,<br />
materials, interior design<br />
elements and light is planned<br />
with utmost care (and necessary<br />
skill) or simply with ingenuity.<br />
Few architects master this<br />
skill, p<strong>art</strong>ly because they often<br />
approach things from a different<br />
angle or have different<br />
priorities. Peter Zumthor, for<br />
example, is currently one of<br />
the major exceptions. (Kolumba<br />
Museum Cologne, <strong>The</strong>rme<br />
Vals, Klaus Chapel Mechenich<br />
etc.).<br />
Interior architects are like medical<br />
specialists in Germany<br />
in that they undergo specialist<br />
training in construction,<br />
surface materials (with disciplines<br />
including textile, metal,<br />
glass, stone and all of their relatives)<br />
and especially the use<br />
of light.<br />
This also includes furniture<br />
and related decor, i.e. interior<br />
design, but that is only a small<br />
p<strong>art</strong> of the overall service.<br />
However, this is often misconceived<br />
by clients who regard<br />
the interior architect and interior<br />
designer as one and the<br />
same.<br />
<strong>The</strong> interior architect should<br />
be involved in the project as<br />
early as possible to develop a<br />
spatial concept together with<br />
the client and the architect,<br />
whilst determining the position<br />
of walls, window openings,<br />
doors as well as wall or ceiling<br />
cut-outs in accordance with<br />
the spatial philosophy. This<br />
creates values which leave a<br />
lasting spatial impression with<br />
the user.<br />
For many years, we have been<br />
developing solutions for state-of-the-<strong>art</strong><br />
4–5 star hotels<br />
as well as for restaurants and<br />
bars, but also high-end private<br />
homes, practices and lawyers’<br />
offices. At international level,<br />
we were involved in the inte-<br />
interior arcHticture | portrait<br />
rior architecture of the buildings<br />
around the F1 circuit<br />
with Herman Tilke in Abu<br />
Dhabi, and our largest current<br />
project is the design of the 5*<br />
“SEA ONE” hotel on the seafront<br />
of Tel Aviv.<br />
We like working with contrasts!<br />
To experience height,<br />
one should first experience a<br />
low, narrow space; a sump-<br />
tuous material should be felt<br />
in contrast with a pure and<br />
simple one. <strong>The</strong> dramatic impact<br />
of a space results from the<br />
interplay of calculable light,<br />
proportion, surfaces, interior<br />
design and <strong>art</strong>istic concept.<br />
(Pharmacists don’t have it easy<br />
either).<br />
As is the case with product<br />
or industrial design, it is the<br />
design quality of a space that<br />
creates distinct market relevance.<br />
We research the latest<br />
products, technologies, building<br />
materials and lifestyle environments<br />
at specialist trade<br />
fairs in Kortrijk, Paris, Milan<br />
and, above all, Cologne.<br />
Köln <strong>Exclusiv</strong> Living 31