2011 - Geoinformatics
2011 - Geoinformatics
2011 - Geoinformatics
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A r t i c l e<br />
Fig. 5 – Wireframe model with local photo-textures<br />
images, bypassing the heavy step dedicated to each photo projection<br />
and the need for several homologous tie points.<br />
Altogether, fifteen scans (each of 800 Mb) were produced, seven<br />
over the exteriors and eight for the interiors, with the aid of thirteen<br />
plane targets (mounted over a mobile support to optimize the survey<br />
inter-visibility) located inside a selected area and suitable for the<br />
cloud connection.<br />
The external survey was undertaken in the morning under a clouded<br />
sky, this way avoiding the unwanted effects of image shadowing.<br />
The interiors were measured under artificial lighting due to the low<br />
level of natural illumination provided by the windows.<br />
The church model and photo-texturing<br />
With the aid of targets, the sanctuary point model was generated by<br />
connecting each cloud to the central one, selected as reference. From<br />
the same scanning positions, proper overlapping images were acquired<br />
via manual shooting using the Nikon camera.<br />
The following photo-texturing process was automatically carried out<br />
thanks to the PTGui stitching package, in order to perform spherical<br />
multi-image panoramas, which were then imported inside 3D<br />
Reconstructor software, switching on spherical projectors for model rendering.<br />
A series of photographic images is shown describing the building façade<br />
Fig. 6 – Perspective view of the textured model<br />
28<br />
and the corresponding spherical panorama produced<br />
with PTGui (Fig. 4).<br />
Finally, the following figures (Figs. 5, 6) show some<br />
striking perspective views of the reconstructed 3D<br />
church model (points and meshes), with the phototexture<br />
superimposition.<br />
Entity edge detection, for the building vector drawing<br />
generation, was done by automatic extraction<br />
of the angular discontinuity lines from the point<br />
model; this 2D product is performed by applying<br />
geometric tests regarding the local attitude of the<br />
surface-perpendicular in every point of the model.<br />
The process provides sketchy elevations of a building.<br />
Figure 7 shows an example of the church<br />
main elevation, achieved both through the angular<br />
surface discontinuity analysis (sketchy drawing<br />
being completed in CAD) and by tracing a preproduced<br />
colour orthophoto.<br />
Final remarks<br />
Laser scanning techniques provide an interesting<br />
3D point or surface model, which can be<br />
integrated with colour images and is fully measurable.<br />
The extraction of 2D plots from this model is still a complex step:<br />
starting from the scanned data and using cutting planes, it is possible<br />
to produce horizontal and vertical cross-profiles to be used<br />
together with orthophoto backdrops to complete building cross sections.<br />
However, 2D elevations have to be realized with the heavy<br />
support of manual editing and the photo-texturing step causes the<br />
greatest difficulties and errors.<br />
Nevertheless, the 3D model and its derived 2D plots represent an<br />
effective tool for the metric analysis of a building (geometry, shape,<br />
symmetries, alignments, parallelisms), for thematic inspections<br />
(colours, materials, preservation and/or decay condition) and globally<br />
for the generation of a knowledge database of an historical<br />
monument.<br />
Luigi Colombo, luigi.colombo@unibg.it, is professor of Geomatics and<br />
Barbara Marana is assistant professor at the University of<br />
Bergamo - Faculty of Engineering - DPT - Dalmine (Italy)<br />
Acknowledgements:<br />
Thanks are due to some graduated students of Geo-Technology Lab<br />
at the University of Bergamo and to 3DTarget for Z+F technology support.<br />
Fig. 7 – Sketchy elevation for the main façade (to the left); the same drawing performed by orthophoto<br />
tracing (to the right)<br />
October/November <strong>2011</strong>