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Product Review Home Theater Magazine, March 2008<br />
The Bigger Picture (Adrienne Maxwell)<br />
Evaluation of the HOME2 (Home75IWH2) Projection Screen<br />
Home Theater Magazine, March 2008. The Bigger Picture (Adrienne Maxwell) Evaluation of the HOME2 (Home75IWH2)<br />
projection screen<br />
The Bigger Picture<br />
By Adrienne Maxwell • April, 2008<br />
Tips for selecting and installing a front-projection screen.<br />
What’s keeping you from taking the front-projection plunge? Is it a belief that projection systems are still only for the rich<br />
and famous, consisting of $15,000 projectors, movie-theater-sized screens, and elaborate masking systems, controlled<br />
by advanced touchpanels? The entry-level projector roundup on page 38 of this issue is proof that there’s a 1080p<br />
projector to suit almost any budget, and the same is true for theater screens.<br />
159<br />
With so many options out there, you don’t even know how to begin to select<br />
the right projection screen. That’s where we come in, to provide you with a<br />
basic understanding of the screen types, materials, and control options you<br />
might encounter in your quest to build the perfect big-screen theater for your<br />
budget, room environment, and installation prowess.<br />
Step One: Screen Type<br />
The type of screen you select will play a major role in determining overall cost.<br />
One of the least expensive options is also the easiest to set up: A portable<br />
screen is a great choice for the person who lacks a dedicated theater space<br />
but still wants to enjoy the occasional big-screen movie event. You can set up<br />
and stow away Da-Lite’s Theater-Lite pull-up screen in minutes, and an 80-inch<br />
16:9 model costs less than $400. For the adventurous do-it-yourselfer who wants<br />
a more permanent budget solution, DIY Home Theatre and Goo Systems offer<br />
the paints and borders you’ll need to transform an open wall into a theater screen.<br />
If you’ve ever hung a large piece of artwork, you can handle installing a fixedframe<br />
screen, such as Da-Lite’s Cinema Contour, Screen Research’s ClearPix2,<br />
or Stewart’s Luxus Screenwall. The final choice is a retractable screen,<br />
discreetly housed in a chassis that mounts on the wall or ceiling. A manual<br />
pull-down model is a wonderfully economical choice; Draper’s 92-inchdiagonal<br />
Luma2 pull-down screen costs less than $300. If you go with a motorized<br />
model, it adds some cost to the bottom line. For instance, the 75-inchdiagonal<br />
<strong>Elite</strong> <strong>Screens</strong> Home2 model begins at $789.<br />
Most home theater projectors cast an<br />
HDTV-friendly 1.78:1 (16:9) image, so<br />
you’ll want a screen to match. If you<br />
simply cannot abide the sight of black<br />
bars with 1.85:1 or 2.35:1 film content,<br />
you may want to invest more money in<br />
an automatic masking system that uses<br />
panels to perfectly frame the screen for<br />
the exact aspect ratio you’re watching<br />
with any given source. Of course, the black bars are still there; you just can’t see<br />
them. To remove horizontal bars entirely and use the projector’s full vertical<br />
resolution with every source, you’ll need a projector with an anamorphic lens<br />
attachment and a wider 2.35:1-shaped screen like Stewart’s CineCurve or<br />
dnp’s Supernova Epic. These models include side masking panels that reframe<br />
the screen for 1.33:1, 1.78:1, and 1.85:1 content.<br />
www.elitescreens.com/reviews