IKURO 100305
Xaver Paul Thoma (geb. 1953) Musik für Jugend musiziert |Annäherung an die Wirklichkeit opus 161 (xpt) (2009/10) | Musik für Bratsche und Marimbaphon
Xaver Paul Thoma (geb. 1953)
Musik für Jugend musiziert |Annäherung an die Wirklichkeit opus 161 (xpt) (2009/10) |
Musik für Bratsche und Marimbaphon
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X. P. Thoma - "Annäherung an die Wirklichkeit" opus 161 (xpt)<br />
Jugend musiziert<br />
Musik für Unterricht, Wettbewerb und Konzert<br />
Xaver Paul Thoma<br />
"Annäherung an die Wirklichkeit"<br />
opus 161 (xpt) (2009/10)<br />
Musik für Bratsche und Marimbaphon
Neben vielen anderen Auftragswerken - zum Beispiel für<br />
Dresden, Freiburg, Augsburg – erhielt Xaver Paul Thoma<br />
zur 400-Jahrfeier des Württembergischen Staatsorchesters<br />
Stuttgart zwei Aufträge: die Hölderlin-Fragmente (UA 1994<br />
mit Wolfgang Bünten, Tenor – Michael Gielen als Dirigent)<br />
und das Joachim Schall gewidmete Violinkonzert „...wie<br />
ein zerrissen Saitenspiel“, dessen UA unter dem Dirigat von<br />
Philippe Auguin 1995 stattfand.<br />
Nach der Beschäftigung mit Franz Kafka (Ballett 1997)<br />
entsteht zehn Jahre später mit dem Opernprojekt „Milena“<br />
ein weiteres Werk, das inhaltlich eng mit der Person Franz<br />
Kafkas verbunden ist.<br />
Xaver Paul Thoma *1953 in Haslach im Kinzigtal<br />
Mit fünf Jahren erhielt er den ersten Violinunterricht<br />
bei seinem Großvater Karl Thoma, mit zwölf Jahren<br />
unternahm er die ersten Kompositionsversuche. 1968<br />
begann er sein Musikstudium in Karlsruhe; sein Violinund<br />
Violalehrer war zunächst Albert Dietrich und später<br />
Jörg-Wolfgang Jahn. Musiktheoretische Studien erfolgten<br />
bei Roland Weber und Eugen Werner Velte. Intensives<br />
Streichquartettspiel als Bratschist im Wahlquartett (1972<br />
– 1980). Zunächst festes Mitglied eines Opernorchesters<br />
(1973 – 1977, Badische Staatskapelle Karlsruhe), und seit<br />
1977 Mitglied des Bayreuther Festspielorchesters, begann<br />
1977 seine freie Tätigkeit als Bratschist, Pädagoge, und<br />
vor allem als Komponist. Nach Jahren der freien Mitarbeit<br />
in Orchestern von Hannover, Hamburg und Bremen lebt<br />
der Komponist heute in Kirchheim unter Teck, und ist seit<br />
vielen Jahren dem Staatsorchester Stuttgart eng verbunden.<br />
Im Jahre 2010 umfasst das Werkverzeichnis von Xaver<br />
Paul Thoma über einhundertsechzig Werknummern:<br />
Kammermusik, Vokalmusik, Orchesterwerke,<br />
Instrumental-Konzerte und einige musiktheatralische<br />
Werke, zum Beispiel die Oper „Draussen vor der Tür“<br />
nach Wolfgang Borchert (UA 1994 – 1996 in Hannover,<br />
Neuinszenierung in Leipzig 1995 – 1998),<br />
sowie das abendfüllende Ballett „Kafka“, UA 1997<br />
Staatsoper Hannover.<br />
"Annäherung an die Wirklichkeit"<br />
für Bratsche und Marimbaphon opus 161 (xpt) 2009/10<br />
Dieses Duo, für ein Streich- und ein Schlaginstrument<br />
komponiert, ist zwei begabten, jungen Musikschülern<br />
gewidmet.<br />
Das Werk kann komplett aufgeführt werden, ebenso ist<br />
es möglich, nur den ersten Satz erklingen zu lassen. Die<br />
zwei Mittelsätze sind jeweils solistisch angelegt, sodass<br />
verschiedene Möglichkeiten der Programmgestaltung,<br />
insbesondere der Einsatz für den Wettbewerb „Jugend<br />
musiziert“ möglich sind.<br />
Während die ersten drei Sätze auch isoliert aufgeführt<br />
werden können, sollte der vierte Satz nur mit dem<br />
kompletten Werk gespielt werden.<br />
Entstanden sind die Sätze I - III im Frühjahr 2009, während<br />
der IV. Satz erst im Dezember 2010 beendet wurde.<br />
Xaver Paul Thoma
Jugend musiziert<br />
Musik für Instrumentalunterricht, Wettbewerb und Konzert<br />
Xaver Paul Thoma<br />
(* 1953)<br />
"Annäherung an die Wirklichkeit"<br />
Musik für Bratsche und Marimbaphon<br />
opus 161 (xpt)<br />
(2009/10)<br />
Dauer ca. 15 Min.<br />
Bratsche<br />
<strong>IKURO</strong> <strong>100305</strong><br />
Alle Rechte vorbehalten / All rights reserved<br />
Copyright 2011 by <strong>IKURO</strong> Edition, Gemany<br />
Erstausgabe / FIRST EDITION / Printed in Germany<br />
Vervielfältigungen jeglicher Art sind gesetzlich verboten.<br />
Any unauthorized reproduction is prohibited by law.
2<br />
Bratsche<br />
Bratsche<br />
<br />
ANNäHERUNG AN DIE WIRKLICHKEIT<br />
<br />
Ruhig q = ca. 66<br />
<br />
- für Johannes Rolfs und Vanessa Wünsch -<br />
Musik für Bratsche und Marimbaphon<br />
opus 161 (xpt) 2009/10<br />
sul ponticello<br />
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I.<br />
Xaver Paul Thoma<br />
(* 1953)<br />
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<strong>IKURO</strong> <strong>100305</strong>
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<strong>IKURO</strong> <strong>100305</strong>
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<strong>IKURO</strong> <strong>100305</strong>
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<strong>IKURO</strong> <strong>100305</strong>
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<strong>IKURO</strong> <strong>100305</strong>
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<strong>IKURO</strong> <strong>100305</strong>
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<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
72<br />
<br />
<br />
<br />
<br />
<br />
<br />
p dim. pppp<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
mf p pp ppp pppp<br />
<strong>IKURO</strong> <strong>100305</strong>
Bratsche<br />
solo<br />
<br />
h = ca. 80<br />
<br />
<br />
<br />
<br />
II. Melodia semplice<br />
<br />
<br />
<br />
<br />
f p f<br />
<br />
<br />
<br />
<br />
<br />
9<br />
7<br />
<br />
<br />
12<br />
<br />
16<br />
<br />
19<br />
<br />
23<br />
<br />
mf pp mf f<br />
<br />
<br />
<br />
mf<br />
ff<br />
sfz<br />
sffz<br />
sffz sffz sffz p<br />
pp<br />
<br />
<br />
sul tasto <br />
<br />
<br />
3<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
3<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
3<br />
<br />
<br />
<br />
<br />
<br />
<br />
am Steg<br />
<br />
<br />
<br />
<br />
<br />
ord.<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
3<br />
<br />
am Steg<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
ord.<br />
<br />
<br />
mf p<br />
<br />
<br />
<br />
f<br />
<br />
<br />
ord.<br />
<br />
<br />
mp<br />
<br />
<br />
<br />
<br />
<br />
<br />
am Steg<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
sul D<br />
<br />
<br />
<br />
<br />
28<br />
3 3 <br />
3<br />
33<br />
<br />
37<br />
<br />
<br />
pp mf p p<br />
<br />
<br />
<br />
pp pp p<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
ohne vibrato<br />
3 <br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
poco a poco rit. al Fine<br />
<br />
p pp ppp<br />
<br />
<br />
<br />
mf<br />
<br />
<br />
<br />
<br />
3<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<strong>IKURO</strong> <strong>100305</strong>
10<br />
III. Melodia rhythmica<br />
Marimbaphon<br />
solo<br />
<br />
<br />
<br />
e = ca. 144-152<br />
f<br />
<br />
3<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
p<br />
mf<br />
<br />
<br />
6<br />
<br />
<br />
<br />
3<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
sfz p f sfz p<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
11<br />
<br />
<br />
<br />
ff<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
3<br />
<br />
<br />
3<br />
<br />
<br />
14<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
3<br />
<br />
<br />
<br />
<br />
<br />
p f ff<br />
17<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
p<br />
f<br />
<br />
<br />
<br />
rit.<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
20<br />
<br />
e = 100<br />
Tempo II<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
ff p p<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
22<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
3 3<br />
<br />
<br />
<br />
<br />
<br />
<br />
f ff ff<br />
<br />
<br />
<br />
3<br />
<br />
<br />
3<br />
<br />
<br />
<br />
A Tempo II<br />
e = 100<br />
3 3 3 3<br />
<br />
<br />
<br />
<br />
ff ff ff ff ff ff<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
26<br />
f<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<strong>IKURO</strong> <strong>100305</strong>
29<br />
<br />
<br />
<br />
A Tempo I<br />
f<br />
e = 144-152<br />
<br />
<br />
<br />
<br />
3 3 3<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
ff<br />
<br />
11<br />
<br />
33<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
f p mf p<br />
3<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
ff<br />
p<br />
37<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
f sfz sfz p sfz<br />
<br />
p<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
42<br />
<br />
44<br />
<br />
<br />
<br />
<br />
<br />
<br />
p<br />
<br />
<br />
<br />
3 3<br />
3<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
sffz<br />
f p f p mf<br />
mf<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
49<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
6 6<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
f sffz sffz<br />
52<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
sffz sffz p<br />
55<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
f p (p)<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
60<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
f subito sfz p mf<br />
<br />
<br />
<br />
<br />
p<br />
<br />
<br />
<br />
65<br />
<br />
<br />
pp<br />
(In Tempo al Fine)<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
ppp<br />
<br />
<strong>IKURO</strong> <strong>100305</strong>
12<br />
Während Satz III erklingt<br />
geht der / die BratschistIn leise<br />
von der Bühne ab und begibt sich<br />
in den Rücken des Publikums<br />
und spielt von dort.<br />
IV. Dialog<br />
Bratsche<br />
( h = ca. 54)<br />
<br />
<br />
<br />
<br />
<br />
<br />
f p mf<br />
<br />
<br />
<br />
<br />
3<br />
<br />
<br />
<br />
<br />
4<br />
7<br />
9<br />
Marimbaphon<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
( h = ca. 54)<br />
sfz sfz p<br />
<br />
mf<br />
<br />
<br />
<br />
<br />
p<br />
<br />
mf<br />
(q = 100)<br />
<br />
<br />
sffz<br />
<br />
5<br />
<br />
<br />
<br />
<br />
<br />
3<br />
<br />
<br />
3<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
mf<br />
mf mp pp<br />
(q = 100)<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
ff mf p<br />
<br />
<br />
3<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
pp<br />
pp<br />
p<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
pizz.<br />
sfz<br />
<br />
arco<br />
pp<br />
<br />
<br />
ff<br />
<br />
<br />
<br />
<br />
<br />
<br />
3<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
12<br />
<br />
<br />
<br />
p<br />
<br />
<br />
p<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
mf<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<strong>IKURO</strong> <strong>100305</strong>
13<br />
14<br />
<br />
<br />
<br />
mf<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
sfz<br />
<br />
<br />
<br />
<br />
<br />
f<br />
<br />
<br />
16<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
ff<br />
<br />
<br />
<br />
<br />
f sfz sfz<br />
<br />
<br />
<br />
<br />
<br />
f<br />
<br />
<br />
<br />
<br />
<br />
<br />
18<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
sffz f sfz sfz<br />
<br />
ff<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
f<br />
<br />
<br />
<br />
<br />
<br />
gliss.<br />
<br />
<br />
<br />
<br />
<br />
<br />
p<br />
<br />
<br />
<br />
<br />
p<br />
<br />
20<br />
<br />
<br />
sul ponticello<br />
<br />
<br />
<br />
<br />
<br />
<br />
p f ff<br />
<br />
<br />
<br />
<br />
ff<br />
sfz<br />
<br />
<br />
<br />
<br />
mf<br />
<br />
<br />
p<br />
5 5<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
pp<br />
p<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
mp<br />
<br />
<br />
pizz.<br />
<br />
<br />
5<br />
<br />
<br />
<br />
<br />
5<br />
<br />
q = q<br />
f p sfz f p<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
q = q<br />
mf<br />
sfz p p<br />
5<br />
<br />
<br />
<br />
<br />
<br />
5<br />
<br />
<br />
<strong>IKURO</strong> <strong>100305</strong>
14<br />
29<br />
<br />
<br />
<br />
<br />
<br />
poco ritard. q = q = ca. 80<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
f ff sffz<br />
<br />
<br />
<br />
( )<br />
<br />
f<br />
3<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
poco ritard. q = q = ca. 80<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
33<br />
<br />
<br />
arco<br />
sul ponticello<br />
5 5<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
mf<br />
<br />
<br />
f<br />
<br />
<br />
<br />
<br />
<br />
f<br />
<br />
<br />
<br />
<br />
ff<br />
<br />
<br />
<br />
<br />
<br />
<br />
(<br />
0 0 )<br />
<br />
<br />
<br />
6<br />
<br />
6 6 6 6<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
35<br />
<br />
sul G+C<br />
gliss.<br />
<br />
<br />
<br />
<br />
<br />
<br />
gliss.<br />
<br />
<br />
<br />
<br />
<br />
<br />
gliss.<br />
<br />
<br />
<br />
<br />
3<br />
sfz sfz sfz sfz ff sffz dim.<br />
sempre ff fff fff dim.<br />
gliss.<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
3<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
f<br />
<br />
<br />
sfz<br />
pp<br />
p<br />
<br />
<br />
5 6<br />
<br />
<br />
<br />
<br />
<br />
<br />
mf p mf p<br />
6 6 3<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<strong>IKURO</strong> <strong>100305</strong>
40<br />
<br />
6<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
mf<br />
6<br />
6 6<br />
f<br />
15<br />
<br />
<br />
<br />
6<br />
<br />
<br />
<br />
6<br />
<br />
<br />
<br />
<br />
mf<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
f<br />
<br />
<br />
42<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
sfz sfz p<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
7 6<br />
<br />
<br />
<br />
f<br />
f<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
44<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
f<br />
<br />
<br />
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pizz.<br />
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arco<br />
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f sfz pp<br />
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p 5 5<br />
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ff sffz ff<br />
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47<br />
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49<br />
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<strong>IKURO</strong> <strong>100305</strong>
16<br />
ord. <br />
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52<br />
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gliss.<br />
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54<br />
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sul ponticello<br />
57<br />
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58<br />
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61<br />
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3 5<br />
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<strong>IKURO</strong> <strong>100305</strong>
62<br />
<br />
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17<br />
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64<br />
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ord.<br />
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sffz<br />
sul pont.<br />
sffz<br />
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ord.<br />
<br />
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sffz<br />
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sul pont.<br />
sffz<br />
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67<br />
<br />
<br />
ord.<br />
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sffz<br />
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3 3 3<br />
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69<br />
<br />
<br />
sffz mf sffz mf ff diminuendo<br />
<br />
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ff<br />
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diminuendo<br />
72<br />
<br />
<br />
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mf<br />
p<br />
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p<br />
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<br />
<strong>IKURO</strong> <strong>100305</strong>
18<br />
77<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
5<br />
<br />
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p<br />
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p<br />
pp<br />
6<br />
<br />
<br />
<br />
79<br />
<br />
sul G<br />
<br />
<br />
sul C<br />
<br />
<br />
pp<br />
<br />
<br />
<br />
6<br />
<br />
<br />
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pp<br />
81<br />
<br />
pizz.<br />
<br />
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p<br />
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arco<br />
<br />
<br />
pp<br />
<br />
<br />
<br />
<br />
p<br />
<br />
pp<br />
3 3 5<br />
<br />
<br />
<br />
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p<br />
<br />
85<br />
<br />
<br />
<br />
<br />
<br />
<br />
pp ppp pppp<br />
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3<br />
<br />
<br />
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pp ppp pppp ppp pppp<br />
<strong>IKURO</strong> <strong>100305</strong><br />
<br />
<br />
<br />
3<br />
<br />
<br />
<br />
Kirchheim / Teck<br />
31.12.2010
<strong>IKURO</strong> EDITION<br />
Werke von Xaver Paul Thoma (* 1953)<br />
06061 Streichsextett opus 130 (xpt) (2 Vl, 2 Vla, 2 Vc) / Partitur<br />
06062 Streichsextett opus 130 (xpt) (2 Vl, 2 Vla, 2 Vc) / Stimmen<br />
06071 “Ein langes Warten ...” opus 127 (xpt) für Kontrabass solo<br />
06072 Kleine Duette für zwei Violinen (Band I) opus 129 (xpt)<br />
07032 Kleine Duette für zwei Violinen (Band II) opus 129 (xpt)<br />
06073 “Roland-Walzer” opus 142 (xpt) (Bassettkl. (Viola), Vl, Vla, Vc)<br />
06074 “Meditation” opus 132 (xpt) für Violine und Orgel<br />
06081 “Die Blumen II” opus 146 A (xpt) Version für Stimme allein<br />
und opus 146 B (xpt) Version für Stimme und Bratsche<br />
06121 Streichquintett opus 116 (xpt) (2 Vl, 2 Vla, Vc) / Partitur<br />
06122 Streichquintett opus 116 (xpt) / Stimmen<br />
06123 IN MEMORIAM H. K. opus 124 (xpt) für Violoncello solo<br />
06124 7 Splitter für Violine und Klavier opus 149 (xpt)<br />
07021 Terzettino piccolo opus 144 (xpt) (2 Vl, Vc) / Spielpartituren<br />
07031 Schwingungen von 14 Saiten opus 150 (xpt) (Vl, Vla, Gitarre) / Spielpartituren<br />
07052 Ausblicke I-III opus 125 (xpt) (Saxophon-Quartett) / Partitur<br />
07053 Ausblicke I-III opus 125 (xpt) (Saxophon-Quartett) / Stimmen<br />
07071 Klarinettenquintett opus 151 (xpt) (Klar. A, 2 Vl, Vla, Vc) / Partitur<br />
07072 Klarinettenquintett opus 151 (xpt) (Klar. A, 2 Vl, Vla, Vc)/ Stimmen<br />
08021 Sieben Gesänge (R. M. Rilke) opus 154 A für Bariton und Klavier (2 Spielpartituren)<br />
08022 Magnificat (R. M. Rilke) opus 154 B (xpt) (Bariton, Vl, Vc) / Spielpartituren<br />
08023 Vier Stücke für Violine solo opus 147 (xpt) (2006/07)<br />
08031 Eine kleine Streichmusik opus 153 (xpt) (2007) (Bratsche, chinesisches Becken, Tam-tam,<br />
singende Säge) / Spielpartituren<br />
08123 Petitesse a Quattro opus 158/B (xpt) (2008) Viola, 2 Hörner, Violoncello / Spielpartituren<br />
09051 Streichtrio II opus 152 (xpt) (2007/09) (Vl, Vla, Vc) / Partitur und Stimmen<br />
100304A Weihnachtslieder für zwei Bratschen (xpt 159) / Spielpartituren<br />
<strong>100305</strong> „Annäherung an die Wirklichkeit“ opus 161 (xpt) 2009/10 Musik für Bratsche<br />
und Marimbaphon / Spielpartituren<br />
100501 Japanische Kinderlieder in freier Bearbeitung für 2 Violinen (Band I) opus 160 (xpt)<br />
100502 Japanische Kinderlieder in freier Bearbeitung für 2 Violinen (Band II) opus 160 (xpt)<br />
100503 4. Sonate für Viola solo op. 158 A (xpt)<br />
100901 Hugo Wolf: Diverse Lieder für Stimme und Streichquartett gesetzt opus 164 (xpt)<br />
Partitur und Stimmen<br />
100902 Sieben Lieder nach Texten von Goethe und Eichendorff für Bariton und Streichquartett<br />
opus 165 (xpt) / Partitur und Stimmen<br />
100904 Samuel Barber: Drei Lieder für Stimme und Streichquartett gesetzt opus 163 (xpt)<br />
Partitur und Stimmen<br />
101001 Schumann-Essay für 2 Violen, 3 Violoncelli und Kontrabass opus 168 (xpt)<br />
Partitur und Stimmen<br />
<strong>IKURO</strong> EDITION<br />
Roland Heuer Gairenweg 14 70619 Stuttgart, Germany<br />
Telefon: +49 (0)711-47078554 Fax: +49 (0)711-47078555<br />
Email: info@ikuro-edition.de