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Journal of History and Culture Journal of History and Culture

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j o u r n a l o f h i s t o r y a n d c u l t u r e<br />

following words: “I had access to all the writings <strong>of</strong> the prophets; there was nothing which I did not know <strong>of</strong> that<br />

had happened since the beginning.” 6 Senmut’s dramatic personification is typical in much <strong>of</strong> the pre-modern world<br />

because “the execution <strong>of</strong> sacred <strong>and</strong> prestigious public works elevated the <strong>of</strong>fice <strong>of</strong> the architect.” 7<br />

At this point it might be useful to ask why architects until today are unable to resist the Cartesian maxim<br />

cogito ergo sum? Perhaps it is because the relationship between knowledge <strong>and</strong> existence remains connected to the<br />

maxim ‘I think therefore I am’, which Descartes adapted to describe temporal reality. In his own words Descartes<br />

explains what he meant by cogito ergo sum.<br />

I knew that I was substance, the whole essence or nature is to think, <strong>and</strong> that for its existence there<br />

is no need <strong>of</strong> any place, nor does it depend on any material thing; so that this ‘me,’ that is to say,<br />

the soul by which I am what I am, is entirely distinct from body, <strong>and</strong> is even more easy to know<br />

that is the latter; <strong>and</strong> even if body were not, the soul would not cease to be what it is. 8<br />

The statement cogito ergo sum is perhaps the most famous in the history <strong>of</strong> philosophy, it illustrates precisely<br />

the opposite <strong>of</strong> what many world cultures believe to be true. Furthermore, cogito ergo sum suggests that thinking <strong>and</strong><br />

consciousness are the essence <strong>of</strong> being but it separates the mind from the body <strong>and</strong> the soul. The separation cripples<br />

any sense <strong>of</strong> reality connected to the unity <strong>of</strong> all existence thus it has rendered architecture <strong>and</strong> culture divorced<br />

from the knowledge <strong>of</strong> being.<br />

To illustrate the point, cogito ergo sum is opposite to what the Aborigines tell us about ‘dreamtime’ which<br />

points to the belief in the unity <strong>of</strong> all existence; in other words time <strong>and</strong> being are one <strong>and</strong> the same. Dreamtime<br />

connects the physical world with the sacred world <strong>and</strong> the human world, dreamtime is the beginning <strong>of</strong> knowledge<br />

which is antithetical to cogito ergo sum. In another example Claude Levi-Strauss defines the time-space relationship<br />

in one expression: ‘reversible space <strong>and</strong> linear time’. His proclamation comes from the observation <strong>of</strong> so called<br />

‘Primitive’ societies, where being, body, spirit <strong>and</strong> mind, are connected, broadly speaking, it could be argued that<br />

in such societies no sacred edifice is separate from cosmological meaning.<br />

Similarly, Le Corbusier’s words ‘taking possession <strong>of</strong> space’ is a metaphor <strong>of</strong> being, which carries over into<br />

the matter <strong>of</strong> dwelling. Although his observation seems valid, it is no accident that his discursive archetype remains<br />

decidedly Euro-centric <strong>and</strong> is not shared with all world cultures. For example the term ‘fana’ in Arabic is the denial<br />

<strong>of</strong> self by endorsing God as the only inconceivable reality. It mirrors the term nirvana in Buddhism. In general we<br />

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