British Cinematographer issue 51 - Imago
British Cinematographer issue 51 - Imago
British Cinematographer issue 51 - Imago
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<strong>British</strong> <strong>Cinematographer</strong><br />
Covering International Cinematography<br />
www.britishcinematographer.co.uk<br />
Issue 0<strong>51</strong> ––– May 2012 16<br />
Palme d’Or films, filmmakers and cinematographers<br />
Moonrise Kingdom - Wes Anderson, DP Robert D Yeoman (Festival opener)<br />
De Rouille Et d’Os - Jacques Audiard, DP Stéphane Fontaine<br />
Holy Motors - Leos Carax, DPs Yves Cape, Caroline Champetier<br />
Cosmopolis - David Cronenberg, DP Peter Suschitzky<br />
The Paperboy - Lee Daniels, DP Roberto Schaefer ASC<br />
Killing Them Softly - Andrew Dominik, DP Greig Fraser ACS<br />
Reality - Matteo Garrone, DP Marco Ontorato<br />
Amour (Love) - Michael Haneke, DP Darius Khondji AFC<br />
Lawless - John Hillcoat, DP Benoit Delhomme AFC<br />
Da-Reun Na-Ra-E-Suh (In Another Country) - Hong Sang Soo<br />
Do-Nui Mat (Taste Of Money) – Im Sang Soo<br />
Like Someone In Love - Abbas Kiarostami<br />
The Angels’ Share - Ken Loach, DP Ronnie Ryan BSC<br />
Im Nebel (In The Fog) - Sergei Loznitsa, DP Oleg Mutu<br />
Beyond The Hills - Cristian Mungiu, DP Oleg Mutu<br />
Baad El Mawkeaa (After The Battle) - Yousry Nasrallah<br />
Mud - Jeff Nichols<br />
Vous n’avez Encore Rien Vu - Alain Resnais, DP Eric Gautier AFC<br />
Post Tenebras Lux - Carlos Reygadas, DP Alexis Zabe<br />
On The Road - Walter Salles, DP Eric Gautier AFC<br />
Paradies:Liebe (Paradise:Love) - Ulrich Seidl, DPs Ed Lachman, Wolfgang Thaler<br />
Jagten (The Hunt) - Thomas Vinterberg, DP Charlotte Bruus Christensen<br />
Thérèse Desqueyroux - Claude Miller, DP Gérard de Battista (Closing Film)<br />
<strong>British</strong> interest this year includes Trashed, a documentary<br />
about the world’s waste, by director Candida Brady,<br />
one of seven new movies added to the line-up of the<br />
10-day festival. Of direct cinematographic interest are<br />
Beasts Of The Southern Wild, lensed by Ben Richardson,<br />
The Angels’ Share, which was lit by Robbie Ryan BSC,<br />
Cosmopolis, shot by Peter Suschitzky, and Broken,<br />
featuring in the Cannes Critic’s Week, which was framed<br />
by Rob Hardy BSC.<br />
17<br />
<strong>British</strong> <strong>Cinematographer</strong><br />
Covering International Cinematography<br />
www.britishcinematographer.co.uk<br />
Issue 0<strong>51</strong> ––– May 2012
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