Our Divine Bambino Boy
Our Divine Bambino Boy
Our Divine Bambino Boy
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SARMATIAN DE CASPIANYA « BEZZARI – OUR DIVINE BAMBINO BOY »<br />
our marrow. Like a galvanic battery it stirred our nerves. Startled, we halted to listen, when the<br />
moon, sweeping aside the curtain of a lamb cloud, appeared in her luminary garb, casting the<br />
reflex of her silvery beauty upon a sweet angelic face bathed in tears. Heavy straw-coloured<br />
locks, disclosing the charming features of a most beautiful and feminine face, a face set in a<br />
golden frame. Large violet eyes, shining through a bath of crystal tears, like a sapphire set in<br />
diamonds; nose, chin, brow and neck so perfectly formed that we would have believed it a<br />
statue chiselled by a renowned artist, rather than that of a human being. The shirt was ragged,<br />
the trousers be yond redemption, held in place by a single cord that was fastened in front and<br />
back over the left shoulder. A slouch hat of unmistakable aristocratic origin lay before the<br />
charming figure upon the cold pavement, and the picture before us as we stepped nearer,<br />
revealed to us a boy.<br />
He might have been twelve years of age, he might have been less. The face was that of an<br />
angel babe, and, therefore, beyond judgment as to years. As we looked at each other, his eyes<br />
held us with their bewitching magic. The former electrification, which at first enchanted our<br />
being, disappeared; and a feeling asserted itself like that with which two long lost friends meet<br />
again.<br />
"Who are you? What are you doing here? Why are you not at home or in an institution?" We<br />
stammered these short sentences, betraying the foreigner.<br />
The boy seemed to realize the poverty of our vocabulary, or the uncertainty of our grammar.<br />
Judging us by our clothes, he quickly made his deductions, and we were surprised to have him<br />
address us in the most select English: "I am not a beggar, sir, although my appearance may be<br />
much against me."<br />
"Come with us," was all we could say, and as we walked side by side we wondered what the<br />
future had in store for us.<br />
We have heard evil tongues by scores, reveal to us a certain condition of life we hoped never to<br />
believe in. Thousands of waifs and semi-orphans were as common in Italy as locusts in Egyptthe<br />
origin of the former largely attributed to repro bates and "tight-frocks," the latter not in the<br />
least denying 'it; while mothers paraded their illegitimacy with pride. Shame! Thrice shame upon<br />
us, to allow these suggestions of evil tongues to force themselves upon our mind at such a<br />
moment and in the presence of so beautiful and innocent appearing child.<br />
We had a square to walk, still thousands of ideas whirled through heart and mind, as whirl<br />
countless worlds through ether. Another shock was about to vibrate our being, for in<br />
approaching the porte-cochère, we involuntarily looked at the child beside us, when, to our<br />
surprise, we found "his hand in mine." We must have walked thus, side by side, perhaps<br />
unconsciously to either of us.<br />
The porter seemed as if waiting for us, for ere we found the button, the door opened. There and<br />
then the boy halted and said in a whisper: "Illustrious Sir, I am imposing: I can wait outside until<br />
the Morning Mass."<br />
"The Morning Mass? Do you go to Church?" we said, somewhat in a tremor.<br />
"Only to get warm," he answered with a smile, "And to meditate upon the fall of man."<br />
At such an answer all our scruples disappeared: and we assured him that all the apologies were<br />
on our side.<br />
III.<br />
WHEN, with the first rays of sunlight peeping through our window-pane, we awoke, we heard<br />
the landlady arranging for our breakfast in the adjoining room. By these maneuvers we knew<br />
that we had overslept and felt greatly embarrassed, owing to the great sense of honour and<br />
pride we still retained, 'in spite of vicissitudes. The boy must have passed through our room on<br />
.L C H O E .<br />
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