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E16 | EXPRESS | 12.20.2012 | THURSDAY<br />
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Continued from page E15<br />
of Detroit’s ruins, through Feb. 18.<br />
“Detroit Is No Dry Bones: Photographs<br />
by Camilo Jose Vergara,” the sociologist<br />
documented the city’s decline for more<br />
than 25 years through his photographs,<br />
through Feb. 18. “House & Home,” an<br />
ongoing exhibition that explores what<br />
it means to live at home, “Investigating<br />
Where We Live,” produced by area<br />
teenagers in conjunction with museum<br />
staff, this exhibition features photographs<br />
and writings documenting<br />
Washington’s Anacostia neighborhood,<br />
through May 26. “Play Work Build,”<br />
the ongoing exhibit explores the history<br />
of play through a toy collection and<br />
foam block area, through Nov. 18, 2014.<br />
Ongoing exhibits: Learn about the history<br />
of buildings and their environmental<br />
impact, 401 F St. NW; 202-272-2448,<br />
Nbm.org.<br />
National Gallery of Art, East<br />
Building: “Ellsworth Kelly: Colored<br />
Paper Images,” an exhibition of<br />
23 paper-pulp pieces by Kelly, through<br />
Dec. 1, 2013. “In the Tower: Barnett Newman,”<br />
an installment of the In the Tower<br />
series, which spotlights artists working<br />
from mid-century to present day,<br />
includes the abstract expressionist’s<br />
linear paintings and drawings from the<br />
Data as Art<br />
1940s, through Feb. 24. “Roy Lichtenstein:<br />
A Retrospective,” the retrospective<br />
of 20th-century artist Roy Lichtenstein’s<br />
career features 134 of his<br />
works, through Jan. 13. “Shock of the<br />
News,” more than 60 artists will be represented<br />
in this exhibition, which looks<br />
at how visual artists began at the turn<br />
of the 20th century to think about the<br />
newspaper more broadly, through Jan.<br />
27. Fourth Street and Constitution Avenue<br />
NW; 202-737-4215, Nga.gov.<br />
National Gallery of Art, West<br />
Building: “Civic Pride: Dutch Group<br />
Portraits From Amsterdam,” rare depictions<br />
of meetings inside the Kloveniersdoelen,<br />
the gathering place of one of<br />
Amsterdam’s three militia companies, by<br />
Govert Flinck and Bartholomeus van der<br />
Helst are displayed. “Imperial Augsburg:<br />
Renaissance Prints and Drawings, 1475<br />
to 1540,” this exhibit serves as an introduction<br />
to Augsburg, its artists and its<br />
cultural history during the late 15th and<br />
early 16th centuries, indefinitely. “Masterpieces<br />
of American Furniture From<br />
the Kaufman Collection, 1700-1830,” one<br />
of the largest collections of early American<br />
furniture in private hands, acquired<br />
over the course of five decades by George<br />
M. and Linda H. Kaufman, is on display.<br />
“The Serial Portrait: Photography and<br />
WITH THEIR W3FI DIGITAL INSTALLATION, artists Chris Coleman<br />
and Laleh Mehran turn Artisphere’s Terrace Gallery into a continuously<br />
updated infographic, projected on every wall.<br />
CHRIS COLEMAN AND LALEH MEHRAN