5p.Qian,Part 1,Spirit and Self - ScholarSpace

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∫ SPIRIT AND SELF IN MEDIEVAL CHINA The Shih-shuo hsin-yü and Its Legacy Nanxiu Qian university of hawai‘i press honolulu
© 2001 University of Hawai‘i Press All rights reserved Printed in the United States of America 06 05 04 03 02 01 6 5 4 3 2 1 Library of Congress Cataloging-in-Publication Data Qian, Nanxiu. Spirit and self in medieval China: the Shih-shuo hsin-yü and its legacy / Nanxiu Qian. p. cm. Includes bibliographical references and index. ISBN 0-8248-2309-5 (alk. paper)—ISBN 0-8248-2397-4 (pbk. : alk. paper) 1. Liu, I-ch’ing, 403-444. Shih shuo hsin yè. I. Title: Shih-shuo hsin-yü and its legacy. II. Title. DS736.L5363 Q25 2001 895.1'8240208—dc21 00-062949 Chapter 8 first appeared in Nan Nuu: Men, Women, and Gender in Early and Imperial China, Kononklijke Brill N.V., Leiden, The Netherlands (1999). Chapter 9 first appeared in Early Medieval China 4 (1998): 49–82. Both appear here in revised form with the permission of the publishers. University of Hawai‘i Press books are printed on acid-free paper and meet the guidelines for permanence and durability of the Council on Library Resources. Designed by Deborah Hodgdon Printed by The Maple-Vail Book Manufacturing Group
Page 2 and 3: ∫ SPIRIT AND SELF IN MEDIEVAL CHI
Page 6: To Richard B. Mather
Page 9 and 10: viii Contents Chapter 8. Milk and S
Page 12 and 13: ∫ Acknowledgments Growing up in N
Page 14 and 15: ∫ Chinese Dynasties Shang ca. 16t
Page 16: ∫ Japanese Periods Involved in th
Page 19 and 20: 2 Introduction The Purpose and Sign
Page 21 and 22: 4 Introduction What immediately str
Page 23 and 24: 6 Introduction chological traits, a
Page 25 and 26: 8 Introduction character appraisal
Page 27 and 28: 10 Introduction human relationships
Page 29 and 30: 12 Introduction ically, it means
Page 31 and 32: 14 Introduction her in relation to
Page 34 and 35: ∫ Introduction to Part 1: Shih-sh
Page 36 and 37: Shih-shuo t’i, the Term and the G
Page 38 and 39: Character Appraisal 21 a dark, secr
Page 40 and 41: Character Appraisal 23 porary with
Page 42 and 43: Character Appraisal 25 discursive p
Page 44 and 45: Character Appraisal 27 havior.” 2
Page 46 and 47: verge, and doing and not-doing go i
Page 48 and 49: Character Appraisal 31 rapidly evol
Page 50 and 51: Character Appraisal 33 of the Chien
Page 52 and 53: Character Appraisal 35 writing styl
Page 54 and 55:
Character Appraisal 37 cial, and in
Page 56 and 57:
old friends.” 60 While the Chin Y
Page 58 and 59:
Character Appraisal 41 the crowd”
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Chapter ∫ 2 Character Appraisal a
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Formation of Wei-Chin Spirit 45 P
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Formation of Wei-Chin Spirit 47 Sun
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Formation of Wei-Chin Spirit 49 Fig
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Formation of Wei-Chin Spirit 53 fri
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Formation of Wei-Chin Spirit 55 par
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Formation of Wei-Chin Spirit 57 Lau
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Formation of Wei-Chin Spirit 59 low
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ity cannot be equated with Huang Hs
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Period Complementary Opposites Majo
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Formation of Wei-Chin Spirit 67 rep
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Formation of Wei-Chin Spirit 69 li
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Formation of Wei-Chin Spirit 71 (bo
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Formation of Wei-Chin Spirit 73 con
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Formation of Wei-Chin Spirit 75 the
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Formation of Wei-Chin Spirit 77 The
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Formation of Wei-Chin Spirit 79 it
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Formation of Wei-Chin Spirit 81 Som
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Formation of Wei-Chin Spirit 83 Vil
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Shih-shuo t’i 85 ing of the Shih-
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Figure 3.2. Sung edition of the Shi
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Shih-shuo t’i 89 anecdotes and pa
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Shih-shuo t’i 91 Pan Ku borrows C
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Shih-shuo t’i 93 ing “mistakes
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Shih-shuo t’i 95 heard along the
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hsiao-shuo (i.e., “fiction”). T
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∫ Introduction to Part 2: Fiction
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Chapter ∫ 4 Between Order and Dis
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Between Order and Disorder 105 to p
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‘nature’, and a Chinese thinker
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cheng-ming (rectification of names)
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Between Order and Disorder 111 is l
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Between Order and Disorder 113 nami
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Between Order and Disorder 115 port
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later generations.” He therefore
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Between Order and Disorder 119 may
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Between Order and Disorder 121 man
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Between Order and Disorder 123 Yang
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4. “Wen-hsüeh” (Literature and
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Between Order and Disorder 127 “p
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Between Order and Disorder 129 calm
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Between Order and Disorder 131 edly
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Between Order and Disorder 133 9. P
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Between Order and Disorder 135 32.
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the thing to make every man natural
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Between Order and Disorder 139 inal
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Between Order and Disorder 141 a wi
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Between Order and Disorder 143 dida
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Between Order and Disorder 145 omy:
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Between Order and Disorder 147 She
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Between Order and Disorder 149 unco
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Chapter ∫ 5 Using Body to Depict
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Using Body to Depict Spirit 153 Wan
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one’s shen appears in the beholde
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Using Body to Depict Spirit 157 Liu
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Using Body to Depict Spirit 159 ext
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people extracts the spirit from the
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Using Body to Depict Spirit 163 cau
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Using Body to Depict Spirit 165 exp
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Using Body to Depict Spirit 167 ten
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Using Body to Depict Spirit 169 and
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Using Body to Depict Spirit 171 der
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Using Body to Depict Spirit 173 The
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Using Body to Depict Spirit 175 dyn
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Using Body to Depict Spirit 177 As
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Using Body to Depict Spirit 179 kne
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Using Body to Depict Spirit 181 (14
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K’un’s aloofness from the munda
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Using Body to Depict Spirit 185 whe
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Using Body to Depict Spirit 187 Per
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Using Body to Depict Spirit 189 pre
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∫ Part 3 Discontinuity along the
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194 Introduction to Part 3 table 5.
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196 Introduction to Part 3 imitatio
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198 Introduction to Part 3 dated 16
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200 Introduction to Part 3 lization
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table 6. periods covered in the shi
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204 Introduction to Part 3 shuo imi
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206 Introduction to Part 3 the only
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208 Introduction to Part 3 1708), a
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210 Introduction to Part 3 In short
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212 Part 3 subject, and to expel he
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214 Part 3 new categories have stro
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216 Part 3 emperor and Empress Chan
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218 Part 3 cerned about their own d
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220 Part 3 gentlemen to “flaunt t
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222 Part 3 both the state and milit
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224 Part 3 served her from various
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226 Part 3 table 7. the frequency o
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228 Part 3 based on candidates’ l
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230 Part 3 litical elements, then,
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232 Part 3 effective in achieving t
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234 Part 3 K’ung’s Continuation
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236 Part 3 using hsin—one of the
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238 Part 3 and was especially well
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240 Part 3 one’s heart and there
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242 Part 3 it as what “the myriad
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244 Part 3 In the T’ang Forest, W
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246 Part 3 first episode. And, in t
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dates and native places of ming-ch
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250 Part 3 sumers, and connoisseurs
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252 Part 3 writing a literary piece
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254 Part 3 of the] body it is best
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256 Part 3 likely explanation is th
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258 Part 3 obtain this job. But it
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260 Part 3 position presents this m
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262 Part 3 This sort of free-spirit
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264 Part 3 I’ve just come back fr
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266 Part 3 collections and beautifu
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268 Part 3 The “Pure Mystery Pavi
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270 Part 3 of silk-veined paper, an
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272 Part 3 beginning of the Ming Sh
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274 Part 3 hai-shih’ [RakJasas an
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276 Part 3 1620] and Ch’ung-chen
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278 Part 3 Li Chih. He suggested, t
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280 Part 3 ing a number of early Ch
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282 Part 3 2/88). Similarly, Hsü C
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284 Part 3 Figure 8.1. Li Ch’ing
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286 Part 3 Hsüan-hsüeh incorporat
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288 Part 3 Ch’ing attained his ch
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290 Part 3 i” (Chastity and right
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292 Part 3 saying: “Sister-in-law
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294 Part 3 in many others, a tensio
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296 Part 3 self. Notice how the fol
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298 Part 3 Although milk value and
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300 Part 3 ter he has grown up, he
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302 Part 3 paintings indicates poss
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304 Part 3 not with real plum trees
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306 Part 3 uments and was quite fru
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308 Part 3 male poetics. Indeed, th
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310 Part 3 Her purity of bamboo gro
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312 Part 3 Neither was therefore ca
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314 Part 3 spite of men’s depreci
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316 Part 3 she did not often compos
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318 Part 3 Woman Pai of Suchow was
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320 Part 3 ch’uan’s time, he wa
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322 Part 3 fucianism than did the C
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324 Part 3 als, although it extends
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326 Part 3 in art, music, and liter
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328 Part 3 episode, the association
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330 Part 3 public affairs, there wa
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332 Part 3 Wouldn’t I leave my co
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334 Part 3 are fragments of wall pa
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Figure 9.1. Hattori Nankaku’s (16
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338 Part 3 the Shoku yotsugi record
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340 Part 3 and fall of the previous
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342 Part 3 of his New Shih-shuo acc
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344 Part 3 Recently [1915], gentlem
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346 Part 3 first time in Ch’ing h
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348 Part 3 read: ‘Twenty years li
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350 Part 3 his standards of judgmen
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352 Part 3 The “plum painting”
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354 Part 3 Chiao-jen, and others, o
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356 Part 3 sighed with admiration f
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358 Part 3 His interpretation of ko
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360 Part 3 escape their fatal desti
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362 Part 3 Chiao-jen gave a speech
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364 Part 3 official name for primar
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366 Part 3 repression, it linked th
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Conclusion: The ∫ Self and the Mi
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370 Conclusion fall of states, and
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372 Conclusion shuo hsin-yü’s ta
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374 Conclusion the ancient can be m
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376 Conclusion diately involved the
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378 Conclusion ing the growth of th
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380 Conclusion Yin Hao’s refusal
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382 Notes to Pages 3-7 3. The citat
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384 Notes to Pages 13-18 23. Gordon
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386 Notes to Pages 21-25 [New York:
Page 405 and 406:
388 Notes to Pages 29-32 ch’ing-i
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390 Notes to Pages 33-39 46. Ts’a
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392 Notes to Pages 48-53 p’in [Gr
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394 Notes to Pages 56-58 he have sp
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396 Notes to Pages 62-69 ing from t
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398 Notes to Pages 72-76 79. T’an
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400 Notes to Pages 79-80 spirit int
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402 Notes to Pages 84-85 Chapter 3:
Page 421 and 422:
404 Notes to Pages 90-94 Hu Yinglin
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406 Notes to Pages 97-103 shuo] (Pe
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408 Notes to Pages 107-109 nese Phi
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410 Notes to Pages 114-118 And Yu-h
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412 Notes to Pages 124-129 major Hs
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414 Notes to Pages 139-143 92. Ibid
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416 Notes to Pages 148-153 widow],
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418 Notes to Pages 161-169 21. In t
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420 Notes to Pages 176-184 41. Shih
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422 Notes to Pages 200-207 is . . .
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424 Notes to Pages 218-223 9. See t
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426 Notes to Pages 226-229 gument,
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428 Notes to Pages 233-237 58. Chou
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430 Notes to Pages 240-242 p’i-p
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432 Notes to Pages 243-245 350, 361
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434 Notes to Pages 251-254 9. Ibid.
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436 Notes to Pages 257-261 34. P’
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438 Notes to Pages 267-273 74. Ho-s
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440 Notes to Pages 277-282 104. Kai
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442 Notes to Pages 288-289 neither
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444 Notes to Pages 293-297 followin
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448 Notes to Pages 306-311 69. Meng
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450 Notes to Pages 314-319 camel at
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452 Notes to Pages 325-327 era, in
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454 Notes to Pages 337-343 either a
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458 Notes to Pages 368-376 4. See,
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460 Glossary ai-yüan ch’i sao-je
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462 Glossary Chu Fa-t’ai «kO Chu
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464 Glossary hsing ? hsing-chih “
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466 Glossary k’ung-men yu ≈˘Õ
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468 Glossary Pen-wu ªL Pen-wui ªL
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470 Glossary T’ang-Wu ko-ming ˆZ
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472 Glossary Wen-fu Â· “Wen-hs
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∫ Selected Bibliography Sections
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Shih-shuo hsin-yü [chien-shu] @°s
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Selected Bibliography 479 Chiang Fa
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Selected Bibliography 481 Ma Hsing-
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Selected Bibliography 483 Toyofuku
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Selected Bibliography 485 Ïs (Coll
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Selected Bibliography 487 De Bary,
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Selected Bibliography 489 ———
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Selected Bibliography 491 Ko Hung
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Selected Bibliography 493 ———
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Selected Bibliography 495 Mao Shih
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Selected Bibliography 497 Spence, J
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Selected Bibliography 499 Wang Ch
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§ÍÂ•p°—ÿ (Bibliography of
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Selected Bibliography 503 [hsin-yü
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Akazome, Lady, 325 allegories: asce
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Chin Sheng-t’an, 359-360 Chin Shi
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Fujiwara no Michinaga, 452n. 22 Fuj
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162, 165, 177-178, 186, 362-363; ri
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389n. 42, 396nn. 54-57, 398nn. 86-8
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Shih-shuo allusions. 431n.98 Shih-s
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Tai K’uei, 52, 187-188 Taiping Re
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of, 59; co-product of men and women
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