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Duncan Grant’s Studio by D. Manning, 2001 © the artist.<br />
Quentin Follies<br />
An art auction and a punk icon at Charleston Farmhouse<br />
In its time Charleston Farmhouse was the epicentre<br />
of the arts scene in the county and beyond, and its<br />
importance was reflected in the magnificent art collection<br />
that adorned its walls and the murals and<br />
furniture decorations lovingly applied by its inhabitants,<br />
especially Vanessa Bell and her lover Duncan<br />
Grant.<br />
“After Duncan Grant’s death the house got denuded<br />
of many of its treasures,” says Cressida Bell, Vanessa’s<br />
grand-daughter. “The house was actually rented<br />
from the Firle Estate, and it was Deborah Gage who<br />
realised its value and decided to try to get it back to<br />
its former glory. The Charleston Trust was set up,<br />
and the Quentin Bell Commemoration Fund was<br />
organised in order to retain the art works that remained<br />
there, and reclaim others which had been<br />
W W W. V i V a l E W E S . C o M<br />
a r t<br />
there, when they came up on the market.”<br />
Cressida set up The Quentin Follies as a fundraiser<br />
for the QBCF six years ago. “It was originally<br />
a revue show, with comedians and singers<br />
doing acts. The name Quentin Follies seemed<br />
to sum up the spirit of the whole enterprise,”<br />
she says. “Quite soon we realised a revue on its<br />
own would not be enough to break even on the<br />
project, so we asked a number of artists to donate<br />
works to be auctioned, to finish the whole<br />
event off.”<br />
The Quentin Follies auction has become something<br />
of an art world institution, with donations<br />
from a wide variety of artists, which you<br />
can view and bid for on-line, as well as, in some<br />
cases, on the night. “Artists have been very generous<br />
from the start, but we feel that this year<br />
we’ve got a particularly good batch. There are<br />
works by Patti Smith, Richard Hamilton, Peter<br />
Blake, Humphrey Ocean, Chris Drury, Maggie<br />
Hambling, Tom Hammick and Denis Healey,<br />
who does us a self-portrait every year. Oh and<br />
things by Cressida Bell, Julian Bell and Quentin<br />
Bell, too. And a piece by Duncan Grant.<br />
The one I’m fondest of is called Chav Finch,<br />
by David Harrison. It’s a picture of a chaffinch<br />
wearing Burberry.”<br />
As we go to press Cressida is finalising the ‘ten<br />
or so’ acts which will make up this year’s revue.<br />
“Joanna Neary, who is a fab comedienne from<br />
Brighton, will be there, as will Richard Dyball,<br />
a <strong>Lewes</strong>-based comedian. There will be a balloon<br />
dancer, and a Hinge-and-Brackett-type<br />
duo called El ‘n’ Em. There will be a few singers,<br />
too. I’m working on a surprise appearance<br />
from a big name from the past.” Later I get<br />
an e-mail from Cressida confirming who that<br />
will be: punk icon Kirk Brandon, formerly of<br />
Theatre of Hate and Spear of Destiny, playing<br />
a short set on acoustic guitar.<br />
Antonia Gabassi<br />
V<br />
Quentin Follies, Charleston Farmhouse, Firle, July<br />
th, 01 2 811265<br />
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