Products 2009 For broadcast, production, radio and live ... - Lawo

mc 2 56 – Performance, pure and simple.
Where performance, rather than size, is important.
The mc 2 56 is consistently designed for the very best performance.
For this reason, you have the same processing power in
this console that already distinguishes the mc 2 66 and mc 2 90.
What makes the mc 2 56 different to its siblings is its compact
construction. In a width of only 1.2 metres, we provide 32 faders
(when installed in the width of an OB van, 64 faders are
possible). The secret of these space-saving dimensions is that
each fader bay contains 16 faders, and there are virtually no
gaps between bays. The mc²56 will certainly impress you with
its superior suitability, even at the installation stage.
Where functionality, rather than luxury, is required.
A mixing console must particularly impress during daily
operation. This is why, with the mc 2 56, you benefit from many
proven features of the mc 2 range – starting with the design
principle of ‘form follows function’, through dynamic auto-
mation, and on to speedy access to the most important control
parameters (‘assign at destination’). An intrinsic feature of
the mc 2 56, however, is the specially designed control layout.
Here, the most important functions are within easy reach, while
lesser-used features are accessed exclusively via the touch
screen. The result is an ease of operation that really can be
described as user-friendly, and a suitability in use that is best
summed up as: Performance, pure and simple!
Don’t think solo, look at the networked solution.
Complete compatibility and uncomplicated data transfer – this
is what characterises mc² consoles. The networkability of Lawo
mixing consoles does not just provide for the flexible expansion
of existing mc² installations, but in day-to-day operation,
the 100% compatibility of user data, and its inherent benefits,
will also be appreciated. A typical example: a production starts
in stereo, using an mc²66 in the OB van, and is subsequently
continued in a portable control room before the automated
mix, supported with snapshots, can be completed in an mc²90
studio in 5.1 – and all this completely independent of the
physical number of faders, the size of routing matrix, and the
DSP capacity. Thanks to the transferability of all user data,
extended configuration times can be avoided, thus leading to
even further efficiency in day-to-day production.
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