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ROOTS. Learn where you live

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<strong>ROOTS</strong><br />

<strong>Learn</strong> <strong>where</strong><br />

<strong>you</strong> <strong>live</strong><br />

Museumsverein<br />

KLOSTERTAL


<strong>ROOTS</strong>. <strong>Learn</strong> <strong>where</strong> <strong>you</strong> <strong>live</strong><br />

Sonderband zur Kleinen Schriftenreihe des<br />

Museumsvereins Klostertal<br />

Wald am Arlberg 2023<br />

Museumsverein Klostertal<br />

Haus Nr. 60a<br />

A-6752 Wald am Arlberg<br />

Tel: +43 664 4911474<br />

info@museumsverein-klostertal.at<br />

www.museumsverein-klostertal.at<br />

+43 650 5200932<br />

museumsverein.klostertal<br />

klostertalmuseum<br />

Gestaltung: Kathrin Novis, Christof Thöny<br />

Druck: Druckerei Thurnher<br />

© Museumsverein Klostertal. Wald am Arlberg 2023


<strong>ROOTS</strong><br />

<strong>Learn</strong> <strong>where</strong><br />

<strong>you</strong> <strong>live</strong><br />

Sonderband zur Kleinen Schriftenreihe<br />

des Museumsvereins Klostertal<br />

Wald am Arlberg 2023


Content<br />

Introduction 5<br />

Austria 9<br />

Greece 15<br />

Hungary 21<br />

Portugal 27<br />

Porject data 30<br />

List of Illustrations 31<br />

5


Inroduction<br />

The following four partner organizations worked together from<br />

June 2021 to December 2023 in the Erasmus+ programme of the<br />

European Union:<br />

- Museumsverein Klostertal (Wald am Arlberg, Austria, Lead)<br />

- Imerisio Gymnasio Anoixis (Athens, Greece)<br />

- KozgazdasagiPolitechnikum Alternativ Gimnazium (Budapest,<br />

Hungary)<br />

- Município de Vila do Porto (Vila do Porto, Azores, Portugal)<br />

In view of the coronavirus crisis and the associated uncertainties<br />

as well as an identity crisis that we identified, we wanted to<br />

strengthen regional awareness of our own origins (the „roots“<br />

referred to in the project title). Through international cooperation,<br />

a European network was to be created and the discussion<br />

of local phenomena was to be brought into exchange. We have<br />

placed cultural heritage at the heart of the project, which ties in<br />

with the theme of the European Year of Cultural Heritage 2018.<br />

In the project, <strong>you</strong>ng people from the participating institutions<br />

and regions have become researchers who have explored the genesis<br />

of their living environment (in German, the term „Heimat“<br />

is commonly used for this). Both the tangible cultural heritage,<br />

i.e. everything built and made, and the intangible cultural heritage,<br />

i.e. the knowledge of the older generation, as well as the<br />

treasure trove of traditions, legends and tales, have been made<br />

the subject of the project. The exchange of schools with archives,<br />

museums and libraries has played a particularly important role<br />

in the project.<br />

It was very important to start in the participating cities and regions<br />

as a starting point for dealing with the local cultural heritage.<br />

We wanted to jointly develop methods with which <strong>you</strong>ng people<br />

could turn to the established structures of their living environment<br />

in a targeted and results-oriented manner, in the approach<br />

7


of Citizen Science for <strong>you</strong>ng people. The mix of project partners<br />

(a museum, two schools, a local authority) played an important<br />

role here, as we were able to learn from each other‘s different<br />

backgrounds. This also applies to the geographical backgrounds<br />

(two European capitals, an island in the Atlantic, a rural region<br />

in Austria). The project aimed to strengthen cooperation between<br />

schools and regional research institutions. We wanted to<br />

empower <strong>you</strong>ng people to safeguard intangible cultural heritage<br />

by bringing them into contact with the older generation. In this<br />

way, we wanted to raise awareness of the changes of the past and<br />

create a spirit of research and searching, true to the motto: „Dig<br />

<strong>where</strong> <strong>you</strong> <strong>live</strong>“.<br />

The project partners developed a detailed and coordinated work<br />

plan at the beginning. Detailed questions regarding project management,<br />

international cooperation, cooperation at local level<br />

and work with the pupils involved were clarified. Project management<br />

was carried out by pre-defined project teams. These coordinated<br />

regularly at the level of the four countries in the form of<br />

virtual meetings. The project was implemented in nine well-coordinated<br />

activities. The first of these were initially carried out by all<br />

partners and evaluated and discussed in online meetings. Two<br />

transnational meetings were used for intensive coordination.<br />

Four training, teaching and learning activities took place in the<br />

project, for each of which one of the partners was responsible.<br />

This partner put together a corresponding program. The respective<br />

themes of these activities, in which teachers and pupils took<br />

part, were defined in advance so that they could correspond with<br />

the geographical and historical host region. These units involved<br />

intensive work in workshops, excursions and other events.<br />

Extensive collections of local knowledge relating to cultural heritage<br />

were created at the respective partner institutions during<br />

the project, in some cases in consultation with artists. These<br />

were used to develop digital formats for teaching with reference<br />

8


to their own living environment. The results have been presented<br />

in various ways, in the form of lectures, small exhibitions, written<br />

contributions, on social media and on an internet platform developed<br />

by the Klostertal Museum Association. These activities<br />

have strengthened the dialog between generations and awareness<br />

of established structures. New networks have been created<br />

between schools, archives, museums and libraries, which will<br />

have long-term effects. The participants in the training,. The participants<br />

in the training, teaching and learning activities were<br />

able to broaden their horizons and develop tolerance and understanding<br />

for other countries and cultures. They have shared this<br />

knowledge with their peers in their respective schools and with<br />

many other people in their cities and regions. A handbook with<br />

methods for communicating cultural heritage and a film were created<br />

during the project and will be available for the duration of<br />

the project.<br />

In this handbook, which is published as a special volume in the<br />

Klostertal Museum Association‘s small publication series, we<br />

present different approaches to regional learning and hope to<br />

provide a variety of best practice examples.<br />

Christof Thöny, December 2023<br />

9


Austria<br />

Regional <strong>Learn</strong>ing at Klostertal Museum<br />

After lengthy preparatory work, the Klostertal Museum in Wald<br />

am Arlberg was opened in 1994. The aim of the regional museum<br />

was to be a „museum of local history of a different kind“, i.e. not<br />

only to exhibit old objects but also to create a link to history and<br />

thus enable a critical examination of it. The concept was very well<br />

received and the museum was awarded the Austrian Museum<br />

Prize in 1997. In 2001, the Klostertal Museum Association was<br />

founded to support the museum. It has taken over the administration<br />

of the museum. Over the past decade and a half, the association<br />

has also developed extensive activities in researching<br />

and communicating topics relating to the history and cultural<br />

landscape of the region - through exhibitions, events, projects<br />

11


and publications. In doing so, it has always focused on various<br />

topics of regional history (especially contemporary history), folklore,<br />

landscape and art history. Even in the first few years after<br />

its foundation, the Klostertal Museum Association was involved<br />

with EU funding. In this context, several projects in the Leader<br />

program and the Interreg program have been implemented since<br />

the 2000 to 2006 funding period. We have also been involved<br />

with the Erasmus+ program for several years.<br />

In recent years, the Klostertal Museum Association has increased<br />

its efforts to communicate the contents of the Klostertal Museum<br />

to children and <strong>you</strong>ng people. The <strong>ROOTS</strong> project has provided a<br />

lot of impetus for this. Workshop formats have been created for<br />

children and <strong>you</strong>ng people of different age groups. These were<br />

tested with school groups from the region as part of the project.<br />

All workshops are led by expert guides and guarantee an exciting<br />

and informative stay at the historic Thöny-Hof.<br />

Offers for elementary school (6 to 10 years)<br />

The offers for 1st to 4th grade consist of a guided tour of the Klostertal<br />

Museum, which is adapted to the age of the pupils, and a<br />

subsequent in-depth exploration of selected topics using various<br />

stations and materials. The museum tour, which lasts around<br />

30 minutes, focuses on stories about the historical objects and<br />

how they were used. These stories are deepened using materials<br />

that are also adapted to the school levels, with the focus on the<br />

children‘s independent learning through discovery.<br />

Offers for middle schools and lower secondary school (10 to 14<br />

years)<br />

For grades 5 to 8, the offers are staggered. All classes start with a<br />

guided tour of the Klostertal Museum, with the content becoming<br />

more in-depth towards the 8th grade. Following the guided tour,<br />

the 5th and 6th grades have the opportunity to explore the content<br />

of the permanent exhibition in greater depth in a workshop<br />

13


with selected materials. Pupils can work independently in many<br />

different ways. For the 7th and 8th grades, a workshop on the<br />

topic of „Culture of Remembrance“ is offered after the tour. Here,<br />

the <strong>you</strong>ng people explore their own origins based on the Klostertal<br />

Museum and its history<br />

Offers for upper school classes (15 to 19 years)<br />

A guided tour of the Klostertal Museum is also on the program for<br />

upper school classes, during which the topic of „home“ is critically<br />

reflected upon. The <strong>you</strong>ng people can then explore one of<br />

the following topics in a workshop:<br />

- Contemporary history in regional museums In this workshop,<br />

the issue of coming to terms with the Nazi past is addressed. This<br />

can also be combined with a discussion with a contemporary witness.<br />

- „Heimat im Wandel“: This workshop includes a critical examination<br />

of the concept of „Heimat“.<br />

Christof Thöny<br />

14


Greece<br />

Regional <strong>Learn</strong>ing and Best Practice Examples<br />

Regional learning has emerged as a key strategy for enhancing<br />

educational results, fostering collaboration, innovation, and<br />

engagement among students and educators. This approach recognizes<br />

that students learn best in environments that are connected<br />

to their communities and that draw upon the rich resources<br />

available in Attica‘s historical, cultural, and environmental<br />

landscapes. By breaking down traditional boundaries and fostering<br />

partnerships between schools, communities, organizations<br />

and museums regional learning allows for a more holistic and<br />

contextual approach to education.<br />

Therefore, our school has implemented numerous examples of<br />

regional learning. Here are a few notable examples:<br />

1. Interdisciplinary Collaborations<br />

Schools in Dionysos municipality, <strong>where</strong> our school belongs, implement<br />

interdisciplinary approaches to teaching, learning and<br />

promoting deeper understanding of our region. For instance, elementary<br />

and junior high schools collaborate with environmental<br />

organizations in order to discover and protect the mountains<br />

and the forests in the surrounding area. They work with cultural<br />

associations so that students can learn local traditions such as<br />

dances, songs and customs. In collaboration with the educational<br />

department of the municipality students worked on the<br />

project “Discovering the historical paths of my hometown” and<br />

learnt about the history, the diversity, the culture and the natural<br />

wealth of our region.<br />

17


2. Community Engagement<br />

Community engagement is of great importance in our region. Our<br />

school has partnered with local organizations such as volunteer<br />

firemen, the institution for disabled people, local environmental<br />

organizations and others to address community needs, foster<br />

empathy, social responsibility and leadership skills among students.<br />

3. Digital <strong>Learn</strong>ing Platforms and Resources<br />

New technologies have played a significant role in improving regional<br />

learning initiatives. Online platforms, virtual libraries, and<br />

digitalized resources (videos, documents, photographs) have<br />

enabled collaboration and communication among students and<br />

educators as well as research on topics concerning the local history<br />

and traditions.<br />

4. Leveraging Community Resources<br />

Dionysos’ rich cultural heritage, natural beauty and diverse industries<br />

have been carefully incorporated into regional learning<br />

18


initiatives. Schools have partnered with museums, historical<br />

sites and businesses to provide students with hands-on experiences<br />

and real-world learning opportunities.<br />

Regional learning stands as a powerful strategy to transform educational<br />

landscapes. By leveraging collaborative partnerships,<br />

interdisciplinary approaches, community engagement, and innovative<br />

technologies, schools can create engaging, effective, and<br />

relevant learning environments that prepare students for success<br />

in a rapidly changing world. As regional learning initiatives continue<br />

to evolve, we can expect even more innovative and transformative<br />

educational practices to emerge, shaping the future of<br />

learning for generations to come.<br />

Synergy in Education: Fostering Collaboration between Schools<br />

and Museums<br />

Schools and museums, each with their dynamic and resources,<br />

can form a powerful alliance to enrich the educational experience<br />

for students. By leveraging the vast knowledge, artifacts, and expertise<br />

housed in museums, schools can transform classrooms<br />

into immersive learning environments that spark curiosity, ignite<br />

imagination, and cultivate critical thinking skills.<br />

Museums possess a wealth of historical, cultural, and scientific<br />

treasures that can serve as catalysts for engaging lessons. Field<br />

trips to museums offer opportunities for students to interact directly<br />

with artifacts, explore exhibits, and delve into the stories<br />

they hold. These firsthand experiences provide students with a<br />

deeper understanding of the world around them, beyond the confines<br />

of textbooks.<br />

Beyond field trips, schools and museums can collaborate on a<br />

variety of projects to enhance curriculum de<strong>live</strong>ry and foster a<br />

love of learning. Museum educators can collaborate with classroom<br />

teachers to develop interdisciplinary lessons that integrate<br />

museum exhibits into core subjects like history, science, and art.<br />

19


These collaborative endeavors can bring real-world context to<br />

classroom learning, making concepts more tangible and applicable<br />

to students‘ <strong>live</strong>s.<br />

Schools and museums can establish various partnerships to maximize<br />

their effectiveness in enriching student learning. Here are<br />

some examples<br />

Guest Lectures and Workshops: Schools can invite museum experts<br />

to conduct guest lectures or workshops for students and<br />

teachers. These sessions can provide valuable insights into various<br />

topics and provide opportunities for hands-on activities.<br />

Virtual Field Trips and Online Resources: Schools can perform virtual<br />

museum tours, show online exhibits and educational videos<br />

to provide students with access to museum resources without<br />

leaving the classroom.<br />

Community Outreach and Service <strong>Learn</strong>ing: Schools can partner<br />

with museums to engage in community outreach projects, such<br />

as volunteering, conducting research, or organizing museum<br />

events. These experiences can foster a sense of social responsibility<br />

and civic engagement among students.<br />

The collaboration between schools and museums is beneficial for<br />

both parties. Museums gain exposure to new audiences and opportunities<br />

to share their knowledge and expertise. Schools benefit<br />

from the rich resources, expertise, and innovative teaching<br />

methods that museums offer.<br />

This synergy between schools and museums can revolutionize<br />

the educational experience, transforming classrooms into dynamic<br />

learning environments that inspire curiosity, ignite imagination,<br />

and prepare students for success in a rapidly changing<br />

world.<br />

Haritini Nikolaou<br />

20


21


Hungary<br />

Regional <strong>Learn</strong>ing in Budapest<br />

Regional learning refers to the practice of incorporating local culture,<br />

history, and resources into education. It allows students to<br />

develop a deep understanding of their surroundings and fosters<br />

a sense of belonging. Budapest, the capital city of Hungary, offers<br />

numerous best practice examples of regional learning that<br />

can be adapted and incorporated into high school curricula. By<br />

utilizing regional learning, high schools and Poli (Közgazdasági<br />

Politechnikum Alternatív Gimnázium) in particular can enhance<br />

students‘ educational experiences, promote cultural understanding,<br />

and create meaningful connections with local museums.<br />

One exemplary practice of regional learning in Budapest is the<br />

integration of local history into the curriculum. Budapest has<br />

a rich and diverse history, with influences from Celtic, Roman,<br />

Ottoman, and Austro-Hungarian civilizations. High schools can<br />

incorporate these historical aspects into their history and social<br />

studies classes, providing students with a comprehensive understanding<br />

of the city‘s past. For instance, students can study<br />

the impact of the Ottoman Empire on Budapest‘s architecture, or<br />

delve into the history of the Hungarian Revolution of 1848. This<br />

approach not only deepens students‘ knowledge but also allows<br />

them to make connections between historical events and their<br />

present <strong>live</strong>s.<br />

In addition to history, regional learning can be implemented<br />

through the inclusion of local literature and arts in high school<br />

literature and art classes. Budapest has been home to influential<br />

writers and artists. By studying their works, students can gain<br />

insights into the city‘s cultural heritage and develop an appreciation<br />

for local art forms. Integrating regional literature and art into<br />

the curriculum can also inspire students and provide them with a<br />

sense of pride in their local heritage.<br />

23


Moreover, cooperating with local museums can greatly contribute<br />

to regional learning in high schools. Budapest boasts a wide array<br />

of museums, each encapsulating a unique aspect of the city‘s<br />

history and culture. For example, the Hungarian National Museum<br />

showcases the nation‘s history, from prehistoric times to<br />

the present day. Students can visit this museum as part of their<br />

history classes, engaging in hands-on learning experiences that<br />

complement their classroom studies. Similarly, the Museum of<br />

Fine Arts in Budapest houses an extensive collection of European<br />

masterpieces, offering students an opportunity to appreciate<br />

world-renowned artworks and understand their cultural significance.<br />

Collaborating with museums allows high school students<br />

to experience learning beyond textbooks, making their education<br />

more immersive and memorable.<br />

A possible cooperation between high schools and museums can<br />

take various forms, such as organizing guided tours, hosting<br />

educational workshops, or even facilitating student exhibitions<br />

within museum premises. Museum educators can work collaboratively<br />

with high school teachers to design tailored programs<br />

that align with the curricular goals and learning outcomes. For<br />

instance, a history teacher can collaborate with the Hungarian<br />

National Museum to create a focused guided-tour on a particular<br />

historical period, encouraging students to research, curate,<br />

and present their findings. This type of collaboration not only<br />

deepens students‘ understanding of the subject matter but also<br />

fosters their critical thinking, research skills, and creativity.<br />

Furthermore, high schools can benefit from utilizing museum resources<br />

for project-based learning. Museums often maintain extensive<br />

archives, libraries, and research facilities that can serve<br />

as valuable resources for students‘ projects. Students can be tasked<br />

with conducting in-depth research on a particular aspect of<br />

Budapest‘s history or culture, utilizing the rich resources available<br />

in museum collections. This approach empowers students to<br />

24


ecome active learners, as they take ownership of their research<br />

and immerse themselves in the topic. Moreover, the cooperation<br />

between high schools and museums can provide students with<br />

opportunities for mentorship and guidance from museum professionals,<br />

nurturing their passion for research and encouraging<br />

future academic pursuits.<br />

To ensure the effectiveness of regional learning and cooperation<br />

with museums, it is essential for high school teachers to receive<br />

professional development opportunities. Trainings and workshops<br />

can familiarize teachers with the best practices in regional<br />

learning, equip them with the necessary knowledge about local<br />

resources, and enable them to design engaging and interdisciplinary<br />

lesson plans. Additionally, collaborating with museum<br />

25


educators allows teachers to tap into their expertise and gain insights<br />

into innovative teaching methods.<br />

Our school, Poli has some ongoing projects with different museums,<br />

but they are mostly based on the co-operation of individual<br />

teachers and art historians. These include museum-visits,<br />

guided tours in the city or walks that aim to explore a certain area<br />

of Budapest. Having looked at the opportunities and possibilities<br />

above, we believe that co-operation can be improved on an<br />

institutional basis.<br />

In conclusion, regional learning and cooperation with museums<br />

offer exceptional opportunities for high schools to enhance students‘<br />

educational experiences. By utilizing regional learning,<br />

high schools can deepen students‘ understanding of local culture,<br />

foster a sense of belonging, and promote cultural awareness.<br />

Collaborating with museums allows for immersive learning<br />

experiences beyond the classroom, providing students with access<br />

to valuable resources and expertise. With a well-designed<br />

curriculum and thoughtful cooperation, Poli and other high<br />

schools can truly embrace regional learning and create meaningful<br />

connections with their local community.<br />

Dávid Péter<br />

26


Portugal<br />

<strong>Learn</strong>ing on the island<br />

Câmara Municipal Vila do Porto. Municipio de Vila do Porto is a<br />

public, non-profit organization and a local government. Its objectives<br />

are defined by its attributions and competences. We are the<br />

only municipality on Santa Maria Island. Our island is the thirdsmallest<br />

of the Açores (100 KM landmass). While there are 5.000<br />

people living on Santa Maria, in the 1950s we once had 18,000<br />

inhabitants, but the population dwindled because of mass family<br />

migration incentives from the United States and Canada.<br />

Município de Vila do Porto is responsible for safe-guarding local<br />

heritage through protective building schemes, but also coordinating<br />

cultural activities on the island—ensuring citizens have<br />

access to free, vibrant cultural experiences.<br />

Our values can be described as:<br />

-provision of equal access for all citizens to the cultural activities<br />

promoted by Município de Vila do Porto<br />

-boosting inhabitants quality of life by fostering an active citizen<br />

ship<br />

-provision the necessary conditions for cultural associations, art<br />

organizations, informal artists collective to achieve a sustainable<br />

and vibrant cultural ecosystem.<br />

29


For the pupils on Santa Maria, which is still underdeveloped in<br />

terms of tourism, the project offered the opportunity to take part<br />

in a European project and to meet <strong>you</strong>ng people from other European<br />

countries and cultures.<br />

Different groups met on a remote island; an island that relies on<br />

shipping for everything they need to import (furniture, tiles...),<br />

<strong>where</strong> the inhabitants have to fly to another island or to the mainland<br />

for medical examinations and <strong>where</strong> the population is so<br />

careful with their environment - and at the same time so friendly,<br />

warm and helpful.<br />

It was a great experience to get to know the advantages and disadvantages<br />

of such an isolated place, to see the differences in<br />

lifestyle and everyday life and at the same time to get to know<br />

many traditions, routines and personal wishes that nevertheless<br />

seem to be the same all over the world.<br />

Carmen Moreira<br />

30


Project Data<br />

<strong>ROOTS</strong>. <strong>Learn</strong> <strong>where</strong> <strong>you</strong> <strong>live</strong><br />

Project Start Date: 1 June 2022<br />

Projet Ende Date: 31 Decezmber 2024<br />

Participating Partners<br />

- Museumsverein Klostertal (Wald am Arlberg, Austria, Lead)<br />

- Imerisio Gymnasio Anoixis (Athens, Greece)<br />

- KozgazdasagiPolitechnikum Alternativ Gimnazium (Budapest,<br />

Hungary)<br />

- Município de Vila do Porto (Vila do Porto, Azores, Portugal)<br />

Funding by the European Union: 65.424 Euro<br />

32


List of Illustrations<br />

Front Cover: LTT participants in front of Klostertal Museum<br />

p. 7: Welcoming guests in the mountains of Austria<br />

p. 9: Break during the work in Klostertal Museum<br />

p. 10: Visiting vorarlberg museum in Bregenz<br />

p. 12: Group of children from local school of Kloesterle during a<br />

workshop at Klostertal Musuem<br />

p. 13: Workshop with local students on traditional craft<br />

p. 16: Excursion during the LTT in Greece<br />

p. 19: Tradtional food as immaterial heritage<br />

p. 23: Excursion during the LTT in Hungary<br />

p. 25: Students discover Europe at school in Budapest<br />

p. 28: Excursion during the LTT in Portugal<br />

p. 29: Cleaning up beaches as a contribution to natural heritage<br />

Back cover: LTT participants in Santa Maria<br />

All image rights are held by the participating organizations.<br />

33


Co-funded by<br />

the European Union<br />

Funded by the European Union. Views and opinions expressed<br />

are however those of the author(s) only and do not necessarily<br />

reflect those of the European Union or the European Education<br />

and Culture Executive Agency (EACEA). Neither the European Union<br />

nor EACEA can be held responsible for them.

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