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2011 - Geoinformatics

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A r t i c l e<br />

Fig. 5 – Wireframe model with local photo-textures<br />

images, bypassing the heavy step dedicated to each photo projection<br />

and the need for several homologous tie points.<br />

Altogether, fifteen scans (each of 800 Mb) were produced, seven<br />

over the exteriors and eight for the interiors, with the aid of thirteen<br />

plane targets (mounted over a mobile support to optimize the survey<br />

inter-visibility) located inside a selected area and suitable for the<br />

cloud connection.<br />

The external survey was undertaken in the morning under a clouded<br />

sky, this way avoiding the unwanted effects of image shadowing.<br />

The interiors were measured under artificial lighting due to the low<br />

level of natural illumination provided by the windows.<br />

The church model and photo-texturing<br />

With the aid of targets, the sanctuary point model was generated by<br />

connecting each cloud to the central one, selected as reference. From<br />

the same scanning positions, proper overlapping images were acquired<br />

via manual shooting using the Nikon camera.<br />

The following photo-texturing process was automatically carried out<br />

thanks to the PTGui stitching package, in order to perform spherical<br />

multi-image panoramas, which were then imported inside 3D<br />

Reconstructor software, switching on spherical projectors for model rendering.<br />

A series of photographic images is shown describing the building façade<br />

Fig. 6 – Perspective view of the textured model<br />

28<br />

and the corresponding spherical panorama produced<br />

with PTGui (Fig. 4).<br />

Finally, the following figures (Figs. 5, 6) show some<br />

striking perspective views of the reconstructed 3D<br />

church model (points and meshes), with the phototexture<br />

superimposition.<br />

Entity edge detection, for the building vector drawing<br />

generation, was done by automatic extraction<br />

of the angular discontinuity lines from the point<br />

model; this 2D product is performed by applying<br />

geometric tests regarding the local attitude of the<br />

surface-perpendicular in every point of the model.<br />

The process provides sketchy elevations of a building.<br />

Figure 7 shows an example of the church<br />

main elevation, achieved both through the angular<br />

surface discontinuity analysis (sketchy drawing<br />

being completed in CAD) and by tracing a preproduced<br />

colour orthophoto.<br />

Final remarks<br />

Laser scanning techniques provide an interesting<br />

3D point or surface model, which can be<br />

integrated with colour images and is fully measurable.<br />

The extraction of 2D plots from this model is still a complex step:<br />

starting from the scanned data and using cutting planes, it is possible<br />

to produce horizontal and vertical cross-profiles to be used<br />

together with orthophoto backdrops to complete building cross sections.<br />

However, 2D elevations have to be realized with the heavy<br />

support of manual editing and the photo-texturing step causes the<br />

greatest difficulties and errors.<br />

Nevertheless, the 3D model and its derived 2D plots represent an<br />

effective tool for the metric analysis of a building (geometry, shape,<br />

symmetries, alignments, parallelisms), for thematic inspections<br />

(colours, materials, preservation and/or decay condition) and globally<br />

for the generation of a knowledge database of an historical<br />

monument.<br />

Luigi Colombo, luigi.colombo@unibg.it, is professor of Geomatics and<br />

Barbara Marana is assistant professor at the University of<br />

Bergamo - Faculty of Engineering - DPT - Dalmine (Italy)<br />

Acknowledgements:<br />

Thanks are due to some graduated students of Geo-Technology Lab<br />

at the University of Bergamo and to 3DTarget for Z+F technology support.<br />

Fig. 7 – Sketchy elevation for the main façade (to the left); the same drawing performed by orthophoto<br />

tracing (to the right)<br />

October/November <strong>2011</strong>

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