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Product Review Home Theater Magazine, March 2008<br />

The Bigger Picture (Adrienne Maxwell)<br />

Evaluation of the HOME2 (Home75IWH2) Projection Screen<br />

Home Theater Magazine, March 2008. The Bigger Picture (Adrienne Maxwell) Evaluation of the HOME2 (Home75IWH2)<br />

projection screen<br />

The Bigger Picture<br />

By Adrienne Maxwell • April, 2008<br />

Tips for selecting and installing a front-projection screen.<br />

What’s keeping you from taking the front-projection plunge? Is it a belief that projection systems are still only for the rich<br />

and famous, consisting of $15,000 projectors, movie-theater-sized screens, and elaborate masking systems, controlled<br />

by advanced touchpanels? The entry-level projector roundup on page 38 of this issue is proof that there’s a 1080p<br />

projector to suit almost any budget, and the same is true for theater screens.<br />

159<br />

With so many options out there, you don’t even know how to begin to select<br />

the right projection screen. That’s where we come in, to provide you with a<br />

basic understanding of the screen types, materials, and control options you<br />

might encounter in your quest to build the perfect big-screen theater for your<br />

budget, room environment, and installation prowess.<br />

Step One: Screen Type<br />

The type of screen you select will play a major role in determining overall cost.<br />

One of the least expensive options is also the easiest to set up: A portable<br />

screen is a great choice for the person who lacks a dedicated theater space<br />

but still wants to enjoy the occasional big-screen movie event. You can set up<br />

and stow away Da-Lite’s Theater-Lite pull-up screen in minutes, and an 80-inch<br />

16:9 model costs less than $400. For the adventurous do-it-yourselfer who wants<br />

a more permanent budget solution, DIY Home Theatre and Goo Systems offer<br />

the paints and borders you’ll need to transform an open wall into a theater screen.<br />

If you’ve ever hung a large piece of artwork, you can handle installing a fixedframe<br />

screen, such as Da-Lite’s Cinema Contour, Screen Research’s ClearPix2,<br />

or Stewart’s Luxus Screenwall. The final choice is a retractable screen,<br />

discreetly housed in a chassis that mounts on the wall or ceiling. A manual<br />

pull-down model is a wonderfully economical choice; Draper’s 92-inchdiagonal<br />

Luma2 pull-down screen costs less than $300. If you go with a motorized<br />

model, it adds some cost to the bottom line. For instance, the 75-inchdiagonal<br />

<strong>Elite</strong> <strong>Screens</strong> Home2 model begins at $789.<br />

Most home theater projectors cast an<br />

HDTV-friendly 1.78:1 (16:9) image, so<br />

you’ll want a screen to match. If you<br />

simply cannot abide the sight of black<br />

bars with 1.85:1 or 2.35:1 film content,<br />

you may want to invest more money in<br />

an automatic masking system that uses<br />

panels to perfectly frame the screen for<br />

the exact aspect ratio you’re watching<br />

with any given source. Of course, the black bars are still there; you just can’t see<br />

them. To remove horizontal bars entirely and use the projector’s full vertical<br />

resolution with every source, you’ll need a projector with an anamorphic lens<br />

attachment and a wider 2.35:1-shaped screen like Stewart’s CineCurve or<br />

dnp’s Supernova Epic. These models include side masking panels that reframe<br />

the screen for 1.33:1, 1.78:1, and 1.85:1 content.<br />

www.elitescreens.com/reviews

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