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The New York Times Magazine, Sunday, August 22 - Unauthorized ...

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<strong>The</strong> Outsiders<br />

but overall they are getting better, definitely."<br />

he quips ricochet around the bedroom like friendly-fire darts. Myles<br />

Forrest, 16, a sophomore with baby fat and sweet eyes, is one of George<br />

Farley's closer friends. George, also 16, is a floater. He has set up camp<br />

with ConVal's freaks for now. George sees weakness everywhere -- in women<br />

who look for milk cartons with the latest expiration date at the store where he<br />

works; in the unemployed drunk who receives an allowance from his working<br />

wife; in white girls who think they are cool because they date guys who are<br />

black. Softness arouses his contempt. He is no more gentle with himself. <strong>The</strong><br />

volleying with Myles, who wears his Y2K T-shirt -- "01-01-00" -- relieves<br />

George of the clearly burdensome obligation of having so much edge.<br />

"<strong>The</strong> end of Myles's life," George starts.<br />

"<strong>The</strong> end of life as we know it," Myles says. <strong>The</strong> phone rings. George lifts the<br />

receiver. "Myles Forrest, loser," he announces, and so the afternoon begins.<br />

Myles and George provide sustenance between insults. Myles fiddles with his<br />

computer -- one of two -- as George peers out over the street. "What's up with<br />

the dress?" George asks, spotting an exchange student from ConVal.<br />

"What? He's Hindu," says Myles.<br />

"I said, What's up with the dress?"<br />

"It's like a cult thing," Myles says, somewhat sharply.<br />

"That's a dress," George says, losing steam.<br />

"It's like a cult thing. It's like a kilt."<br />

"You know I'm messing with you, don't go getting all politically correct with<br />

me." (Later on, Myles will explain the theory of equal-opportunity hatred: "You<br />

ever notice that you can't hate a particular group, but if you generally hate<br />

everybody nobody seems to mind?") <strong>The</strong> sarcasm slows when the Quake<br />

competition begins.<br />

It strikes me as I watch them in front of the famously violent video game that it<br />

is one way for the boys to enjoy closeness without it being threatening. <strong>The</strong><br />

violence of the game, the state-of-siege mentality, the technical expertise<br />

required, supplant the macho expectations and give the boys a rest from the<br />

relentless one-upmanship. Rather than insult each other, they can attack the<br />

game. Soon enough, they are allies in the search for snacks, rushing down the<br />

stairs. <strong>The</strong>y amble past the locked gun case behind the door leading through the<br />

playroom, to the kitchen. George sticks his head in the fridge.<br />

http://www.nytimes.com/library/magazine/home/199908<strong>22</strong>mag-boys-social-coping.html (6 of 13) [8/<strong>22</strong>/1999 9:18:<strong>22</strong> PM]

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