Dec-98 - Friends Journal
Dec-98 - Friends Journal
Dec-98 - Friends Journal
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Claustrophobia. A girl with light-brown<br />
hair, cafe skin, appears; she tugs at your<br />
sleeve, motions to another stall. You<br />
don't understand which one, the leather<br />
shrouded stall? or the silver-strung<br />
stand? You pull awfrt, penny-loafer feet<br />
feeling moist, sweaty; forehead damp.<br />
The faces foreign, brown, cafe, tan,<br />
foreign, and you, the foreigner here. They<br />
mill around you as if a dream descends<br />
like a fog with many layers. You take your<br />
oxford-cloth sleeve, drag it across your<br />
forehead. Pull off the moisture, but it will<br />
not pull awfrt. And he's here. There. Just<br />
a touch.<br />
You look down at your oxford-cloth<br />
arm, your upper arm. A star. He's placed<br />
a star, a sticky star on your sleeve. Next<br />
to you. It's him. Brown face, childish,<br />
small, his hand extended. He has on a<br />
toobig, red-striped soccer shirt, faded<br />
jeans, battered black canvas high-tops.<br />
His eyes, like a hollow tunnel, dark and<br />
FRIENDS j OURNAL <strong>Dec</strong>ember 19<strong>98</strong><br />
infinite. He's with you, hand extended.<br />
You take his hand, this child. And he<br />
looks startled, but then he looks into<br />
your eyes and an understanding fills<br />
his. He begins to walk, you following<br />
along, through the ratcheting maze,<br />
the floor like an ocean's ooze, and<br />
then out into the golden air, the<br />
lodging of free air, you realize, outside,<br />
beneath a high, blue Jaliscan roof-sky.<br />
He pulls his hand from yours. Still<br />
extended, expectant. You dig into your<br />
chino pocket, dig deep, pull out a ten<br />
peso coin, place it in the hand<br />
extended. He smiles, radiant, in the<br />
golden haze, the air.<br />
He turns, strides in a small boy's<br />
Wfrt, back in there, into the Market,<br />
with his pockets full of sticky stars and<br />
a few Mexican coins. You're seeing<br />
him go and call " Muchacho, boy, como<br />
se llama?, what's your name?" He<br />
turns in a fleeting, calls back, "Jesus,"<br />
turns and is gone in the milling crowd.<br />
It sounds strange, at first, the way he<br />
called his name. It sounded like "Hey<br />
soos," which is who he is, as you<br />
stand breathing a sigh outside the<br />
great Market that resembles an<br />
ancient and immense inn, where souls<br />
lodge, and he's gone in there again,<br />
ahead of you. [J<br />
7