Künstler - - Stift Admont
Künstler - - Stift Admont
Künstler - - Stift Admont
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Else Blankenhorn<br />
*Karlsruhe 1873–1920, Konstanz-Reichenau Clinic<br />
The upper-class young Else was the favourite of her possessive father and shaken<br />
by his crises.<br />
Else Blankenhorn resided in the private clinic Kreuzlinger Bellevue from 1899 to<br />
1902, overlapping with her father at times.<br />
As a result of sexual abuse, Blankenhorn suffered from a “hypochondriacal”<br />
system of “shredded nerves”, causing her mind to separate itself from her body.<br />
She returned to the clinic in 1906 after the death of her father, fearing that her<br />
mother would be murdered, that people were trying to poison her, that she was<br />
pregnant and that her brain was perforated.<br />
In 1919, she was placed in the public clinic Konstanz-Reichenau, possibly for<br />
financial reasons.<br />
While Blankenhorn ceased her painting lessons at Bellevue quickly, she<br />
continued to work alone energetically and autodidactically, displaying talent:<br />
watercolours, intensely coloured oil painting and visionary studies between<br />
Symbolism and early Modernism which shone like gold.<br />
Else Blankenhorn also wrote and composed a great deal, but hid all of this from<br />
the doctors.<br />
In her “psychological reality”, she was the angelic “Else von Hohenzollern”, the<br />
wife of the German Emperor Kaiser Wilhelm II.<br />
According to the medical files, she painted a home for the married couples buried<br />
in the churchyards, who were to be redeemed. She created great amounts of<br />
paper money for the hungry dead whom she had to “exhume”, whose vast sums<br />
seemed to anticipate the coming inflation...<br />
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