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E14 | EXPRESS | 12.20.2012 | THURSDAY<br />

BE SHAKEN & STIRRED AT<br />

SMITHSONIAN’S IMAX ®<br />

THEATERS<br />

NOW SHOWING AT<br />

NATIONAL MUSEUM OF NATURAL HISTORY<br />

WASHINGTON, DC<br />

STEVEN F. UDVAR-HAZY CENTER<br />

CHANTILLY, VA<br />

866 868-7774 WWW.SI.EDU/IMAX<br />

CARVED FROM 2 MILLION POUNDS OF ICE!<br />

Scan code to purchase<br />

tickets and view trailer.<br />

Weekend Pass | goingoutguide.com<br />

Continued from page E13<br />

colors of the color wheel, indefinitely.<br />

1314 18th St. NW; 202-463-0203.<br />

Freer Gallery of Art: “Enlightened<br />

Beings: Buddhism in Chinese Painting,”<br />

an exhibit of 27 works that focus on<br />

the four main categories of the enlightened<br />

being in Buddhism, through Feb.<br />

24. “Promise of Paradise: Early Chinese<br />

Buddhist Sculpture,” Buddhist sculptures<br />

of stone and gilt bronze highlight<br />

the late Six Dynasties and the<br />

High Tang (6th to 8th century). “Whistler’s<br />

Neighborhood: Impressions of a<br />

Changing London,” etchings, watercolors<br />

and small oil paintings offer James<br />

McNeill Whistler’s quick impressions of<br />

London’s Chelsea neighborhood from<br />

1863 to his death in 1903, through Sept.<br />

8. Jefferson Drive and 12th Street SW;<br />

202-633-1000, Asia.si.edu.<br />

LAST CHANCE Hemphill: Linling Lu:<br />

“Lilac,” a new exhibit featuring pieces<br />

from the painter’s lauded “One Hundred<br />

Melodies of Solitude” series, through<br />

Saturday. 1515 14th St. NW; 202-234-<br />

5601, Hemphillfinearts.com.<br />

Hirshhorn Museum and Sculpture<br />

Garden: “Ai Weiwei: According to<br />

What?,” a retrospective of the Chinese<br />

contemporary artist and political activist,<br />

through Feb. 24. “Ai Weiwei: Circle<br />

of Animals/Zodiac Heads,” the artist’s<br />

installation includes 12 zodiac-inspired<br />

animal heads, through Feb. 24. “Barbara<br />

Kruger: Belief + Doubt,” the entire<br />

museum space — walls, floor, escalator<br />

sides — is wrapped in text-printed<br />

vinyl by the artist, immersing visitors in<br />

halls of voices that address conflicting<br />

perceptions of democracy, power and<br />

FEATURING<br />

Where the Yellow and Purple Meet<br />

REPRESENTATIONAL ART IS OVERRATED. So what if Carol<br />

Brown Goldberg’s “Liberty Heights and Wabash Avenue,” on view at Addison/Ripley<br />

Fine Art, doesn’t look like a real intersection? It FEELS like one.<br />

belief. “Black Box: Democracia,” a threechannel<br />

work. “To Be and to Last (Ser y<br />

Durar),” by the Madrid-based collective<br />

formed by Pablo Espana and Ivan Lopez,<br />

captures a team of local traceurs who<br />

perform parkour in a cemetery, through<br />

March 1. “Dark Matters,” the museum<br />

reopens an exhibit that explores the literal<br />

and metaphorical notions of darkness,<br />

through Jan. 31. Seventh Street<br />

and Independence Avenue SW; 202-633-<br />

1000, Hirshhorn.si.edu.<br />

LAST CHANCE Honfleur: “Michael B.<br />

Platt: Steppin’ Out,” influenced by a<br />

recent trip to Australia, the Washington<br />

artist revisits his idea of life-size<br />

cut-outs of charcoal drawings on wood,<br />

Thursday and Friday; 1241 Good Hope<br />

Road SE; 202-365-8392, Honfleur<br />

gallery.com.<br />

LAST CHANCE International Arts &<br />

Artists’ Hillyer Art Space: “Hot<br />

Pink,” photographer Matt Malone created<br />

installations using hot pink balloons,<br />

which he then photographed,<br />

Thursday and Friday; 9 Hillyer Court NW;<br />

202-338-0680, Artsandartists.org.<br />

Mexican Cultural Institute: “La<br />

The Must-See<br />

Holiday Attraction is Back!<br />

at Gaylord National Resort<br />

Now - January 6, 2013<br />

For package and ticket information,<br />

ChristmasOnThePotomac.com<br />

or call 301-965-4000<br />

Shrek The Halls © 2012 DreamWorks Animation, L.L.C. © 2012 The Coca-Cola Company,<br />

“Coca-Cola” is a registered trademark of The Coca-Cola Company. All rights reserved.<br />

CAROL BROWN GOLDBERG

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