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issue 5 - Viva Lewes

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Duncan Grant’s Studio by D. Manning, 2001 © the artist.<br />

Quentin Follies<br />

An art auction and a punk icon at Charleston Farmhouse<br />

In its time Charleston Farmhouse was the epicentre<br />

of the arts scene in the county and beyond, and its<br />

importance was reflected in the magnificent art collection<br />

that adorned its walls and the murals and<br />

furniture decorations lovingly applied by its inhabitants,<br />

especially Vanessa Bell and her lover Duncan<br />

Grant.<br />

“After Duncan Grant’s death the house got denuded<br />

of many of its treasures,” says Cressida Bell, Vanessa’s<br />

grand-daughter. “The house was actually rented<br />

from the Firle Estate, and it was Deborah Gage who<br />

realised its value and decided to try to get it back to<br />

its former glory. The Charleston Trust was set up,<br />

and the Quentin Bell Commemoration Fund was<br />

organised in order to retain the art works that remained<br />

there, and reclaim others which had been<br />

W W W. V i V a l E W E S . C o M<br />

a r t<br />

there, when they came up on the market.”<br />

Cressida set up The Quentin Follies as a fundraiser<br />

for the QBCF six years ago. “It was originally<br />

a revue show, with comedians and singers<br />

doing acts. The name Quentin Follies seemed<br />

to sum up the spirit of the whole enterprise,”<br />

she says. “Quite soon we realised a revue on its<br />

own would not be enough to break even on the<br />

project, so we asked a number of artists to donate<br />

works to be auctioned, to finish the whole<br />

event off.”<br />

The Quentin Follies auction has become something<br />

of an art world institution, with donations<br />

from a wide variety of artists, which you<br />

can view and bid for on-line, as well as, in some<br />

cases, on the night. “Artists have been very generous<br />

from the start, but we feel that this year<br />

we’ve got a particularly good batch. There are<br />

works by Patti Smith, Richard Hamilton, Peter<br />

Blake, Humphrey Ocean, Chris Drury, Maggie<br />

Hambling, Tom Hammick and Denis Healey,<br />

who does us a self-portrait every year. Oh and<br />

things by Cressida Bell, Julian Bell and Quentin<br />

Bell, too. And a piece by Duncan Grant.<br />

The one I’m fondest of is called Chav Finch,<br />

by David Harrison. It’s a picture of a chaffinch<br />

wearing Burberry.”<br />

As we go to press Cressida is finalising the ‘ten<br />

or so’ acts which will make up this year’s revue.<br />

“Joanna Neary, who is a fab comedienne from<br />

Brighton, will be there, as will Richard Dyball,<br />

a <strong>Lewes</strong>-based comedian. There will be a balloon<br />

dancer, and a Hinge-and-Brackett-type<br />

duo called El ‘n’ Em. There will be a few singers,<br />

too. I’m working on a surprise appearance<br />

from a big name from the past.” Later I get<br />

an e-mail from Cressida confirming who that<br />

will be: punk icon Kirk Brandon, formerly of<br />

Theatre of Hate and Spear of Destiny, playing<br />

a short set on acoustic guitar.<br />

Antonia Gabassi<br />

V<br />

Quentin Follies, Charleston Farmhouse, Firle, July<br />

th, 01 2 811265<br />

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