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The New York Times Magazine, Sunday, August 22 - Unauthorized ...

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<strong>The</strong> Bully in the Mirror<br />

I don't think of myself as culturally squeamish, but the ad struck me as so creepy<br />

that when I screened it at home recently, I became concerned that my<br />

15-month-old son, toddling around the room, might be paying attention. "<strong>The</strong><br />

style, the look, the leering tone, even the 'chicken hawk' voice-over -- Klein<br />

mimicked, closely, the style and tone of cheap basement gay pornography," says<br />

Bob Garfield, a columnist at Advertising Age and a longtime critic of what he<br />

calls Klein's "shockvertising" approach. If it is true, Garfield adds, that these<br />

commercials influence how boys think about their bodies, it reflects in part "the<br />

opening up of gay culture, where male objectification has almost nearly the<br />

effect that the objectification of females has had for time immemorial for<br />

women."<br />

This point is not lost on researchers. "<strong>The</strong> feminist complaint all along has been<br />

that women get treated as objects, that they internalize this and that it damages<br />

their self-esteem," says Kelly D. Brownell, director of the Yale Center for Eating<br />

and Weight Disorders. "And more and more, guys are falling into that same<br />

thing. <strong>The</strong>y're getting judged not by who they are, but how they look."<br />

<strong>The</strong>re is no way to plug popular culture into an equation and see what effect it<br />

has on mass psychology, of course, but there is widespread sentiment that these<br />

provocative images of buff males have really upped the ante for boys. Writing of<br />

both men and women in her new book, "<strong>The</strong> Male Body," Susan Bordo notes<br />

that "in an era characterized by some as 'postfeminist,' beauty seems to count<br />

more than it ever did before, and the standards for achieving it have become<br />

more stringent, more rigorous, than ever." Some of the research on body-image<br />

disorders in males indirectly makes the connection to cultural images.<br />

Olivardia, who conducted extensive interviews with men suffering from body<br />

dysmorphic disorder, says the patients bring up Hollywood movie stars all the<br />

time. "Arnold Schwarzenegger, Stallone, Jean-Claude Van Damme. And Calvin<br />

Klein -- that name has been brought up quite a lot of times." If you pick up an<br />

issue of Gentleman's Quarterly or Men's Health or Teen People (or even this<br />

magazine), you'll see the trickle-down effect: a boy removes a tank top for Guess<br />

jeans. Firemen drop trou for Jockey shorts. Even the recent ads for "Smart Start"<br />

cereals by Kellogg's feature a naked torso. Consider: a six-pack in a cereal ad!<br />

Indeed, the bare, hairless, ripped chest has become so ubiquitous as a cultural<br />

icon that it occurred to me that contemporary advertising may have completely<br />

reinvented -- or at least relocated -- the physiological epicenter of male<br />

insecurity. Once, the defining moment of terror in a boy's life came in the locker<br />

room at shower time -- the place, as a boy at the Chelsea school put it, "where<br />

there's nowhere to hide." <strong>The</strong>re's still plenty of angst about penis size; many boys<br />

simply don't take showers after gym class these days, but I heard genuine fear in<br />

the voices of older boys when they spoke about the impending horror of going to<br />

http://www.nytimes.com/library/magazine/home/199908<strong>22</strong>mag-boys-self-image.html (16 of 18) [8/<strong>22</strong>/1999 9:17:23 PM]

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